Category: design methodologies
Aldo Rossi: Transforming Artefacts into Objects of Affection
13 February 2023
Aldo Rossi: Transforming Artefacts into Objects of Affection13 February 2023
Michael Sorkin, in Drawings for Sale, draws a distinction between two levels of the impact of architectural drawings on their spectator: ‘the drawing as artefact and the drawing as the representation of certain ideas about some architecture’. Sorkin argues that the power of the impact of a drawing on its spectator… Read More
Pier Vittorio Aureli: Ambiguous Drawings
7 February 2023
Pier Vittorio Aureli: Ambiguous Drawings7 February 2023
For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More
DMJ – Dialogues between Architecture And Granite in Punta Sardegna
20 January 2023
DMJ – Dialogues between Architecture And Granite in Punta Sardegna20 January 2023
The stones are also premonitions, and the trails chart a course through nature that is both sign and path, direction and culture. The human journey and the mystery of the eternal, chance and intervention. Thus, the pre-existing stones are added and mingle with those put in later, and vice versa,… Read More
The Garden Transcripts
16 December 2022
The Garden Transcripts16 December 2022
For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More
DMJ – From Landscape to Mapscape: Robert Smithson’s Maps
15 November 2022
DMJ – From Landscape to Mapscape: Robert Smithson’s Maps15 November 2022
This text, published alongside Jonathan Foote’s article ‘Borromini’s Smudge’, marks the launch of the first and second issues of DMJournal–Architecture and Representation. Over the coming months, we will be publishing articles from both DMJ 1: The Geological Imagination and DMJ 2: Drawing Instruments/Instrumental Drawings. The Geological Imagination will be published… Read More
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism
19 October 2022
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism19 October 2022
As my title indicates, this text will focus on John Hejduk’s Silent Witnesses project from the mid-1970s, but I want to approach it in the first instance by way of Roland Barthes’s reflections on the ‘Neutral’. This is the topic of the lectures that Barthes delivered at the Collège de France… Read More
Two Way Traffic: Japanese Woodblock Prints
12 October 2022
Two Way Traffic: Japanese Woodblock Prints12 October 2022
One of the great enigmas of ukiyo-e – Japanese woodblock prints of the eighteenth and nineteenth centuries – is the anachronistic intrusion of Western drawing into an apparently closed world; that the sophisticated culture of Edo (now modern Tokyo) seemingly closed off its borders since the Middle Ages. The widespread… Read More
Where in the World are We? Melbourne Venice Studios 2022
22 September 2022
Where in the World are We? Melbourne Venice Studios 202222 September 2022
Remote teaching as a pandemic consequence has already been a theme for Drawing Matter, in the January 2022 Melbourne University Venice Workshop it reached an almost surreal zenith. Remoteness is fundamental to Australia, whether the extreme separations of the outback or a pre-digital geographic estrangement from global cultural discourses. At… Read More
Mies van der Rohe and the Universal Space Project
30 August 2022
Mies van der Rohe and the Universal Space Project30 August 2022
I must say that I was far more riveted by another Mies . . . who, in perfect International Style manner continued to insist on architecture and the production of truth as generated by a set of a priori and universalizing laws, and who was caught up in the entirely… Read More
Alberto Pérez-Gómez: Architecture as Drawing
28 July 2022
Alberto Pérez-Gómez: Architecture as Drawing28 July 2022
– Mark Dorrian and Alberto Pérez-Gómez
Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More
Elia Zenghelis: The Image as Emblem and Storyteller
11 July 2022
Elia Zenghelis: The Image as Emblem and Storyteller11 July 2022
We recently arranged for Elia Zenghelis to give a presentation under the title ‘The Image as Emblem and Storyteller’ via the Architecture Foundation’s YouTube channel. The talk summarises a thesis that Elia has been continuously developing throughout his career: from OMA’s polemical early work, via decades as one of the… Read More
Roland Simounet: De La Verité en Architecture
24 June 2022
Roland Simounet: De La Verité en Architecture24 June 2022
