Period: c20th
The Ulysses Project: Architecture and the City through James Joyce’s Dublin: Introduction
08.06.2022
The Ulysses Project: Architecture and the City through James Joyce’s Dublin: Introduction08.06.2022
This text introduces The Ulysses Project by architect Freddie Phillipson, his exploration of the relationship between the buildings of Dublin and James Joyce’s landmark novel. The drawings are on display at the Irish Architectural Archive, Dublin, from 17 June – 19 August 2022. The exhibition is part of Ulysses100, an international… Read More
Opportunism
02.06.2022
Opportunism02.06.2022
– Richard Hall and Emma Rutherford
While declaring explicitly architectural intentions (especially in the beginning), the enthusiastic appropriation of technologies and techniques peripheral to architecture has been a constant theme in OMA’s work. In 1976, Elia Zenghelis commented on the role of the telephone in their design process. [1] The photocopier and commercial printing would open up… Read More
Les Fêtes de Nuit (1937)
30.05.2022
Les Fêtes de Nuit (1937)30.05.2022
This is the best concise account of the technical sophistication behind the light and water installations created along and beside the Seine, for the Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937). We have added a group of gouache drawings by the architect René-André Coulon, made in the design phase for… Read More
Walter Segal, Self-Built Architect (2021) – Review
26.05.2022
Walter Segal, Self-Built Architect (2021) – Review26.05.2022
Given that architect Walter Segal was a Jewish immigrant, born in Berlin to Romanian parents, and a bit of a nomad, it seems unlikely that his best-known work would be confined entirely within London’s boroughs. Resident in the UK for perhaps longer than he had intended, it is in some… Read More
Fernando Higueras: The Volcano, The Flower, and The Dromedary
09.05.2022
Fernando Higueras: The Volcano, The Flower, and The Dromedary09.05.2022
From eighteenth century primitive huts to the rise of barn living in the 1970s, buildings have served as the conceptual boundary between primordial formlessness and the organised world. But what if architecture begins with the very nature that it was invented to exclude? In 1971, the Madrilenian architect Fernando Higueras… Read More
CP138 Gordon Matta-Clark: Readings of the Archive (2020) – Review
07.05.2022
CP138 Gordon Matta-Clark: Readings of the Archive (2020) – Review07.05.2022
The Gordon Matta-Clark archive arrived at the CCA in Montreal 20 years ago. Shortly thereafter, it was used as part of an ‘archival exercise’: Out of the Box: Price, Rossi, Stirling + Matta Clark (23 October 2003–6 September 2004). That first ‘Out of the Box’ prefigures the one undertaken for this publication,… Read More
Do You Remember How Perfect Everything Was? The Work of Zoe Zenghelis (2021) – Review
26.04.2022
Do You Remember How Perfect Everything Was? The Work of Zoe Zenghelis (2021) – Review26.04.2022
During the spring and summer of 2021, a two-part exhibition of the work of Zoe Zenghelis was shown in London. The first show was an enjoyably intimate immersion at Betts Project in Clerkenwell. The second, a more extensive review at the Architectural Association. Later that year a thick, crisply designed… Read More
The Iterative Power of Architecture’s Absence
07.04.2022
The Iterative Power of Architecture’s Absence07.04.2022
In 1991, the Swiss architects Herzog & de Meuron prepared a submission with the artist Remy Zaugg for the Berlin Morgen (‘Berlin Tomorrow’) exhibition organised by the Deutsches Architekturmuseum in Frankfurt, Germany. By surrounding Berlin’s Tiergarten with four new buildings, they proposed to restructure the park – then perceived as… Read More
In the Archive: Laugier, Eisen, Boulogne, Petitot, Percier, Dumont and Hadid
22.03.2022
In the Archive: Laugier, Eisen, Boulogne, Petitot, Percier, Dumont and Hadid22.03.2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. On a crisp January morning I made my way to York railway station to visit… Read More
Wood & Harrison: A Film About a City
21.03.2022
Wood & Harrison: A Film About a City21.03.2022
– Paul Harrison and John Wood
We are not architects. I mean, if you insist, we could probably knock something up, but we are not that good at maths, and not really that great with materials. ‘Wood and Harrison – Architects. You’ll be knocked out by our buildings’. But we have always been interested in architecture.… Read More
Exhibition Design: Charging the Void
09.03.2022
Exhibition Design: Charging the Void09.03.2022
Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More
Room at the Top?: Kate Macintosh, Denise Scott Brown and the Kingmaker-critic
07.03.2022
Room at the Top?: Kate Macintosh, Denise Scott Brown and the Kingmaker-critic07.03.2022
All creative disciplines rely on the mythologies of heroes: intellectual bigwigs who shape a profession’s academic and visual frameworks. A lengthy period of university study gives plenty of time for architecture students to ruminate on which white, male ‘guru’ to call their own — Corb, Aalto, Rossi, Scarpa? Drawings are… Read More
What’s a Bludder Sketch?
