Tag: DMC
Collection Guide: Futurism, Rationalism, and Stile Littorio
26.03.2026
Collection Guide: Futurism, Rationalism, and Stile Littorio26.03.2026
The Drawing Matter collection holds around 70 objects that speak to Italy’s architectural evolution in the early twentieth century. It should be noted that this period was characterised by tremendous stylistic diversity, with movements and groups—often unhappily—coexisting and shifting, ultimately culminating in the dominance of the Stile Littorio. At the… Read More
The Architectural Competition: Shopfront to ‘The Trade’
20.03.2026
The Architectural Competition: Shopfront to ‘The Trade’20.03.2026
Alexander Scott Carter’s winning designs for single and double-fronted W.H. Smith shopfronts form a remote bookend to a troubled time for architectural competitions in Britain. The other arrived approximately 75 years earlier in the form of a satirical drawing produced to open Augustus Pugin’s Contrasts (1836). It too was a… Read More
Protected: James Gowan’s Schreiber House
19.03.2026
Protected: James Gowan’s Schreiber House19.03.2026
There is no excerpt because this is a protected post.
André des Gachons: Weather Warning
19.03.2026
André des Gachons: Weather Warning19.03.2026
The recent publication, La Veille du ciel: aquarelles météorologiques (Phénomène éditions), one of the most beautiful books published in 2025, gathers together forty years of daily weather reports by André des Gachons on the skies above the small rural commune of La Chaussée-sur-Marne, in eastern France. Des Gachons remained subjective… Read More
The Unperformed: Eisenstein’s Set Design for Heartbreak House
13.03.2026
The Unperformed: Eisenstein’s Set Design for Heartbreak House13.03.2026
The sole drawing by Sergei Eisenstein in the Drawing Matter archive is a set design for a production of George Bernard Shaw’s Heartbreak House (1919) from 1922. It is a rare, interdisciplinary confluence of a socialist Irish playwright (Shaw), a Russian filmmaker and theorist (Eisenstein), and a radical theatre maker… Read More
Sam Jacob: On Collage (Talk, Workshop + Exhibition)
12.03.2026
Sam Jacob: On Collage (Talk, Workshop + Exhibition)12.03.2026
– Editors
In early February, Drawing Matter organised a series of public events with the architect Sam Jacob exploring the uses of collage in architectural representations. On the Friday (6 February), Sam gave a talk on his personal interests in collage, weaving a narrative from Richard Hamilton’s Just what is it that… Read More
Shadowed plans
11.03.2026
Shadowed plans11.03.2026
Drawing Matter holds in its collection a plan by Superstudio architects Carlo Chiappi and Adolfo Natalini for the 1967 competition for the restoration of the Fortezza da Basso—a 16th-century fort in Florence—and its transformation into a National Centre for Arts and Crafts.[1] The drawing combines traditional plan-making techniques with remarkable… Read More
Protected: Desire and Pain: John Hejduk’s Thirteen Watchtowers of Cannaregio
03.03.2026
Protected: Desire and Pain: John Hejduk’s Thirteen Watchtowers of Cannaregio03.03.2026
– Mehrshad Atashi and Lida Badafareh
There is no excerpt because this is a protected post.
Drawing of a Cause
25.02.2026
Drawing of a Cause25.02.2026
The following text is based on an excerpt from Lost Causes: Possibilidade e Política em Concursos de Habitação (Porto: Circo de Ideias, 2025), edited by João Manuel Miranda and Tiago Antero. The book presents the results of ‘Lost Causes’, a research project that aims to promote critical reflection on unbuilt… Read More
Collection Guide: Álvaro Siza
24.02.2026
Collection Guide: Álvaro Siza24.02.2026
– Editors
At Drawing Matter, I had long hoped that we could play some part in the transition of the Álvaro Siza archive from his personal holdings to the public realm. Ten years ago, over many meetings with Siza, Nicholas Olsberg and I had agreed that the collection at Drawing Matter might… Read More
Chatter: Richard Wentworth with Roger Malbert, Rowan Moore and Marina Warner (Video)
20.02.2026
Chatter: Richard Wentworth with Roger Malbert, Rowan Moore and Marina Warner (Video)20.02.2026
– Editors
Drawing Matter’s 2026 Public Programme launched with Chatter, an informal evening that encouraged conversation around drawings and objects from the collection. For Chatter #1, we collaborated with the artist Richard Wentworth to select drawings and objects that relate to his work and interests. For the evening, material from different contexts,… Read More
‘ONE’ — A Workshop at Drawing Matter
05.02.2026
‘ONE’ — A Workshop at Drawing Matter05.02.2026
– Charles Batach, Fabrizio Gallanti, Youssef Khobaiz, Marina Lathouri, Katerina Papanikolopoulos, Roberto Rodriguez and Freny Shah
This article tries to convey the collective exhilaration of a week-long seminar with Drawing Matter: five days, four writing exercises based on the analysis, observation and writing of archival and graphic material from the Drawing Matter Collection. Since 2014, the History and Critical Thinking postgraduate programme at the Architectural Association… Read More
Protected: The house stands still while life moves
27.01.2026
Protected: The house stands still while life moves27.01.2026
There is no excerpt because this is a protected post.
