Tag: DMC

Jean Tinguely: La Vittoria

Jean Tinguely: La Vittoria

Editors

In 1970 Pierre Restany and Guido Le Noci, director of the Apollinaire gallery, decided to celebrate, with the help of the municipality of Milan, the tenth anniversary of the foundation of the Nouveaux Réalistes group. On 27 November, ten years after Yves Klein published his single-issue newspaper Le Dimanche 27… Read More

Protected: Sin Centre: Sheen and Transparent Overlays

Protected: Sin Centre: Sheen and Transparent Overlays

Nat Chard and Editors

There is no excerpt because this is a protected post.

Trevor Dannatt: St Mary’s Grove —The Study, Pot Plants & Pottery

Trevor Dannatt: St Mary’s Grove —The Study, Pot Plants & Pottery

Adrian Dannatt

Bringing the outside indoors, merging and blurring nature and culture, extending the garden into the study—such notions, a legacy of a generous North American sense of the landscape, from Fallingwater to the Case Study Houses, may have drifted into cliché but still, there is such glory to the actual open… Read More

River Arno

River Arno

Ivo Poças Martins

In Florence, the flooding of the River Arno on November 4, 1966 was of a magnitude not seen in almost 500 years of history. The city, built on this alluvial plain, was flooded and the river overflowed its banks, filling areas as far away as the Piazza del Duomo with… Read More

Processing Process

Processing Process

Pablo Garcia

It is not Walter Gropius’ fault that his drawing for a single-family row house is strikingly dull. Even the towering figures of architecture, those revered creators of space and form, must, at times, strip their visions down to something much simpler. Clear, unadorned, almost utilitarian sketches become the necessary language… Read More

Protected: Ludwig Mies van der Rohe at Drawing Matter

Protected: Ludwig Mies van der Rohe at Drawing Matter

Editors and Nicholas Olsberg

There is no excerpt because this is a protected post.

Isou’s Bouleversement

Isou’s Bouleversement

Editors

Je pense que par la masse des définitions nouvelles et par la masse des secteurs inédits dévoilés, ce petit livre est le plus important ouvrage paru dans toute l’historie de l’architecture ou du moins le plus important ouvrage paru depuis plusieurs siécles en ce domaine. I believe that in terms… Read More

Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz 

Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz 

Francis Martinuzzi

Last year, Francis Martinuzzi contacted Drawing Matter after seeing a reproduction of one of his drawings on our website. The drawing was from a project from the submission for his architectural diploma with Jean Faloux under the tutelage of Antoine Grumbach at Unité Pédagogiuqe no. 6 (L’École nationale supérieure d’architecture… Read More

Protected: Notes on Urban Form

Protected: Notes on Urban Form

Ingrid Schroder

There is no excerpt because this is a protected post.

Walter Marchetti: Observation of the Movements of a Fly

Walter Marchetti: Observation of the Movements of a Fly

Matt Page

A fly lands on a windowpane. It pauses for a few seconds before crawling across the surface. It stops again, and waits. It flies off the glass and drops down at another point. It crawls, pauses; crawls, waits. This routine continues from 7 in the morning until 8 at night…… Read More

In the Archive: Abattoirs, Boucheries, and Slaughterhouses

In the Archive: Abattoirs, Boucheries, and Slaughterhouses

Rosie Ellison-Balaam

Click on drawings to move and enlarge. As architectural typologies, abattoirs, boucheries, and slaughterhouses embody the civilising of animal slaughter; serving as concrete expressions of the culture of animal consumption. Over time, the slaughterhouse has evolved in both its structures and perceptions, from a small-scale, craft-based operation rooted in necessity,… Read More

Leicester Engineering Building: Un-detailing

Leicester Engineering Building: Un-detailing

Reyner Banham

The building is in many ways as extraordinary as its details. At ground-floor level it confronts the visitor with a blank wall of hard-faced red brick, which is occasionally pierced with a rather private-looking doorway, except at the point where the glazed main-entrance lobby splits this defensive podium into two… Read More

Aldo Rossi at Drawing Matter

Aldo Rossi at Drawing Matter

Editors and Nicholas Olsberg

Aldo Rossi started as a painter, working in the tradition and model of Mario Sironi, whose metaphysical landscapes echo throughout his later work. Although his architectural career commenced with writing, editing and teaching, drawing—especially drawing with colour—remained the principal means to explore and communicate his ideas, and to evoke the… Read More

