Period: c19th
Diplomatics and Instrumentality of the Drawing / William Butterfield
21.08.2023
Diplomatics and Instrumentality of the Drawing / William Butterfield21.08.2023
This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More
DMJ – The Art of Measuring Images: Albrecht Meydenbauer and the Invention of the Photographic Survey
18.08.2023
DMJ – The Art of Measuring Images: Albrecht Meydenbauer and the Invention of the Photographic Survey18.08.2023
In 1868, the little-known project manager and government surveyor Albrecht Meydenbauer (1834 – 1921) climbed to the top of the Rotes Rathaus in Berlin to shoot the first 360-degree photographic record of the city. In contrast to the idealistic, hyper-real clarity of a more famous painted panorama of Berlin made… Read More
What Does a Drawing Sound Like?
20.07.2023
What Does a Drawing Sound Like?20.07.2023
Drawings in Mechanization Takes Command almost clank. Designs for a threshing machine in the 1770s, plans for a Mechanical Reaper submitted to the British Patent Office in 1811, and Cyrus McCormick’s subsequent design for the American farmer, all included iron wheels, heavy plate, and flailing chains. Those drawings selected by… Read More
William Butterfield: Forms and Transformations
10.07.2023
William Butterfield: Forms and Transformations10.07.2023
This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. The town of Torquay dates from the days when… Read More
Modelling the Metropolis: The Architectural Model in Victorian London (2023) – Review
15.06.2023
Modelling the Metropolis: The Architectural Model in Victorian London (2023) – Review15.06.2023
Throughout this book, Matthew Wells sets his face against seeing architectural models as objects in themselves. His preoccupation is with their many uses and, therefore, meanings, which gives Modelling the Metropolis an originality but also an academic flavour which will appeal to some more than others. Though not a book… Read More
Hardman & Co.
09.06.2023
Hardman & Co.09.06.2023
My interest in seeing the Hardman & Co. drawings at Drawing Matter was quite personally motivated as I feel a connection to the company. Partially, because I come from Birmingham where the company was based, and because I visited the studios informally in the 1980s with my parents. I was… Read More
Through a Glass Darkly
06.06.2023
Through a Glass Darkly06.06.2023
This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. Since Burckhardt’s discovery of Petra in 1812, Europeans and… Read More
Drawing Programme: A Drawing Matter Workshop
02.05.2023
Drawing Programme: A Drawing Matter Workshop02.05.2023
– Niall Hobhouse, Manuel Montenegro and Amy Teh
This audio recording documents a workshop on architects’ drawings exploring the relationship between form, space and programme. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live… Read More
Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more
13.03.2023
Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more13.03.2023
– Editors
There is no excerpt because this is a protected post.
W. R. Lethaby: Apprenticeship and Education
13.01.2023
W. R. Lethaby: Apprenticeship and Education13.01.2023
This is the fourth text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. The building sites of London in the late nineteenth century desperately lacked adequate skills, and this need was being addressed neither on the job nor through appropriate training. The first prospectus of… Read More
The Wessex Project: Thomas Hardy, Architect: Part III
06.01.2023
The Wessex Project: Thomas Hardy, Architect: Part III06.01.2023
This is the final of three extracts, each a series of vignette studies; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as a young architect in London and Dorset. As he… Read More
The Wessex Project: Thomas Hardy, Architect: Part II
21.12.2022
The Wessex Project: Thomas Hardy, Architect: Part II21.12.2022
This is the second of three extracts, each a series of vignette studies, that we will publish over the next few weeks; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as… Read More
The Wessex Project: Thomas Hardy, Architect: Part I
12.12.2022
The Wessex Project: Thomas Hardy, Architect: Part I12.12.2022
This is the first of three extracts, each a series of vignette studies, that we will publish over the next few weeks; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as… Read More
Gothic Sublime
01.12.2022
Gothic Sublime01.12.2022
For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More
W. R. Lethaby: The Church of Sancta Sophia, Constantinople
28.11.2022
W. R. Lethaby: The Church of Sancta Sophia, Constantinople28.11.2022
This is the third text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. William Lethaby’s second book, The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building, published in 1894, could hardly have started on its subject more emphatically, ‘Sancta Sophia is the most… Read More
W. R. Lethaby: The Builder’s Art and the Craftsman
24.10.2022
W. R. Lethaby: The Builder’s Art and the Craftsman24.10.2022
This is the second text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Dissatisfied with his first book, Architecture, Mysticism and Myth, a year later William Lethaby indicated a significant shift in thinking with the essay, ‘The Builder’s Art and the Craftsman’. The text… Read More
Stendhal’s Autobiography: La Vie de Henri Brulard
14.10.2022
Stendhal’s Autobiography: La Vie de Henri Brulard14.10.2022
Soft childish snow swirled on the sidewalk in New York. Lecture given, Christmas presents bought, two hours before the bus to Newark. Outside a bookstore a stall of paperbacks to clear, and there it is, the New York Review of Books’ paperback edition of La Vie du Henri Brulard, Stendhal’s autobiography of… Read More
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář
04.10.2022
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář04.10.2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More
William Burges: Architectural drawing
25.08.2022
William Burges: Architectural drawing25.08.2022
– Editors
William Burges was elected to the Royal Institute of British Architects in 1860 and to its council in 1862. The text reproduced below is the transcript of the paper he delivered upon joining the RIBA. Reproduced from Transactions v.9-11(1858–1861), digitised by the University of Illinois, here.
Alberto Pérez-Gómez: Architecture as Drawing
28.07.2022
Alberto Pérez-Gómez: Architecture as Drawing28.07.2022
– Mark Dorrian and Alberto Pérez-Gómez
Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More
Time’s Witness. History in the Age of Romanticism (2021) – Review
25.07.2022
Time’s Witness. History in the Age of Romanticism (2021) – Review25.07.2022
Anxious Objects At some point in the annals of Western scholarship it was judged that the past could be restituted not only from textual sources but also from objects, that the material of history was equally important as its written archive. This major shift in historical approach was largely brought… Read More
A Gentler Giant
02.08.2023
A Gentler Giant02.08.2023
– Leif Findlay
Faced with the grand statues of Ramesses II in Abu Simbel, Frédéric Auguste Bartholdi wrote ‘We are filled with profound emotion in the presence of these colossal witnesses, centuries old, of a past that to us is almost infinite, at whose feet so many generations, so many million existences, so… Read More
memorial & monument DMC