Category: Drawing Matter archive: research & collecting
Christmas Reading List 2020
22 December 2020
Christmas Reading List 202022 December 2020
– Editors
At the end of this strange and complicated year, the Drawing Matter editors have invited the winners of our Writing Prize to help us reflect on the new writing published on drawingmatter.org since January 2020. We gave them the challenge of choosing just twelve of the 150 texts that we’ve published… Read More
Soane’s Temple Stye
16 December 2020
Soane’s Temple Stye16 December 2020
A temple for pigs? for swine? for hogs? Not a temple to worship them in, nor a temple for them to be sacrificed in. A temple for them to live in. These are not the pigs which invented their own form of latin, or those powerful Orwellian pigs, but normal… Read More
Startha Éagsula: O’Donnell + Tuomey on Zaha Hadid
11 December 2020
Startha Éagsula: O’Donnell + Tuomey on Zaha Hadid11 December 2020
– Sheila O'Donnell and John Tuomey
Around the time she made this super-skinny scheme for Berlin, Zaha came to Dublin to lecture at the National Gallery. She showed her design for the Taoiseach’s House, breaking out of the walled garden in the Phoenix Park, alongside her breakthrough project for the Hong Kong Peak and other funny… Read More
Drawing, Collaging, Rendering
9 December 2020
Drawing, Collaging, Rendering9 December 2020
When the ‘hard-line drawing’ has become so synonymous with the image of the architect it is easy to forget that the convenience of the everyday pen is relatively recent. For most of the long history of the world’s second-oldest profession, pen, paint and ink were reserved for competition boards or… Read More
Vitruvius: Follow the Footprints
7 December 2020
Vitruvius: Follow the Footprints7 December 2020
An intriguing Italian Renaissance drawing from the mid-sixteenth century has recently received critical attention through Drawing Matter. [1] Both the recto and the verso of the paper sheet have an ancient temple plan in perspective in a landscape setting, drawn in brown ink and attributed to the Sangallo circle as… Read More
Startha Éagsula: t o b Architect on James Gowan
3 December 2020
Startha Éagsula: t o b Architect on James Gowan3 December 2020
There is a ramp;There is a staggering of volumes in plan and section, in out, in out;There is a tapering toward the top;The emphasis is on the public ambulatory spaces;There are people ambulating about;The proportion and judgement of the volumes appear to be empathetic to people;The undercroft condition is important… Read More
On a handrail
30 November 2020
On a handrail30 November 2020
What drew me to the drawings Tony made, and the handrail itself, is the line it treads between standardisation and customisation. The way in which, for instance, standard sections of steel are bundled together and expressed to form thicker newel posts or to hold the glazing panels of the balustrade.… Read More
Startha Éagsula: Paul Dillon Architects on Florian Beigel and Philip Christou
26 November 2020
Startha Éagsula: Paul Dillon Architects on Florian Beigel and Philip Christou26 November 2020
This drawing is a development sketch for their proposed part in the rebuilding of the last remaining shanty town outside of Seoul, South Korea. It remains unbuilt. The model is instructional, suggestive of a final building, uses found, recycled materials. The use is not specified. The process of building is… Read More
William Heath Robinson ‘Tightening the Green Belt’
26 November 2020
William Heath Robinson ‘Tightening the Green Belt’26 November 2020
On 22 March 1921, The Times reported on ‘the urgent need of a green belt being preserved round London.’ It was the first recorded use of the phrase. By the time William Heath Robinson came to makes sketches for ‘Tightening the Green Belt’ (c.1935–47), the urban ring o’ roses was familiar enough… Read More
Aldo Rossi: the First Sketch and the Final Drawing
25 November 2020
Aldo Rossi: the First Sketch and the Final Drawing25 November 2020
The following letter was sent to the Drawing Matter editors by Andrea Leonardi, a member of Rossi’s office for nine years. A few days ago my dear friend Maurizio Diton, sent me an article he wrote for you in October 2019, ‘The Office Copier and Baptism by Colour: Working… Read More
Drawing is discovery (1953)
24 November 2020
Drawing is discovery (1953)24 November 2020
