Category: Drawing Matter archive: research & collecting
The Continuous Monument, Shatwell
09.10.2018
The Continuous Monument, Shatwell09.10.2018
To provoke an archaeology of collage making Niall Hobhouse asked Adolfo Natalini and Gian Piero Frassinelli to prepare a last collage, some 50 years after the first Continuous Monument, to imagine that it had finally arrived at Shatwell.
Siza and the Limits of Representation
25.09.2018
Siza and the Limits of Representation25.09.2018
Over the years in which the collection of Drawing Matter has been formed we have come to understand that the most productive discussion of architecture is actually about the precise relationship between the drawing and ‘its’ building. One good rule is that an architect with a powerful idea is always… Read More
Sans Humour?
14.09.2018
Sans Humour?14.09.2018
It seems that architects are too self-conscious – or perhaps in need of being seen as permanently on duty – to portray themselves or what they do with much humour, let alone self-critical caricature. Edwin Lutyens is an honourable exception, even if his self-mockery ultimately becomes a public performance – a… Read More
Aux Citoyens Membres de La Commune attachés à la commissions des services publics
07.09.2018
Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India
07.09.2018
Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India07.09.2018
Niall Hobhouse remembers that Jullian de la Fuente, the Chilean architect who worked with Le Corbusier, told him the story of how he came to own the twelve pages (of which one is shown) extracted from Le Corbusier’s sketchbook: In the late 1950s the first Prime Minister of India, Jawaharlal… Read More
Conjunction and Incongruity
01.09.2018
Conjunction and Incongruity01.09.2018
The word archive, meaning both the collection of documents and the building that houses them, is doubled in its meaning and it is not necessarily clear which one precedes the other. Drawing Matter Open Day highlighted in interesting ways the relation of causality between building and drawing as document or… Read More
Netherfield Scroll Two
28.08.2018
Netherfield Scroll Two28.08.2018
What follows here forms the second part of a two-part conversation. It has been extracted from the original email exchange between Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones in relation to the acquisition of the Netherfield Scroll, published in part one. The Netherfield Scroll – which measures 20… Read More
Grunt Group: Unrolling the Netherfield Scroll
28.08.2018
Grunt Group: Unrolling the Netherfield Scroll28.08.2018
On 7 April 2018, former members of the Grunt Group – Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones – presented their Netherfield Scroll to Drawing Matter. The 20-foot-long drawing was created c. 1971 for a low-density, social housing estate in Milton Keynes. The following video is a brief… Read More
Netherfield Scroll One
28.08.2018
Netherfield Scroll One28.08.2018
– Chris Cross, Jeremy Dixon and Edward Jones
The following two-part conversation surrounds the acquisition of the Netherfield Scroll – a 20-foot-long drawing created c. 1971 by Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones, otherwise known as the ‘Grunt Group’, for the commission of a low-density housing estate in Milton Keynes. The conversation with Jeremy Dixon… Read More
Behind the Lines 6
13.08.2018
Behind the Lines 613.08.2018
Richard Bentley cracked open the red seal, smiling as he always did at the peculiar crest of a man in a ridiculous long-tasselled hat, and folded out the letter. His mood was anxious; he scratched his head nervously with one hand and knocked over the ink on his drawing table with… Read More
Richard J. Neutra
10.08.2018
Richard J. Neutra10.08.2018
‘Richard J. Neutra has carried on the Wagner tradition of experimentation in new forms, materials and methods of construction… an impetus to the intelligent solution of new problems.’ Ernestine M. Fantl on the Corona Avenue School, ‘Modern Architecture in California’ (Typescript Mimeograph, MoMA Archives, 1935) Just before 6 o’clock on… Read More
Yacht Club Path
02.08.2018
Yacht Club Path02.08.2018
I The drawings have different stories. They don’t have a linear story, a beginning date and then a finished date at the end. Sometimes they are drawn in the beginning before the project is built and then continue during the construction of the project and sometimes too – actually, quite often… Read More
Foster + Partners: Cleveland Clinic Health Education Campus
26.07.2018
Foster + Partners: Cleveland Clinic Health Education Campus26.07.2018
Following on from Farshid Moussavi’s curatorial decision to create a display of construction drawings that showcase the ‘full complexity of the different systems and parts of buildings’, I chose this compelling BIM drawing from the Cleveland Clinic Health Education Campus project, which suitably illustrates our integrated design approach. Throughout the… Read More
arq : plan, Stan Allen, Helen Mallinson, Niall Hobhouse
20.07.2018
arq : plan, Stan Allen, Helen Mallinson, Niall Hobhouse20.07.2018
arq & Drawing Matter To launch the collaboration with Drawing Matter, and in continued celebration of arq’s recent twenty-first anniversary, the first issue of Volume 22 opens with a collection of twenty-one pairs of plan drawings. Stan Allen, Niall Hobhouse, and Helen Mallinson chose the images in an intense one-day session.… Read More
A Fragment of Wright’s Great City
16.07.2018
A Fragment of Wright’s Great City16.07.2018
Wright, Wagner and the Idea of the Great City We become greater in service to the general effect, more harmonious as part of the whole.– Frank Lloyd Wright, ‘To my European Co-Workers’, 1925 ‘I came upon the Secession during the winter of 1910,’ Wright wrote in An Autobiography, noting with great… Read More
Architectural Research Quarterly: Plan
13.07.2018
Architectural Research Quarterly: Plan13.07.2018
Volume 22, Issue 1 pp. 8–40 This issue of arq introduces the new collaboration with Drawing Matter. To launch the collaboration, and in continued celebration of arq’s recent twenty-first anniversary, this issue opens with a collection of twenty-one pairs of plan drawings. Stan Allen, Niall Hobhouse, and Helen Mallinson chose the images in… Read More
Schinkel: ‘Precisely Loose’
19.06.2018
Schinkel: ‘Precisely Loose’19.06.2018
What light may Schinkel’s drawings shed on Building Information Modelling (BIM) practice? In 1806 the young Schinkel was asked to develop a residence design from a set of initial layout plans. He drew a façade section, a peristyle detail and a column capital, before the war began and the commission… Read More
Behind the Lines 5
10.05.2018
Behind the Lines 510.05.2018
Boughton MonchelseaMaidstone September 26, 1828 My lord, Please be so good as to find designs for the lodge that you commissioned, a habitation for your woodman, John Platt. I earnestly hope that it will be the ornament that you desired for your park improvements. I also enclose the books that… Read More
Empathy
08.05.2018
Empathy08.05.2018
Being that can be understood is language. – Hans-Georg Gadamer One of the items in the Drawing Matter collection is a notebook once owned by Álvaro Siza. In it is this sketch, made of the Royal Academy London, where he was asked to consider making some work for an exhibition.… Read More
Buckminster Fuller’s Geodesic Sphere
09.10.2018
Buckminster Fuller’s Geodesic Sphere09.10.2018
– Helen Thomas
Frail and delicate, Richard Buckminster Fuller’s drawing of a geodesic sphere floats, without context, in the space of the paper it inhabits. More than the form it reveals, the net of thin, red lines expresses the presence of the space within it. A perspective effect emanates from the central point… Read More
sketch elevation theoretical & imaginary DMC