Photographing Drawings
27.01.2026
Photographing Drawings27.01.2026
At Drawing Matter, we have a rule that when a new object enters the collection, it must be photographed and published within a month. With our capable photographer and her fancy equipment still in Somerset, we needed to find other ways of documenting new additions to the collection. We tried… Read More
Summer Evenings on Sukhna Dam
08.01.2026
Summer Evenings on Sukhna Dam08.01.2026
Poornmashi. The bright full-moon nights of the year were always opportunities for us to try to convince our parents to organise a picnic at the Lake. Chandigarh is a long way from the ocean, way inland, surrounded by the vast Indo-Gangetic plains. And although the mighty Himalayas are right at… Read More
Tracing Shadows: A Workshop Primer
05.01.2026
Tracing Shadows: A Workshop Primer05.01.2026
Here, Mark Dorrian examines the theoretical history of the shadow and its evolving role in architectural drawing. The text acts as a word-and-image primer for the third colloquium event, jointly hosted by the RIBA and V&A Drawings Collections, and Drawing Matter, which will take place later this month—a day of… Read More
In the Archive: Kenneth Frampton in Conversation with Daniel Talesnik (Video)
18.12.2025
In the Archive: Kenneth Frampton in Conversation with Daniel Talesnik (Video)18.12.2025
– Kenneth Frampton and Daniel Talesnik
In this instalment of our ‘In the Archive’ series, eminent architectural historian Kenneth Frampton is joined by architect and curator Daniel Talesnik. Through drawings of built and unbuilt works by Ove Arup, Stirling & Gowan, Alison and Peter Smithson, and Patrick Hodgkinson, to name a few, the conversation ranges from… Read More
Collection Guide: Zaha Hadid
15.12.2025
Collection Guide: Zaha Hadid15.12.2025
– Editors
Zaha Hadid was born in 1950 in Baghdad, Iraq. After studying mathematics at the American University in Beirut, Lebanon, from 1968 to 1971, she moved to London in 1972, where she studied architecture at the Architectural Association (AA). It was here that her work began to reference the Russian avant-garde,… Read More
To Table
11.12.2025
To Table11.12.2025
To table is to create the conditions for collective presence through food, space, event, and ritual; it is to host a gathering where practices and events—ranging from the everyday to the ceremonial, the spontaneous to the planned—become acts of social meaning-making. Also, as a verb, ‘to table’ conventionally carries a dual… Read More
The Many Lives of the Open Hand
08.12.2025
The Many Lives of the Open Hand08.12.2025
Saturday afternoon, 4pm, the summer heat. My father revs up the engines of his Fiat 1100, his pride and joy. It is the early 1970s and I am in my pre-teens. Small for my age, I squeeze into the front seat, between my parents. I am not welcome in the… Read More
The Lovell Health House: Richard Neutra’s Revolution in Building
04.12.2025
The Lovell Health House: Richard Neutra’s Revolution in Building 04.12.2025
‘Paris, 1927. I was in Lurçat’s studio on the rue Bonaparte looking for the first time at reproductions of the ‘Health House’ of Neutra. We young followers of the new architecture were both admiring and astounded by this signal of a revolution in building.’ Willy Boesiger, introducing Richard Neutra. Buildings and Projects (Zurich:… Read More
The Ingredients of the Pudding: Alison and Peter Smithson’s Christmas Cards
01.12.2025
The Ingredients of the Pudding: Alison and Peter Smithson’s Christmas Cards01.12.2025
Drawing Matter is pleased to publish the following text to mark the opening of ‘Come Deck the Halls!’, an exhibition celebrating the work of Alison and Peter Smithson at Roca London Gallery (5 December 2025 – 31 January 2026). The exhibition provides an insight into their architectural thinking through the… Read More
Tony Fretton: Everything I Saw Became Important (Exhibition + Talk)
24.11.2025
Tony Fretton: Everything I Saw Became Important (Exhibition + Talk)24.11.2025
– Editors
On Friday 7 November, Drawing Matter welcomed architects Tony Fretton and Benjamin Machin to the archive for a conversation to open the exhibition ‘Tony Fretton: Everything I Saw Became Important’. Anchored by seven ‘artefacts’ now in the Drawing Matter Collection, the conversation explores the roles of drawings, photography, and sketchbooks… Read More
Working (with) Drawings from the Drawing Matter Collection
27.03.2026
Working (with) Drawings from the Drawing Matter Collection27.03.2026
– Rosie Ellison-Balaam and Maria Mitsoula
The following text was first published in Stoà 14 – SCUOLE, SYLLABUS / SCHOOLS, BRIEF (Autumn 2025). * Drawing Matter and its Collection The Drawing Matter Collection, carefully assembled by collector, curator, and critic Niall Hobhouse over thirty years, comprises around 20,000 objects—including architectural drawings, models, photographs, and sketchbooks, among others—from around the… Read More
theoretical & imaginary alternative histories (project) DMC sketch