Category: commentaries, rants & reflections

Pan Scroll Zoom 10: Studio Othenin-Girard

Pan Scroll Zoom 10: Studio Othenin-Girard

Guillaume Othenin-Girard

This is the tenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Guillaume Othenin-Girard discusses his studio at the University of Hong Kong which explored… Read More

Working with Gowan: Housing at East Hanningfield

Working with Gowan: Housing at East Hanningfield

Paul Notley

The Site Plan was one of the Planning drawings prepared for submission to Chelmsford District Council and Essex County Council. It is A1 size and drawn on Wiggins Teape 112 gram ‘Gateway’ tracing paper. The East Hanningfield job was the first on which ‘A’ sized paper had been used in… Read More

Cedric Price: Urban Spaceman

Cedric Price: Urban Spaceman

Ana Bonet Miró

Laid down facing upwards and spread evenly on a neutral surface, 13 tin toys pose for a shot. Cedric Price’s robot collection – battery powered or clockwork, says the caption – includes a mechanical bird and rabbit, several spaceships, spacemen and robots. Their distinctive features intimate specific names, makers and… Read More

Pan Scroll Zoom 9: The Screen ClassRooms

Pan Scroll Zoom 9: The Screen ClassRooms

Anuj Daga

This is the ninth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Anuj Daga, Assistant Professor at the School of Environment & Architecture, Mumbai, explores… Read More

The Floor Plan of a Room

The Floor Plan of a Room

Thomas Hutton

Drawn from memory, the floor plan of a room in which two plan chests stand apart like two rectangular islands, plain-faced in plan but each one a tower of uncountable lines, paper upon paper suspended and preserved within the pellucid sleeves of polyester where they lie dormant and entombed as… Read More

Building Desire: On the Barcelona Pavilion (2005)

Building Desire: On the Barcelona Pavilion (2005)

George Dodds

The following text is an excerpt from George Dodds’ book Building Desire: On the Barcelona Pavilion (2005), an analysis of the historiography and mythography of Mies’s building and its afterlives. The author reminded the Drawing Matter editors of the text, in response to our publication in June 2020 of an… Read More

Pan Scroll Zoom 8: Patrick Lynch

Pan Scroll Zoom 8: Patrick Lynch

Patrick Lynch

This is the eighth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode we share Instagram posts by Patrick Lynch in which he describes his experience… Read More

Excerpt: Shadow Places

Excerpt: Shadow Places

Simon Unwin

The following text is excerpted from Simon Unwin’s book on shadow, in his series Analysing Architecture Notebooks, available here. For 20% off until May 31st 2021, use code KHL20. The piece is illustrated with drawings specially selected by Simon from the Drawing Matter collection. ‘Yea, though I walk through the… Read More

Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids

Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids

Rebecca Siefert

The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid is loaded with symbolism and history: it is emblematic of origins, order, systems, utopias and dystopias, and the inevitable susceptibility… Read More

Glasgow School of Art: The Measure of Things

Glasgow School of Art: The Measure of Things

Paul Clarke

The following text was first published in The Library: Glasgow School of Art (2014), edited by Mark Baines, John Barr and Christopher Platt. The text describes Paul Clarke’s process of surveying Charles Rennie Mackintosh’s library at the Glasgow School of Art, which he undertook in 1993. When the library was… Read More

Make me Hyper-Real: Image Ethics and the Architectural Visualisation

Make me Hyper-Real: Image Ethics and the Architectural Visualisation

Daniel Innes

Architectural visualisations sell us the image of a new reality. In depicting a building that is designed, rather than completed, they constitute a kind of spatial hypothesis: a temptation of a happier, wealthier, and more connected world. By constructing these fictions through the means of the image, they sell us the notion that the project it depicts will improve our lives for the better. … Read More

Cedric Price: Westal Market Stall Prototypes

Cedric Price: Westal Market Stall Prototypes

Editors

The way I remember it, a couple of years after the transfer of the ownership of the major part of the paper archive (over which I had been involved, as a kind of mediator), Cedric asked me to help with dismantling the Store Street studio, where he was giving up the lease.… Read More

