Medium: drawing
O’Donnell + Tuomey in Conversation
08.05.2020
O’Donnell + Tuomey in Conversation08.05.2020
– Sheila O'Donnell and John Tuomey
John Tuomey: Let me tell you the story of this drawing. We were at one of those despairing moments when we were putting together our book Space for Architecture and feeling that we had never achieved anything of any substance. We didn’t have a lot of work going at that particular moment,… Read More
Animals
05.05.2020
Animals05.05.2020
– James Gowan and Ellis Woodman
excerpted from The Architecture of James Gowan: Modernity and Reinvention (2008)
The Ultimate Climes of John Lautner (1986)
04.05.2020
The Ultimate Climes of John Lautner (1986)04.05.2020
Extracted, with permission, from Piecing Together Los Angeles: An Esther McCoy Reader, published by East of Borneo Books © 2012. The publication is available at East of Borneo.
Drawing on the Nolli Plan
01.05.2020
Drawing on the Nolli Plan01.05.2020
Every January, when John and I visit Rome, I bring a set of A3 photocopies of the Nolli plan (Giambattista Nolli’s Nuova Topografia di Roma, 1748). I don’t bring the whole map – it stretches to twelve sheets, each about A2 in size – so before arriving I am already editing… Read More
Louis Kahn: Notes on a Scrap of Paper
30.04.2020
Louis Kahn: Notes on a Scrap of Paper30.04.2020
This scrap of paper, perhaps scooped up from the floor or a waste basket in Louis Kahn’s studio on Chestnut Street in Philadelphia, shows a single sketch – spidery lines outlining a modest block and strange openings. Beginning drawing in 1958 Kahn searched for a design of a new building… Read More
Grounded: Plans & Planning
29.04.2020
Grounded: Plans & Planning29.04.2020
– Richard Hall and Niall Hobhouse
The following is part of an email exchange between Niall Hobhouse and Richard Hall in response to Richard’s text on James Gowan and John Hejduk, One Thing Leads to Another. Niall Hobhouse: When you have time, I thought it would be interesting to encourage you to think about why it is… Read More
Shape
28.04.2020
Shape28.04.2020
Shape calls attention to things and their meanings. Architects, whether they mean to or not, give shape to things, and the people who see or inhabit those things, whether in full consciousness or not, respond to these shapes. The dimensions of this response are somewhat difficult to measure, since they… Read More
Cadbury-Brown: Royal College of Art Extension
28.04.2020
Cadbury-Brown: Royal College of Art Extension28.04.2020
The counter-reformation did not last long. In the end I think what reconciled us was that everything I attempted failed. By way of diversion from internal dissension, like any politician, I switched to foreign affairs. There were two things which, as an architect, I was expected to achieve for the… Read More
Space
27.04.2020
Space27.04.2020
Space in architecture is a special category of free space, phenomenally created by the architect when he gives a part of free space shape and scale. Its first two dimensions – width and breadth – are responsive mainly to functional imperatives in the narrow sense, but the manipulation of its… Read More
Daria’s Aria
23.04.2020
Daria’s Aria23.04.2020
Between 1939 and 1941 the French-born, Milan-based editor Daria Guarnati published seven volumes of a series called Aria d’Italia. Each issue formed a substantial monograph on a distinct facet of Italian life and culture. The inaugural Christmas edition was followed by the evocatively titled issues ‘Italy through Colour’, ‘Mediterranean Summer’, ‘The… Read More
One Thing Leads to Another
23.04.2020
One Thing Leads to Another23.04.2020
Architecture rarely results from a singular eureka moment or a spontaneous act of genius. The myth of the napkin sketch is precisely a myth. The lucidity it suggests is essential, but it is seldom instantaneous or hermetic. It comes from work. In architecture, this work is of a special kind,… Read More
BV Doshi: Drawn Closer
23.04.2020
BV Doshi: Drawn Closer23.04.2020
– Balkrishna Vithaldas Doshi and Sarah Handelman
I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More
Ruskin: Fairy Tales
22.04.2020
Ruskin: Fairy Tales22.04.2020
We all have a general and sufficient idea of imagination, and of its work with our hands and our hearts: we understand it, I suppose, as the imagining or picturing of new things in our thoughts; and we always show an involuntary respect for this power, wherever we can recognise… Read More
Allies & Morrison: The Art of Architecture
18.04.2020
Allies & Morrison: The Art of Architecture18.04.2020
Allies and Morrison is an office that has held onto its identity throughout its growth. When I entered the firm, the culture of the office was steeped in a careful, polite and thoughtful style of drawings. The muted drawing style could be observed in the early sketches of the partners… Read More
The Garden of Earthly Delights
09.04.2020
The Garden of Earthly Delights09.04.2020
The essay is an excerpt from Gabriel Guevrekian: The Elusive Modernist, by Hamed Khosravi, published by Hatje Cantz. Pre-order through the publisher’s website or visiting www.guevrekian.org.
Yasmeen Lari: Drawn Closer
07.04.2020
Yasmeen Lari: Drawn Closer07.04.2020
In 2005, earthquakes in northern Pakistan killed 80,000 people. This was an eye-opener for me, and I was drawn to work with these remote, impoverished mountain communities, to help to rebuild their lives. Having retired from conventional architectural practice, and this was something I’d never done before. Unlike NGOs offering… Read More
Where Words Fail
06.04.2020
Where Words Fail06.04.2020
– Cyril Babeev and Matt Page
This drawing, a sketched site plan annotated in cursive old-Russian, was published in May 1903 in the Saint Petersburg-based architecture magazine Zodchiy (Зодчій). [1] The plan describes a nearly-square plot sited perpendicular to a street (ulitza, улица) and divided into three areas: a house, represented by a white void; a garden in the… Read More
Web of Intrigue
03.04.2020
Web of Intrigue03.04.2020
Searching the internet for the drawings of Michael Sorkin, one comes across a lengthy list of the projects that have emerged from his eponymously titled studio. Halfway down the list can be found an exotic beauty of a drawing soberly captioned thus: House of the Future. 1999. Coloured Pencil, Hand… Read More
Drawing Culture at SOM New York
03.04.2020
Drawing Culture at SOM New York03.04.2020
When I joined SOM in 1963, design drawings were done in pencil on yellow tracing paper with occasional use of coloured pencils. In the mid-60s this changed to magic markers. When working on a project under Sherwood Smith for a college campus, we drew the site plans with thin pen… Read More
Gowan on the English House
01.04.2020
Gowan on the English House01.04.2020
When asked to write for Zodiac about his villa at Chester, built in 1982 for the furniture magnate Chaim Schreiber, James Gowan choses Robert Lorimer and Edwin Lutyens as his references. It is clear that he identifies with Lorimer particularly – another Scotsman, asked to build a house for a good client… Read More
Retail Therapy
30.03.2020
Retail Therapy30.03.2020
In architectural design the size of the human unit must always be borne in mind. It is nowhere more necessary to observe this maxim than in the determination of the scale of shop fronts, for here not only is the tendency to an undue magnification of parts most strongly encouraged… Read More
The Decline of Architectural Drawing (1859)
11.05.2020
The Decline of Architectural Drawing (1859)11.05.2020
– C. H. Smith
The Royal Academy’s 1859 summer exhibition, combined with a number of architectural drawings on display in Conduit Street, left a less than positive impression on critic C. H. Smith. In an article published by The Builder, Smith describes what he sees as a decline in the quality of the architectural… Read More
presentation civic & municipal DMC