Medium: drawing

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

Elizabeth Hatz

a vanished gardenthe oriental plan eclipses an obsession with circlesall spaces on their way to evaporateany momentthe terrible weight of void implodes into a dome turned sidewayson its way down, breast-feeding earthmidway of life – garden of deathlight words lift like invisible balloonsthe perspective of cantilevered canopies is relentlessin heavy… Read More

A New Administration Center For Los Angeles (1936)

A New Administration Center For Los Angeles (1936)

William Hamilton

Excerpted from ‘Architect and Engineer’ 1936 January by William Hamilton.

Trees Move In

Trees Move In

Sylvia Lavin

The following text is the second of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us to reproduce the essays on… Read More

Raymond Erith On Soane at Tendring Hall

Raymond Erith On Soane at Tendring Hall

Pierre du Prey

The following notes were composed by Pierre du Prey to accompany his gift of the sketches pictured above to Drawing Matter, 16 September 2020. The circumstances surrounding two detailed sketches by Raymond Erithof the John Soane gate lodges at Tendring Hall, Suffolk, remain stronglyimpressed on the tablets of my memory.… Read More

The Empire State Building: Elevators (1931)

The Empire State Building: Elevators (1931)

Bassett Jones

The following was first published as ‘The Empire State Building: Shreve, Lamb & Harmon, Architects: VIII. Elevators’, Architectural Forum (January 1931). Drawing Matter would like to thank Nicholas Olsberg for sending us this text. Digital copies of Architectural Forum’s series on the Empire State Building can be found at usmodernist.org.

Trees Make A Plan

Trees Make A Plan

Sylvia Lavin

The following text is the first of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us to reproduce the essays on… Read More

Superstudio: Monument Interrupted

Superstudio: Monument Interrupted

Julian Lewis

The collages of Superstudio’s ‘Continuous Monument’ have always seemed to me like stills from an unseen film, each image framing a part of a wider scenography. Combining the collages does not make the larger reality of the monument any less elusive or fragmentary, akin to the way that remembered dreams… Read More

Paul László: Hertz Fallout Shelter

Paul László: Hertz Fallout Shelter

Christine Bolli

The mid-century architect Paul László knew what it was like to live in uncertain times. He served in both world wars, first for his native land and then for his adopted country. He was Hungarian-born and schooled in Vienna, and his earliest notable achievements were in Germany. László began to… Read More

Soane’s Designs for Combe House, Continued

Soane’s Designs for Combe House, Continued

Pierre du Prey

When Drawing Matter recently reproduced a preliminary ground plan for Combe House near Gittisham, Devon, by John Soane, I had a moment’s sudden recollection. Ptolemy Dean’s penetrating analysis of this precious if battered sheet of paper – entirely in the astonishingly fluid and energetic hand of the architect – set me to search… Read More

Just Begin: The Convent Sainte-Marie-de-la-Tourette

Just Begin: The Convent Sainte-Marie-de-la-Tourette

Stan Allen and José Oubrerie

‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More

The Wobbly Line: Asplund, Johansson and the Influence of Tessenow in Sweden 1915–1925

The Wobbly Line: Asplund, Johansson and the Influence of Tessenow in Sweden 1915–1925

Jan Rydén

There is a drawing in a 1923 issue of the Swedish trade journal Byggmästaren (The Master-Builder). It is part of a presentation of a new three-storey house by the architect Cyrillus Johansson. To illustrate his text the architect has included photos and a drawing of the front elevation and a plan of… Read More

Dating Siza: The Malagueira ‘Cupula’

Dating Siza: The Malagueira ‘Cupula’

Manuel Montenegro

The unbuilt half-dome (referred to by the architect as the ‘cupula’) at the Quinta da Malagueira is the subject of a protracted design process that has lasted for over four decades. At the start of 2020, Álvaro Siza sent a drawing of the half-dome to Drawing Matter accompanied by letter… Read More

OMA in Scheveningen

OMA in Scheveningen

Willem Jan Neutelings

Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] What a surprise to see this 40 year old drawing! I made it as a young collaborator of OMA in Rotterdam in 1982. It is an analytic sketch in ink and color… Read More

A Glasgow Effect

A Glasgow Effect

Paul Stallan

I draw and make dens to counter the weather of Scotland and the urban dislocation that I experienced from growing up in Glasgow, a city that suffered disproportionately from devastating post-war planning policy and the imposition of industrial modern architecture. The consequences of this are described by the medical term… Read More

Venice Biennale (1985)

Venice Biennale (1985)

Dario Passi

The third edition of the Venice Biennale in 1985, ‘Progetto Venezia’, directed by Aldo Rossi, had two major themes: the priority given to the moment of planning and the comparison with the Venetian landscape. For the 1985 exhibition, architects were invited to display their designs for the ‘requalification or the… Read More

The Birds’ Morning Hymn (1929)

The Birds’ Morning Hymn (1929)

Robert Lorimer

From a letter to The Times of April 18, 1929: At this season of the resurrection of Nature — that ever-fresh miracle — one thing happens that even keen bird-lovers seem hardly to appreciate to the full. I mean the birds’ Morning Hymn. We have all heard vaguely about ‘Bird… Read More

Siza at Sixteen

Siza at Sixteen

Manuel Montenegro and Álvaro Siza

Pouco a pouco, quase sem dar por isso, o carvão começou a não partir, o papel a não manchar, o miolo de pão a manter a plasticidade, o fôlego a aumentar. E a confiança. Slowly but steadily, unwittingly, the lead began to not break, paper to not stain, the bread… Read More

Notes on Port Royal, Jamaica

Notes on Port Royal, Jamaica

Paul Cox

My parents Oliver and Jean Cox were devoted ‘Jamaicophiles’, having worked on many projects in the country since the 1960s. One of the most enduring and absorbing was a proposed redevelopment of Port Royal as a renewal and upgrade of the historic city, rebuilding and restoring while making an interesting… Read More

The Conservative (1941)

The Conservative (1941)

Graham Greene

All along the wide stony high street of Chipping Campden one is aware of stopped clocks. Time has been strenuously and persistently defied – almost successfully. Even the public telephone box – after a short struggle with the Post Office – has been allowed to wear the protective colouring of… Read More

Fresh and Surprised

Fresh and Surprised

Julian Lewis

Indische Buurt is a suburban area at the eastern edge of Amsterdam that is rich with diverse ethnicities, building ages and spatial experiences. The streets are named after islands and, as a territory historically built upon reclaimed land, there is an overriding feeling of an archipelago: islands that are places… Read More

Soane: Energy and Frustration

Soane: Energy and Frustration

Ptolemy Dean

This seemingly benign-looking plan is in fact a thrilling drawing. It shows Sir John Soane’s cerebral struggles in attempting to resolve a number of key competing design elements in the planning of a country house. The drawing exudes energy and frustration. The challenge of designing buildings symmetrically is hard work… Read More

James Gowan: The Sheet for the Job

James Gowan: The Sheet for the Job

Jantje Engels

The elevation of the Engineering Faculty in Leicester, a building by James Stirling and James Gowan, is in the centre of the tracing paper: a drawing composed of vertical, horizontal and diagonal black lines. A series of height lines and dimensions have been applied effectively, showing that the construction is… Read More

Stirling at Stuttgart: Rear View / Up Views

Stirling at Stuttgart: Rear View / Up Views

John Tuomey

Rear Views I joined the Stirling office in September 1976, working late hours through the length of four years until my return to Dublin towards the end of 1980. Straight out of college and into my first proper job, the critical years in my formation as an architect. I had… Read More