Zünd-Up’s Great Vienna War of Dreams

Zünd-Up’s Great Vienna War of Dreams

Wouter Van Acker

‘Only the realization of utopias will make man happy and release him from his frustrations! Use your imagination! Join in… Share the power! Share property.’ Wolf Vostell, Cologne 1969 [1] On June 28, 1969, the four members of the Viennese collective Zünd-Up presented their student project, The Great Vienna Auto-Expander, for Karl… Read More

Elizabeth Chesterton & Tomorrow Town: A New Town Thesis by Architectural Association Students

Elizabeth Chesterton & Tomorrow Town: A New Town Thesis by Architectural Association Students

Mary Mitchell

In 1999, I was an undergraduate at Edinburgh University studying Architectural History when I undertook a work placement at the university archives. Here I was asked to help organise an uncatalogued collection received from the Patrick Geddes Centre at the Outlook Tower. Within this collection were 12 portfolios. Portfolio 7… Read More

Making their Curves Come True…

Making their Curves Come True…

Editors

By the 1950s, a generation of architectural draughtsmen had abandoned their Beaux Arts ‘curves’ for the rulers and set squares of High Modernism; they had to be tempted back, by whatever means, to drawing the irregular curves that were both a possibility—and a feature—of the new architecture of structural concrete.… Read More

8 Smart’s Place: Making Sense

8 Smart’s Place: Making Sense

Emily Priest

This text concludes a series of studies by Emily Priest that began at Shatwell Farm during her stay on site in September 2023. How do you organise an architectural archive? Should it be ordered alphabetically? Should it be ordered by date? Should it be ordered by size? Should it be organised by type of object? How do… Read More

Haunted Venice

Haunted Venice

Mark West

After Niall Hobhouse saw an image of my collage, Venice Haunted, he sent me some comparable images, including a Hogarth frontispiece for a book on perspective theory and practice (1745). Its caption reads: ‘Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are… Read More

Josef Hoffmann: Placeholder Text

Josef Hoffmann: Placeholder Text

Rosie Ellison-Balaam

Designed to match the neoclassical grandeur of Peter Behrens’s Festival Hall, Josef Hoffmann formulates this monumental scheme for the Werkbund’s first exhibition in Cologne. Its facade is dominated by a propylaeum-like entrance, lined with fluted pillars. Above, stepped attics raise the gable fronts upward. The lettering is an appropriately Werkbund… Read More

Aldo van Eyck: Diruit, aedificat, mutat quadrata rotundis

Aldo van Eyck: Diruit, aedificat, mutat quadrata rotundis

Laura Harty

‘He pulls down, he builds up, he exchanges square for round.‘Horace—Epistles. I. 1. 100[1] The Aldo van Eyck drawing currently on show at 13 Lincoln’s Inn Fields appears, at first glance, to do precisely this. A preliminary drawing, one made for the design of the architect’s own house, on transparent… Read More

Adolf Loos: House Tzara, Paris, 1925-27

Adolf Loos: House Tzara, Paris, 1925-27

Ralf Bock

In 1924, Adolf Loos decided to leave Vienna and move his office to Paris. This decision was prompted by the politically motivated closure of the Settlement Office in Vienna. Loos had been the chief architect of the Settlement Office and was deeply committed to the settlers’ movement and the young… Read More

Ernö Goldfinger: Westminster Bank

Ernö Goldfinger: Westminster Bank

Erin McKellar

Looking at Ernö Goldfinger’s drawing for Westminster Bank at Alexander Fleming House in London, the first thing that stands out is its grid-like form. The frame of the building and its windows form a grid, and a grid within a grid, respectively. A peek inside the carefully drawn ground-floor windows… Read More

Álvaro Siza: SAAL Bouça Housing, Porto 

Álvaro Siza: SAAL Bouça Housing, Porto 

Manuel Montenegro, Helen Thomas and Ellis Woodman

This drawing has two layers and two authors. Francisco Guedes de Carvalho made the draft perspective when he was a collaborator working in Siza’s office after studying under him at the Faculty of Architecture at the University of Porto (FAUP). Guedes de Carvalho worked on the Bouça housing project both… Read More

Lisson 1 + 2

Lisson 1 + 2

Tony Fretton

LISSON GALLERY 1, 1986. Bell Street, London NW1 Tony Fretton, Michael Fieldman, Ruth Aureole Stuart. We were invited to discuss a new building for the Lisson Gallery. Meetings took place in the office of their existing premises, that the Director and his colleagues shared. To reach it you walked in… Read More