Medium: collage

Porto: Paving Work on Rua de António Sardinha

Porto: Paving Work on Rua de António Sardinha

Ivo Martins

In the photograph on the left from 1939, found in the municipal digital archive, Porto’s civic centre is still under construction. The image captures half-paved new roads, with curious people milling around the freshly built City Hall. Viewing this photograph recalls the collages of Fernando Barroso and Mário Ramos, where… Read More

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Editors

Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More

The City of Design

The City of Design

Emilio Ambasz

Italy has remained a federation of city-states. There are museum cities and factory cities. There is a city whose streets are made of water and another where all streets are hollowed walls. There is a city where all its inhabitants work on the manufacture of equipment for amusement parks, a… Read More

fala: collages

fala: collages

fala

This is the sixth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. fala started with collages. An abundance of images populated the internet; at some point, an online presence was decidedly claimed. Collages were the closest we… Read More

Fronts and Faces

Fronts and Faces

Lera Samovich

The paper is cut without measuring. Rulers and set squares are neglected. Scissors are preferred over cutters and cutting mats. Circles are traced from nearby cups and glasses. The lines are never quite parallel. The edges are askew and the angles are uncertain. Alignments, perfect geometries and round numbers are… Read More

Gurdwara

Gurdwara

Ekam Singh

Sikhism is the fifth-largest organised religion in the world. The gurdwara (a door to the guru, a teacher), sometimes referred to as the Sikh temple, is a place of worship for those of the Sikh faith. As a typology, it is under-explored in architectural academia – thought to be a… Read More

Power & Public Space 8: Markus LäHteenmäki – Lev Rudnev’s Monument to the Victims of the Revolution

Power & Public Space 8: Markus LäHteenmäki – Lev Rudnev’s Monument to the Victims of the Revolution

Matthew Blunderfield and Markus Lähteenmäki

Power & Public Space is a podcast from Drawing Matter and the Architecture Foundation hosted by Matthew Blunderfield. You can find the full podcast series here. Or listen now: Markus Lähteenmäki’s research explores, in part, how architecture became instrumental in the societal and cultural transformations that took place in revolutionary Russia. … Read More

Alberto Pérez-Gómez: Architecture as Drawing

Alberto Pérez-Gómez: Architecture as Drawing

Mark Dorrian and Alberto Pérez-Gómez

Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More

Elia Zenghelis: The Image as Emblem and Storyteller

Elia Zenghelis: The Image as Emblem and Storyteller

Richard Hall

We recently arranged for Elia Zenghelis to give a presentation under the title ‘The Image as Emblem and Storyteller’ via the Architecture Foundation’s YouTube channel. The talk summarises a thesis that Elia has been continuously developing throughout his career: from OMA’s polemical early work, via decades as one of the… Read More

Jan Tschichold and El Lissitzky: Foto-Auge (Photo-eye)

Jan Tschichold and El Lissitzky: Foto-Auge (Photo-eye)

Paul Stirton

Although not a member of the Deutscher Werkbund (DWB), Jan Tschichold was appointed to the selection committee for the Werkbund’s Film und Foto exhibition (FiFo), to be held in Stuttgart between May and June 1929. FiFo was one of the most ambitious attempts to showcase recent developments in photography. The… Read More

The Iterative Power of Architecture’s Absence

The Iterative Power of Architecture’s Absence

Peter Sealy

In 1991, the Swiss architects Herzog & de Meuron prepared a submission with the artist Remy Zaugg for the Berlin Morgen (‘Berlin Tomorrow’) exhibition organised by the Deutsches Architekturmuseum in Frankfurt, Germany. By surrounding Berlin’s Tiergarten with four new buildings, they proposed to restructure the park – then perceived as… Read More

Drawing Out, Drawing In: Cartographies for ‘Out of the Sea’

Drawing Out, Drawing In: Cartographies for ‘Out of the Sea’

Beth George

The provocation for this essay is Drawing Matter’s own: ‘we take the word “drawing” to be as much a verb as a noun…’ Drawing describes an act and a thing: both a process and the outcome of that process. There aren’t many English words like it, and many of them… Read More