For the artist drawing is discovery. And that is not just a slick phrase, it is quite literally true. It is the actual act of drawing that forces the artist to look at the object in front of him, to dissect it in his mind’s eye and put it together… Read More
Outside In
23 November 2020
Outside In23 November 2020
Music plays from behind a curtain. Lights come on and you see that the curtain runs along two sides of a carpet whose centre hosts a leopard skin cushion. There is a chair at one side of the carpet and at the opposite end, a single column. Not before long… Read More
Sigurd Lewerentz: Siting the Axonometric
17 November 2020
Sigurd Lewerentz: Siting the Axonometric17 November 2020
One way to think about an axonometric drawing is as a perspective with the vanishing point at infinity. This means that the lines of projection are parallel, which assures dimensional consistency. Early treatises, for example, spoke of parallel projection as analogous to shadows cast by the sun; not, strictly speaking,… Read More
Writing Prize 2020: Appropriation and Drawing
13 November 2020
Writing Prize 2020: Appropriation and Drawing13 November 2020
Similar to many of Rossi’s drawings, the Urban Fragment presents us with a collection of his most cherished forms – a primordial tower, the hand of a saint, and fragments of his own projects, such as the Gallaratese 2 housing complex in Milan and the Cemetery of San Cataldo. In… Read More
Startha Éagsula: Steve Larkin Architects on Walter Pichler
12 November 2020
Startha Éagsula: Steve Larkin Architects on Walter Pichler12 November 2020
This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive. Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here. Friedrich… Read More
All back to front: D’Aviler’s Cours D’Architecture
9 November 2020
All back to front: D’Aviler’s Cours D’Architecture9 November 2020
In Louis de Boulogne’s drawing, now in the Drawing Matter collection, Architecture appears as a young woman. She sits leaning on an altar with a Corinthian capital at her feet, compasses in one hand and a portrait of Vignola in the other. Behind her are the ruins of Rome. It… Read More
Tree Speech
7 November 2020
Tree Speech7 November 2020
The following text is the fourth of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More
Startha Éagsula: Níall McLaughlin Architects on Basil Spence
4 November 2020
Startha Éagsula: Níall McLaughlin Architects on Basil Spence4 November 2020
This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive. Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here. The… Read More
Writing Prize 2020: Held Fast: SITE’s Ghost Parking Lot
3 November 2020
Writing Prize 2020: Held Fast: SITE’s Ghost Parking Lot3 November 2020
The scene might not appear unusual at first: cars are parked in a row near a commercial building with pedestrians passing on a sidewalk. On closer examination, though, the edges of the finely crosshatched cars appear softer than those of the building and roads. The cars seem to be draped… Read More
Trees Push Back
3 November 2020
Trees Push Back3 November 2020
The following text is the third of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More
Writing Prize 2020: The Best Future
2 November 2020
Writing Prize 2020: The Best Future2 November 2020
When James Wines was commissioned to design a series of big-box-retail sheds for ‘Best Products’—a now defunct chain of mail-order catalogue showrooms—it couldn’t have seemed illustrious. A shed’s objective is to enclose maximum space for minimum cost. The only real design element is the front facade, typically topped with a… Read More
Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright
29 October 2020
Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright29 October 2020
a vanished gardenthe oriental plan eclipses an obsession with circlesall spaces on their way to evaporateany momentthe terrible weight of void implodes into a dome turned sidewayson its way down, breast-feeding earthmidway of life – garden of deathlight words lift like invisible balloonsthe perspective of cantilevered canopies is relentlessin heavy… Read More
Startha Éagsula: GKMP architects on Charles Moore
17 December 2020
Startha Éagsula: GKMP architects on Charles Moore17 December 2020
– GKMP architects
The sketch sections by Charles Moore are dense with ideas. They suggest an intriguing disparity between the exterior form and the interior space, a type of Baroque poché created by a thicket of lines. The structure is tree-like, with trunks and branches shaping the space of the undercroft. Our model… Read More
DMC alternative histories (project)