Architect: Richard Neutra

Learning From Machine Learning, on designer trees and architectural historiographies of the digital

Learning From Machine Learning, on designer trees and architectural historiographies of the digital

Sylvia Lavin

What does it mean for scholars to collaborate with contemporary knowledge machines? In this article, Sylvia Lavin reflects on the failures, successes, and potentialities of a machine learning tool designed to identify trees in architectural drawings. This project, which she initiated in 2022, was undertaken by Princeton University and the… Read More

Richard Neutra’s Corona Avenue School

Richard Neutra’s Corona Avenue School

Nicholas Olsberg

This project scrapbook traces the publication and exhibition history of Richard Neutra’s experimental Corona Avenue School, built in 1935 after the Los Angeles earthquake of 1933. The material for this scrapbook has been compiled by Nicholas Olsberg; his earlier text on the school for Drawing Matter can be read here.

The Evolving Role of Drawing

The Evolving Role of Drawing

Nicholas Olsberg

This text was first published in The Architectural Review in 2013. Carlo Scarpa, in a famously infamous gesture, opened all his courses in design at the University of Venice by demonstrating the art of sharpening a pencil. That was the precise point, he claimed, from which all architecture proceeds. And… Read More

Stories from Architecture: Behind the Lines at Drawing Matter

Stories from Architecture: Behind the Lines at Drawing Matter

Adrian Forty, Niall Hobhouse and Philippa Lewis

This film was recorded in the Drawing Matter archive on the afternoon of Friday 28 November. It records a conversation between Philippa Lewis, Adrian Forty and Niall Hobhouse, about some of the drawings behind Philippa’s new book, Stories from Architecture: Behind the Lines at Drawing Matter (2021). The film was… Read More

Trees Push Back

Trees Push Back

Sylvia Lavin

The following text is the third of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More

‘I chose a distant meadow’: The House that Neutra Built

‘I chose a distant meadow’: The House that Neutra Built

Stephen Bayley

There are several curiosities in the plan of this classic modernist house by Richard Neutra. First, more area is allowed for dogs than for music. Second, there is a two-car garage, but a separate parking-space for a Rolls-Royce. Here is fine discrimination. But fine discrimination is exactly what you would… Read More

Six Architects on their Dream Desks

Six Architects on their Dream Desks

Roz Barr, Biba Dow, Elizabeth Hatz, Emma Letizia Jones, Stephanie Macdonald and Helen Thomas

Drawing Matter recently acquired this design for a table, below. Although the work’s last sale in 1972 attributed the drawing to Thomas Chippendale, we are (perhaps wishfully) hoping that it might be an architect’s own design for desk. The sheet set off a flurry of chatter about the platonic spaces… Read More

Behind the Lines 13

Behind the Lines 13

Philippa Lewis

I selected a distant meadow in the midst of an empty landscape, barren and forlorn, to make a retreat for myself…. No sooner was the house completed than I knew it was not far enough away from everything I wished to leave behind…Later I sold the house and grounds for… Read More

Richard J. Neutra

Richard J. Neutra

Nicholas Olsberg

‘Richard J. Neutra has carried on the Wagner tradition of experimentation in new forms, materials and methods of construction… an impetus to the intelligent solution of new problems.’  Ernestine M. Fantl on the Corona Avenue School, ‘Modern Architecture in California’ (Typescript Mimeograph, MoMA Archives, 1935) Just before 6 o’clock on… Read More

Richard J. Neutra: Visitor Center at Gettysburg National Park

Richard J. Neutra: Visitor Center at Gettysburg National Park

Nicholas Olsberg

In 1941, the US National Park Service acquired one of numerous versions of a 360-degree cyclorama, an in-the-round painting of the turning point in the great rebellion against the American union at Gettysburg in July 1863. First painted 20 years after the battle, the panels filled a drum 80 feet… Read More

Displaced persons

Displaced persons

Niall Hobhouse and Nicholas Olsberg

Architects are extraordinarily reluctant to incorporate into their visual descriptions of buildings any evidence that the real subject their structures serve, and around whose activities they are so carefully formulated, is people. Here’s a look at a few of the moments when this unspoken rule has been broken. Distances: Using… Read More

Landscape situations

Landscape situations

Niall Hobhouse and Nicholas Olsberg

Setting it out: making the landscape For Horace Walpole, William Kent was born with a genius to strike out a great system from the twilight of imperfect essays. ‘He leaped the fence, and saw that all nature was a garden.’ With apparent innocence, the sketch Landscape in Wimbledon proposes only… Read More