Pan Scroll Zoom 7: MOS

Pan Scroll Zoom 7: MOS

Fabrizio Gallanti, Michael Meredith and Hilary Sample

This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More

Stan Allen’s Situated Objects (2020): Review & Excerpt

Stan Allen’s Situated Objects (2020): Review & Excerpt

Niall Hobhouse

Review Three times a week a package arrives in Somerset with another Practice Monograph, and the generous proposal that we might want to add it to the library at Drawing Matter. This is clearly an old story – somewhere we have a copy of one of John Soane’s endless books… Read More

Superstudio: Another Mirror Image

Superstudio: Another Mirror Image

Ludwig Engel

Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More

Singing Songs of Piccadilly: Review

Singing Songs of Piccadilly: Review

Editors

Niall Hobhouse writes about The Buildings of Green Park by Andrew Jones. To purchase the book, click here. Green Park, a pair of anecdotes: 1. Queen Caroline – ‘What would it cost, Sir Robert, to close the Park to the public?’ Walpole – ‘May it please your Majesty, but Three Crowns –… Read More

Mother of All Drawings

Mother of All Drawings

Deepiga Kameswaran

The very first attempts of humans to express their thoughts can be seen in prehistoric cave paintings. From these rudimentary markings to modern-day coding, the human race has evolved to acquire many skills. Still, none of us are born fully equipped with this skillset; we must repeat this process of learning… Read More

The Problem with Rainbows

The Problem with Rainbows

Adolfo Natalini

Resta sempre insoluto il problema dell’arcobalenoPare que ce ne sia uno dopo la pioggiaE che dall’alto con l’aereoSi veda tutto tornaMa questo metterebbe in crisi tutto quelliChe cercano la pentola d’oro Alle fine dell’arcobaleno C’e sempre un arcobalenoAl di sopra di ogni questione sulla quantitàE qualità dei suoi coloriDopo la pioggiaMa non dopo ogni pioggia… Read More

Sir John Soane’s Museum: Bound Legacy

Sir John Soane’s Museum: Bound Legacy

Alexandra Politis

John Britton, a topographer and antiquarian by trade, began preparations to publish a guidebook to John Soane’s house-museum in 1825. The earliest mention of such an endeavour appears in a letter to Soane dated 3 November, in which Britton outlines his desire to ‘produce a vol to surprise the public, and… Read More

On Tony Fretton and the Lisson Gallery

On Tony Fretton and the Lisson Gallery

Nicholas Logsdail

A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More

Louis Kahn: In Praise of shadows

Louis Kahn: In Praise of shadows

Emerald Liu

The pale white touch The most exquisite glow and depth of shadows An immutable mystery in the crossbeam of tranquillity simply vanished when the sunlight flooded the atmosphere Of this small corner Where we as children would feel an inexpressible chill While waiting so quiet and pliant to the touch… Read More

Hello Iwona

Hello Iwona

Hamish Lonergan

A large, red ‘Hello!!’ and attribution to ‘Gowan, James’ is all I can see, at first, of image 3157.3r in Drawing Matter’s online archive. No date, no caption. The greeting is enthusiastic enough to stop scrolling: ‘Hi there, James!!’ I think. But when I zoom in, it’s not him at all. … Read More

Two Early Paintings with OMA

Two Early Paintings with OMA

Zoe Zenghelis

Here, Zoe Zenghelis, painter and founding member of OMA, recalls the making of two paintings now in the Drawing Matter collection. The first, pictured below, is an aerial view of the unbuilt Hotel Therma, and the second is a version of OMA’s entry to the Parc de la Villette competition.… Read More

Viollet-le-Duc: Ruins in Reverse

Viollet-le-Duc: Ruins in Reverse

Thomas Gould

In 1844, architect Eugéne Viollet-le-Duc won a competition to supervise the restoration of the Notre-Dame Cathedral.  Blasted and defaced during the Revolution, the condition of the great church testified less to the promises of an infant republic than to the bloody throes of its birth. For its restoration, the Comité des… Read More