Exhibition Design: Charging the Void

Exhibition Design: Charging the Void

Claire Oster

Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More

Montage-Entourage; Or The Politics Of The Seam

Montage-Entourage; Or The Politics Of The Seam

Michael Young

The following text is a version of chapter three from Reality Modeled After Images: Architecture and Aesthetics after the Digital Image by Michael Young, published by Routledge © 2021. Available from Routledge. Portions of this chapter were initially developed in the essay ‘The Aesthetic Recycling of Cultural Refuse’ published in Writing Architectures: Ficto-Critical Approaches… Read More

Pan Scroll Zoom 18: Wolff Architects

Pan Scroll Zoom 18: Wolff Architects

Fabrizio Gallanti, Ilze Wolff and Heinrich Wolff

This is the eighteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Heinrich Wolff and Ilze Wolff of Wolff Architects discuss the production of their drawings,… Read More

Porto School, B Side: Insurrectional Organization of Space

Porto School, B Side: Insurrectional Organization of Space

Pedro Bandeira

The following text on Mário Ramos and Fernando Barroso’s student work at the Porto School is excerpted from the publication Porto School, B Side 1968–1978 (An Oral History) (CIAJG & Documenta, 2014). Collages from the project are included in the exhibition At Play at Garagem Sul, Centro Cultural de Belém… Read More

Writing Prize 2021: Reading Material

Writing Prize 2021: Reading Material

Rebecca Disney

This is a narrative of listening: listening to materials, processes, place and self. When you sit in a room and read a book you are not looking at your environment – you perceive, touch, and smell its atmosphere and presence. Inadvertently, you register the space that surrounds you. During the initial… Read More

Writing Prize 2021: Live My Drawings

Writing Prize 2021: Live My Drawings

Ying Xuan Chian

Prologue: Panic! at K’s office Location: K’s office, University of Sheffield, Arts Tower Characters: Tutor: K (calm, knowing) Student: Me (facing an existential crisis, encountering a creative block, second-year hysteria… you get the idea) Brief: To design a library  I am fascinated by the heterogeneity of our experience of built… Read More

An Overwhelming Concern with Shelter! (1966)

An Overwhelming Concern with Shelter! (1966)

Gustav Metzger

The International Dialogue on Experimental Architecture (IDEA) was held at New Metropole Arts Centre in Folkestone, Kent, 10–11 June 1966. The symposium was organised by Archigram and included contributions from Hans Hollein, Joe Weber, Yona Friedman, Cedric Price, Arthur Quarmsby, Anthony G. William and Reyner Banham. The following text is… Read More

Superstudio: Finding the Horizon

Superstudio: Finding the Horizon

Gian Piero Frassinelli

Until not too long ago, I would be asked to explain to youngsters accustomed to digital graphics how I used to make montages. I felt like an archaeologist, explaining how, in the Palaeolithic era, Neanderthals used to make their tools.  Across several workshops, I have realised that the techniques today… Read More

Stirling & Gowan: The Isle of Wight House

Stirling & Gowan: The Isle of Wight House

James Gowan, J. M. Richards, Laurent Stalder, James Stirling and Ellis Woodman

This first impetus for this article was provided by Laurent Stalder’s discussion of the sectional perspective drawing for the Isle of Wight house, reproduced here, which led us to J. M. Richards’ seminal essay, and then onward through the literature. In addition, we asked the Deutsches Architekturmuseum and the Canadian… Read More

Postcards: The Nature of images

Postcards: The Nature of images

Luca Galofaro

Our vision is simultaneously determined by the (past) historical structure of the work and by the present structure of the gaze that examines it, in which the accumulated glimpses of history often continue to operate.– Daniel Arasse Writing a postcard is the simplest thing in the world. Among other things,… Read More

Drawing the Brunswick Centre

Drawing the Brunswick Centre

Birkin Haward

In the 1960s, when I was a penniless AA student, I used to produce perspective drawings for various offices to help pay the rent. Among them were the Smithsons, for whom I did several of the Economist, mainly interiors; Colquhoun and Miller, the chemistry building at Holloway College; YRM and… Read More