Architect: Peter Wilson
From Diderot to Tokyo: Mechanical, Subjective and Digital Time
23 June 2021
From Diderot to Tokyo: Mechanical, Subjective and Digital Time23 June 2021
By Peter Wilson
The absolute precision and technical specificity of Diderot’s encyclopaedia plates, particularly those devoted to Horlogerie, mark a critical moment in the transition from speculative to operative science, from the pre-industrial to a modernist ontology of technical instrumentalisation. Here on these pages, artisan craft is ransomed to the immanent logic of… Read More
Cartographies of the Imagination
4 June 2021
Cartographies of the Imagination4 June 2021
By Kirsty Badenoch and Sayan Skandarajah
Drawing place is illusory. Maps may begin as transcriptions of a worldly order – a semblance of truth and objectivity – but in doing so, become acts of world-building that both belong to and are entirely removed from their starting point. In 2019, we first visited Shatwell Farm in the… Read More
BOLLES+WILSON: Sketching-Over Albania
27 May 2021
BOLLES+WILSON: Sketching-Over Albania27 May 2021
By Peter Wilson
Having devoted a number of years to techniques and images engendered by holding a wood encased rod of graphite, I some years ago experienced a sort of premature redundancy, noticing that those about me husbanding architecture were now mysteriously clutching not a pencil but a mouse. I had already technologically… Read More
Order and Uncertainty in Architectural Drawing
26 April 2021
Order and Uncertainty in Architectural Drawing26 April 2021
By Luke Tipene
How we look at architectural drawings is an inherently complicated topic. The issue arises from what we understand to appear and disappear on the page. The field of architecture has spent little time talking about what we see (and don’t see) on the surface of the drawing itself. One could… Read More
La Casa Della Falsita
5 February 2020
La Casa Della Falsita5 February 2020
By Peter Wilson
The 1982 ‘Casa Della Falsita’ exhibition was decidedly under the English architectural radar. Held in Munich at the Focus Furniture Gallery, the inspiration for the show was the result of a squabble with municipality, after the shop owner, Peter Pfeiffer, was denied planning permission to build a spiral staircase between… Read More
Eurolandschaft Dérive
1 April 2018
Eurolandschaft Dérive1 April 2018
By Peter Wilson
The format is Japanese: a concertina sketchbook presented empty to me by Akira Suzuki shortly after the 1983 completion of our Tokyo Suzuki House design. The drawing format is also Japanese – influenced by our reading of Tokyo (documented in Western Objects + Eastern Fields, AA 1989). Tokyo is difficult for… Read More
The Clandeboye Drawings
27 October 2017
The Clandeboye Drawings27 October 2017
By Peter Wilson
The seven Clandeboye drawings, each 35 × 35 cm and on A2 trace, were produced in 1984. The year is significant. Then the AA was busy maintaining a posture of indifference to Jenksian postmodernism, while the possibly visionary (at least in the case of architectural speculation) and certainly introspective 1970s… Read More
A Public Convenience
18 November 2016
A Public Convenience18 November 2016
By Peter Wilson
Whoops… that sounds like the confessions of George Michael. There was in choosing this title in 1976 a certain provocation intended, a toying with misdemeanour, not those of the carnal variety, more a voluptus ocularum. This was a time when drawing could be radical, provocative, set conventions on their heads. What conventions… Read More
The Intention of Suspension: Peter Wilson’s Clandeboye Fish
10 May 2021
The Intention of Suspension: Peter Wilson’s Clandeboye Fish10 May 2021
By Gabrielle Eglen
A phenomenological reading of ‘bridge’ would not prioritise function (crossing) but this suspended moment. – Peter Wilson [1] A fish out of water, a lady in thought, floating ‘wilderness’. Things first have to be separated from each other so as to be united later on. [2] Peter Wilson’s drawings of… Read More
industry & infrastructure drawing matter writing prize 2020