Period: c19th

Modelling the Metropolis: The Architectural Model in Victorian London (2023) – Review

Modelling the Metropolis: The Architectural Model in Victorian London (2023) – Review

Andrew Saint

Throughout this book, Matthew Wells sets his face against seeing architectural models as objects in themselves. His preoccupation is with their many uses and, therefore, meanings, which gives Modelling the Metropolis an originality but also an academic flavour which will appeal to some more than others. Though not a book… Read More

Hardman & Co.

Hardman & Co.

Sarah James

My interest in seeing the Hardman & Co. drawings at Drawing Matter was quite personally motivated as I feel a connection to the company. Partially, because I come from Birmingham where the company was based, and because I visited the studios informally in the 1980s with my parents. I was… Read More

Through a Glass Darkly

Through a Glass Darkly

Niall Hobhouse

This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. Since Burckhardt’s discovery of Petra in 1812, Europeans and… Read More

Drawing Programme: A Drawing Matter Workshop

Drawing Programme: A Drawing Matter Workshop

Niall Hobhouse, Manuel Montenegro and Amy Teh

This audio recording documents a workshop on architects’ drawings exploring the relationship between form, space and programme. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live… Read More

Drawing Construction: A Drawing Matter Workshop

Drawing Construction: A Drawing Matter Workshop

Niall Hobhouse, Manuel Montenegro and Amy Teh

This audio recording documents a workshop on construction drawings by architects architects and designers. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live in the Drawing… Read More

Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more

Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more

Editors

There is no excerpt because this is a protected post.

Drawing Sites: A Drawing Matter Workshop

Drawing Sites: A Drawing Matter Workshop

Niall Hobhouse, Manuel Montenegro and Amy Teh

This audio recording documents a workshop on architects’ drawings in which the site is the designer’s focus. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live… Read More

W. R. Lethaby: Apprenticeship and Education

W. R. Lethaby: Apprenticeship and Education

Hugh Strange

This is the fourth text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. The building sites of London in the late nineteenth century desperately lacked adequate skills, and this need was being addressed neither on the job nor through appropriate training. The first prospectus of… Read More

The Wessex Project: Thomas Hardy, Architect: Part III

The Wessex Project: Thomas Hardy, Architect: Part III

Kester Rattenbury

This is the final of three extracts, each a series of vignette studies; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as a young architect in London and Dorset. As he… Read More

The Wessex Project: Thomas Hardy, Architect: Part II

The Wessex Project: Thomas Hardy, Architect: Part II

Kester Rattenbury

This is the second of three extracts, each a series of vignette studies, that we will publish over the next few weeks; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as… Read More

The Wessex Project: Thomas Hardy, Architect: Part I

The Wessex Project: Thomas Hardy, Architect: Part I

Kester Rattenbury

This is the first of three extracts, each a series of vignette studies, that we will publish over the next few weeks; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as… Read More

Gothic Sublime

Gothic Sublime

Sonny Evans

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

W. R. Lethaby: The Church of Sancta Sophia, Constantinople

W. R. Lethaby: The Church of Sancta Sophia, Constantinople

Hugh Strange

This is the third text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. William Lethaby’s second book, The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building, published in 1894, could hardly have started on its subject more emphatically, ‘Sancta Sophia is the most… Read More

W. R. Lethaby: The Builder’s Art and the Craftsman

W. R. Lethaby: The Builder’s Art and the Craftsman

Hugh Strange

This is the second text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Dissatisfied with his first book, Architecture, Mysticism and Myth, a year later William Lethaby indicated a significant shift in thinking with the essay, ‘The Builder’s Art and the Craftsman’. The text… Read More

Stendhal’s Autobiography: La Vie de Henri Brulard

Stendhal’s Autobiography: La Vie de Henri Brulard

Christopher Woodward

Soft childish snow swirled on the sidewalk in New York. Lecture given, Christmas presents bought, two hours before the bus to Newark. Outside a bookstore a stall of paperbacks to clear, and there it is, the New York Review of Books’ paperback edition of La Vie du Henri Brulard, Stendhal’s autobiography of… Read More

In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář

In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář

Raphael Haque

Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More

William Burges: Architectural drawing

William Burges: Architectural drawing

Editors

William Burges was elected to the Royal Institute of British Architects in 1860 and to its council in 1862. The text reproduced below is the transcript of the paper he delivered upon joining the RIBA. Reproduced from Transactions v.9-11(1858–1861), digitised by the University of Illinois, here.

Alberto Pérez-Gómez: Architecture as Drawing

Alberto Pérez-Gómez: Architecture as Drawing

Mark Dorrian and Alberto Pérez-Gómez

Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More

Time’s Witness. History in the Age of Romanticism (2021) – Review

Time’s Witness. History in the Age of Romanticism (2021) – Review

Martin Bressani

Anxious Objects At some point in the annals of Western scholarship it was judged that the past could be restituted not only from textual sources but also from objects, that the material of history was equally important as its written archive. This major shift in historical approach was largely brought… Read More

Materia 2: Corrugated Iron

Materia 2: Corrugated Iron

Gordon Shrigley

This text is the second in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. Forthcoming texts will include thoughts on oxide-red paint, in-situ concrete, fired brick, plate glass and plastic. The first text… Read More

‘For the curiosity of the article’: Excerpts from Architectural Drawing (1870)

‘For the curiosity of the article’: Excerpts from Architectural Drawing (1870)

William Burges

The following introductory text and drawings are reproduced from William Burges’ Architectural Drawing (1870). Each of the drawings has been chosen for its graphic interest or for the content of Burges’ commentary – which covers the problems of surveying buildings, the limits of nineteenth-century book printing, and his personal curiosity in… Read More

The Ruined Temple and Oberrealta Chapel

The Ruined Temple and Oberrealta Chapel

Zachary Torres

The plans of the Ruined Temple and Oberrealta Chapel were drawn nearly two hundred years apart, and yet they both speak to the Ruskian timelessness of the ruin. The temple and chapel are representative of their respective ages, with the former alluding to Romanticism’s longing for a pastoral past free… Read More

Entering the Imperial Palace

Entering the Imperial Palace

Will Jennings

‘What a subject for John Martin!’ exclaimed a passer-by, as the hungry flames flickered up York Minster. Maybe they had in mind his apocalyptic painting The Fall of Nineveh, exhibited that same year at the Western Exchange on Old Bond Street and reproduced widely as a mezzotint print. Unbeknown to… Read More

The Edge of Architecture: Cornices in the Drawing Matter collection

The Edge of Architecture: Cornices in the Drawing Matter collection

Editors

The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.