Tag: projection (axonometric isometric)

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

Editors

On 1 October 1980, at the height of postmodernism, Luce van Rooy opened her gallery in Amsterdam, around the corner from the Stedelijk Museum. [1] In a recent interview van Rooy reflects on the history of the gallery: the idea — what she calls a gallery for ‘architecture and related… Read More

Foster + Partners: CLEVELAND CLINIC HEALTH EDUCATION CAMPUS

Foster + Partners: CLEVELAND CLINIC HEALTH EDUCATION CAMPUS

Norman Foster

Following on from Farshid Moussavi’s curatorial decision to create a display of construction drawings that showcase the ‘full complexity of the different systems and parts of buildings’, I chose this compelling BIM drawing from the Cleveland Clinic Health Education Campus project, which suitably illustrates our integrated design approach. Throughout the… Read More

Toyo Ito & Associates, Architects

Toyo Ito & Associates, Architects

Toyo Ito

The catenoidal structures of the National Taichung Theatre unfold their space both vertically and laterally, forming the continuous interior space-tubes for the theatrical venue — named ‘Sound Caves’. Our design theme for this building was, from the planning to construction period, to conceive of the structural and mechanical arrangement along… Read More

Freestanding: Sigurd Lewerentz

Freestanding: Sigurd Lewerentz

Helen Thomas

Inhabiting and transforming the lozenge-like space of a long room in the heart of the Central Pavilion’s labyrinth, an installation by Petra Gipp creates a series of veiled rooms, corners and framed views, making spaces both ordered and complex. Everything is luminous. Light drops drops down from the skylights opened… Read More

Empathy

Empathy

Andrew Clancy

Being that can be understood is language. – Hans-Georg Gadamer One of the items in the Drawing Matter collection is a notebook once owned by Álvaro Siza. In it is this sketch, made of the Royal Academy London, where he was asked to consider making some work for an exhibition.… Read More

Nicholas Grimshaw

Nicholas Grimshaw

Nicholas Grimshaw

This axonometric of the Arthur Phillip High School illustrates the very inner workings of the building. Stripped bare of its materiality – the steel and concrete frame, the inner and outer facades and interior finishes – to reveal the network of elements which make the building come alive. These vital… Read More

WilkinsonEyre

WilkinsonEyre

Chris Wilkinson

This drawing presents a snapshot of the BIM model from the northern end of Battersea Power Station. Combined with a point cloud survey of the existing fabric, it overlays newer elements of construction with layers of the historic model. Careful selection of the information presented makes it possible to see… Read More

AL_A: V&A Exhibition Road Quarter

AL_A: V&A Exhibition Road Quarter

Amanda Levete

Farshid Moussavi’s brief for the Royal Academy of Arts Summer Exhibition asked for representations of the complexities of designing and realising buildings and structures. We illustrated this by overlaying each level of intervention in a different colour – from the existing V&A stonework in green, the services in purple, to the… Read More

Tony Fretton: Lisson Gallery 1

Tony Fretton: Lisson Gallery 1

Tony Fretton

84-7-1 is a singular image, a drawing of Lisson 1 seen from Lisson Street. It shows the back gallery as it was first intended – but which is not what it became, because the client kept buying land and adding to it. This sketch explores how a piece of architecture… Read More

Herzog & de Meuron

Herzog & de Meuron

Herzog & de Meuron

A pair of drawings – a plan and a still image from a digital model – act like X-rays revealing the hidden forces at play in a complex project that brings together public and private uses including concert halls, plazas, restaurants, hotel functions, and residences, all in one building. The… Read More

Drawings’ Conclusions

Drawings’ Conclusions

Stan Allen

The Campo Marzio project had its origins in a series of drawings done as far back as 1979, when I was a student at Cooper Union. I entered Cooper as a transfer student with a BA already in hand. I was originally placed in second year, but after a semester… Read More