28.02.2022
What’s a Bludder Sketch?28.02.2022
As a timid foreigner in the Swedish Centre for Architecture and Design, shuffling through hundreds of important-looking drawings, I stumbled across a funny little sketch in whose lines I found some humanity. It was made by Bengt Lindroos in 1981 and is an imagined view of his office with the… Read More
The Edge of Architecture: Cornices in the Drawing Matter collection
21.02.2022
The Edge of Architecture: Cornices in the Drawing Matter collection21.02.2022
– Editors
The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.
The Cornice: The Edge of Architecture
21.02.2022
The Cornice: The Edge of Architecture21.02.2022
The following essay was first published as the introduction to ‘The Cornice’, GTA Papers 6 (2021). It is one of the outcomes of the work done in preparation for the exhibition The Hidden Horizontal: The Cornice in Architecture and Art, which was on show at the Graphische Sammlung of ETH… Read More
Sigurd Lewerentz: Punctum. Seeing the Detail
14.02.2022
Sigurd Lewerentz: Punctum. Seeing the Detail14.02.2022
In his book on photography, Camera Lucida, Roland Barthes introduces the concept of ‘the Punctum’. The Punctum is something in a photograph that etches itself in the consciousness of the viewer. It is often a small detail that evokes emotions long after the gaze has left the picture: an experience that is born in the viewer’s… Read More
Growth or Composition? Colin Rowe to Louis Kahn
10.02.2022
Growth or Composition? Colin Rowe to Louis Kahn10.02.2022
Extracted, with permission, from Louis Kahn: The Importance of a Drawing edited by Michael Merrill, published by Lars Müller Publishers © 2021. Click here to read a review of this book by Stan Allen. An auspicious meeting: At the end of 1955, a thirty-five-year-old academic named Colin Rowe visited the office… Read More
Louis Kahn: The Importance of a Drawing (2021) – Review
10.02.2022
Louis Kahn: The Importance of a Drawing (2021) – Review10.02.2022
I’ll confess, I ordered a copy of this book reluctantly. I had received one of those ‘We think you might be interested…’ notices, but my bookshelves are overburdened, and already include a number of books on Kahn, among them one of Michael Merrill’s previous collaborations with Lars Müller, Louis Kahn:… Read More
Charles Stanley Peach: Pioneer in Power
08.02.2022
Charles Stanley Peach: Pioneer in Power08.02.2022
Charles Stanley Peach set up his architectural practice in 1884, just as the public’s access to electricity was established. Through his contacts in the engineering world, he became involved in designing power supply infrastructure, including Brown Hart Gardens, a substation and Italianate garden in Mayfair. The following excerpt is taken… Read More
The Urban Fact: Aldo Rossi, Student Housing, Chieti
07.02.2022
The Urban Fact: Aldo Rossi, Student Housing, Chieti07.02.2022
– Kersten Geers, Stefano Graziani and Jelena Pancevac
The 1976 competition for student housing was part of a development scheme for the recently founded D’Annunzio University, a joint initiative by the neighbouring provinces of Chieti and Pescara in the Abruzzo region of southern Italy. The town of Chieti is located 200km northeast of Rome, on the ancient main… Read More
Postmodern Australia: Robert Pearce’s Drawings for Edmond and Corrigan
01.02.2022
Postmodern Australia: Robert Pearce’s Drawings for Edmond and Corrigan01.02.2022
Writing in Cities of Hope (1993), the historian Conrad Hamann relates that, on mentioning to Robert Venturi the name of the Australian postmodernist architect Peter Corrigan, the first words from Venturi’s mouth were ‘Oh God! Corrigan!’. Yet it must be made clear that to Corrigan, and to his wife and… Read More
The Measure of It: An Essay on Measured Drawings
31.01.2022
The Measure of It: An Essay on Measured Drawings31.01.2022
As a classical architect, George Saumarez Smith not only believes in producing something that is pleasing to the eye, but in the importance of precise measuring in architectural practice, that ‘…the important part of an architect’s role is to produce drawings as instructions to a builder’. The following excerpt is… Read More
Charles Jencks: Architect in the Jumping Universe
25.01.2022
Charles Jencks: Architect in the Jumping Universe25.01.2022
Gardens have always been the location to contemplate and speculate on man’s place in nature. Gardens bring the macrocosm into the microcosm by the necessity of being a living place, connecting to the wider rhythms, ecological networks, or the even more abstract forces that create our world. When Charles and… Read More
The Evolving Role of Drawing
29.04.2022
The Evolving Role of Drawing29.04.2022
– Nicholas Olsberg
This text was first published in The Architectural Review in 2013. Carlo Scarpa, in a famously infamous gesture, opened all his courses in design at the University of Venice by demonstrating the art of sharpening a pencil. That was the precise point, he claimed, from which all architecture proceeds. And… Read More
sketch theoretical & imaginary education DMC