For an artist, ‘getting down to work’ is an instinct carried out spontaneously. […] The first outpouring in the pages of the sketchbook, when thought turns into action, at the meeting point between a project and a site, is so strong sometimes, so commanding, that one has the feeling that… Read More
Workshop: On Siza’s March ’77 Sketchbook
22 June 2022
Workshop: On Siza’s March ’77 Sketchbook22 June 2022
This audio recording documents a workshop on Álvaro Siza’s Malagueira sketchbook delivered by Manuel Montenegro to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The sketchbook is a record of Siza’s thoughts and responses over three days in 1977, on… Read More
William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England
18 May 2022
William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England18 May 2022
During the upheavals of the Civil War, Westminster Abbey had functioned as the church of the state for the Commonwealth. Upon the Restoration of Charles II, the Abbey resumed its historic role as the coronation church for English monarchs. [1] Parliament voted towards restoring the fabric, reinstituting its monarchical function… Read More
‘For the Curiosity of the Article’: Excerpts from Architectural Drawing (1870)
19 April 2022
‘For the Curiosity of the Article’: Excerpts from Architectural Drawing (1870)19 April 2022
The following introductory text and drawings are reproduced from William Burges’ Architectural Drawing (1870). Each of the drawings has been chosen for its graphic interest or for the content of Burges’ commentary – which covers the problems of surveying buildings, the limits of nineteenth-century book printing, and his personal curiosity in… Read More
Materia: Render
12 April 2022
Materia: Render12 April 2022
Render, a sticky viscous coloured slop traditionally applied by hand with a float, hawk and trowel to solid form, first as inchoate lumps, then smoothed down or mottled, to scatter particles of light in diffuse haphazard ways. Inaugurated as the application of mere ground to wall, mud render allowed a… Read More
The Iterative Power of Architecture’s Absence
7 April 2022
The Iterative Power of Architecture’s Absence7 April 2022
In 1991, the Swiss architects Herzog & de Meuron prepared a submission with the artist Remy Zaugg for the Berlin Morgen (‘Berlin Tomorrow’) exhibition organised by the Deutsches Architekturmuseum in Frankfurt, Germany. By surrounding Berlin’s Tiergarten with four new buildings, they proposed to restructure the park – then perceived as… Read More
Drawing Out, Drawing In: Cartographies for ‘Out of the Sea’
24 March 2022
Drawing Out, Drawing In: Cartographies for ‘Out of the Sea’24 March 2022
The provocation for this essay is Drawing Matter’s own: ‘we take the word “drawing” to be as much a verb as a noun…’ Drawing describes an act and a thing: both a process and the outcome of that process. There aren’t many English words like it, and many of them… Read More
Exhibition Design: Charging the Void
9 March 2022
Exhibition Design: Charging the Void9 March 2022
Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More
What’s a Bludder Sketch?
28 February 2022
What’s a Bludder Sketch?28 February 2022
As a timid foreigner in the Swedish Centre for Architecture and Design, shuffling through hundreds of important-looking drawings, I stumbled across a funny little sketch in whose lines I found some humanity. It was made by Bengt Lindroos in 1981 and is an imagined view of his office with the… Read More
Sigurd Lewerentz: Punctum. Seeing the Detail
14 February 2022
Sigurd Lewerentz: Punctum. Seeing the Detail14 February 2022
In his book on photography, Camera Lucida, Roland Barthes introduces the concept of ‘the Punctum’. The Punctum is something in a photograph that etches itself in the consciousness of the viewer. It is often a small detail that evokes emotions long after the gaze has left the picture: an experience that is born in the viewer’s… Read More
Ila Bêka & Louise Lemoine on the Moriyama House
28 February 2023
Ila Bêka & Louise Lemoine on the Moriyama House28 February 2023
– What is a House For and Bêka & Lemoine
The editors of ‘What is a House For’ (Mateusz Zaluska, Riccardo Amarri, and Matthew Bailey) have kindly allowed Drawing Matter to reproduce the following interview with Ila Bêka and Louise Lemoine, in which the filmmakers discuss the Moriyama House (2005) by Ryue Nishizawa, the subject of their 2017 film ‘Moriyama-San’.… Read More
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