A Blueprint is… Blue

A Blueprint is… Blue

Neil Bingham

A common error in looking at architectural drawings is to mistake mechanical reproductions for originals. Original and copy drawings both physically consist of two elements: the material (like ink) and the support (usually paper). But – and it may seem obvious to say – lines on paper are made by… Read More

The Politics of the Image

The Politics of the Image

Maria S. Giudici, Joseph Mercer, Florian Scheucher, Keranie Theodosiou, Livia Wang, Sophie Williams and Feifei Zhou

My course, The Politics of the Image at the Royal College of Art, drew on the Drawing Matter Collection amongst others to explore the construction of images since the Renaissance. This construction has allowed a crafty lie to evolve, be challenged and ultimately influence reality – albeit not always in straightforward ways.… Read More

Parataxis

Parataxis

Matthew Wells

‘Whatever elements that may come to hand or that are selected from the profusion of materials within reach, are combined with words to create a simple poetic image. This should amuse, disturb, mystify or provoke reflection. These images above all should entertain – the only sure road to appreciation.’ Man… Read More

Behind the Lines 2

Behind the Lines 2

Philippa Lewis

An idle (and very fanciful) speculation on the origin of a drawing Gloria Gigliotti, hosiery buyer at Saks Fifth Avenue, looked at the drawing that Paddy O’Neil from the Art Department had bought in to her office that morning. She had asked him, for a quick $5.00 on the side,… Read More

The Sacred Games of Art

The Sacred Games of Art

Patrick Lynch

These images show a series of buildings and public spaces designed over the past decade on Victoria Street, some made intuitively in meetings, others in contemplation, and others as a way to try to communicate something. They also formed part of my PhD submission, and so are sometimes attempts to… Read More

Dogma: The Room of One’s Own

Dogma: The Room of One’s Own

Pier Vittorio Aureli and Martino Tattara

The Architecture of the Private Room These drawings are part of a series of 48 perspectives that depict the ‘private’ room from antiquity to the present day. They comprise a study of the private room as a specific architectural form. Each perspective is taken with a more or less consistent… Read More

The Clandeboye Drawings

The Clandeboye Drawings

Peter Wilson

The seven Clandeboye drawings, each 35 × 35 cm and on A2 trace, were produced in 1984. The year is significant. Then the AA was busy maintaining a posture of indifference to Jenksian postmodernism, while the possibly visionary (at least in the case of architectural speculation) and certainly introspective 1970s… Read More

James Wines: Ghost Parking Lot

James Wines: Ghost Parking Lot

Christina Gray

This drawing depicts a site-specific public art project, commissioned by the retail developer David Burmant, which entombed twenty junked cars under a layer of asphalt in a suburban shopping plaza. James Wines was interested in upending expectations about common iconographic elements of suburbia by inverting the relationship between such objects… Read More

Aldo Rossi

Aldo Rossi

Jesse Reiser

In the spring of 1979 John Hejduk invited Aldo Rossi to teach at Cooper Union. I’m not certain when he met Rossi, but Rossi was crucial, I would say, to John’s last major shift in his work. He saw something in Rossi’s analogical project that would allow him to transition… Read More

Drawing from a Deep Well

Drawing from a Deep Well

Patrick Lynch

I make several different types of drawings in my life as an architect and as a teacher: those made at the speed of thought in B4 sketchbooks, on my lap or at the dining table or on trains or buses; tracing drawings made on bits torn from rolls of detail… Read More

Behind the Lines 1

Behind the Lines 1

Philippa Lewis

I look at this drawing and imagine the following scenario: Rex Savidge, architect, is running short of time. He must submit his plan for a commercial development in Newcastle the following day. Giving it a last look over, he is generally pleased with it: he has taken particular care with the… Read More

Drawings in Conversation

Drawings in Conversation

Matthew Wells

C. R. Cockerell, Joseph Gwilt and the Royal Exchange Competition Owing to a faulty gas lamp, on the 10th January 1838 the Royal Exchange in the City of London was destroyed by fire. The loss of the building was seen to be potentially catastrophic for trade in the City and… Read More