Tag: section

S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of

S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of

Gerard Carty, Elizabeth Hatz and Fionn O'Leary

In the Autumn of 2019, tutors Elizabeth Hatz and Gerard Carty visited the Drawing Matter archive with their fourth-year students from the School of Architecture and the University of Limerick (SAUL). Below is a record of their visit and its place in the context of the fourth-year studio. Tutors interested… Read More

Pan Scroll Zoom 1: Fabrizio Gallanti

Pan Scroll Zoom 1: Fabrizio Gallanti

Fabrizio Gallanti

This is the first in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of the drawings in presentations and reviews. In this episode Fabrizio writes of his own experience as a tutor and… Read More

Notes on Port Royal, Jamaica

Notes on Port Royal, Jamaica

Paul Cox

My parents Oliver and Jean Cox were devoted ‘Jamaicophiles’, having worked on many projects in the country since the 1960s. One of the most enduring and absorbing was a proposed redevelopment of Port Royal as a renewal and upgrade of the historic city, rebuilding and restoring while making an interesting… Read More

A Smoky Monument / Saunamonumentti

A Smoky Monument / Saunamonumentti

Tuomas Toivonen

Small sauna is part of a peculiar farm, where architecture is important. Sheltered by dense vegetation, the site is located on a steep incline on the edge of a valley grooved by water in a landscape of rolling fields, above the residential building and barnyard of an old dairy farm.… Read More

Working with Asplund

Working with Asplund

Herbert Korn

Asplund’s office was two floors up in an old building in Regeringsgatan, behind the NK department store. There were civil engineers there and Asplund collaborated with them as well. They worked on regional planning. Asplund’s office was a very smart room, a chapel for meditation you might say. It was… Read More

Ink on his Hands: Montano’s Visceral Roman Architectures

Ink on his Hands: Montano’s Visceral Roman Architectures

Dijana O. Apostolski

When he sat down to make the drawings that form this eight-page album of Roman buildings, Giovanni Battista Montano began by embossing lines onto the sheet with a stylus, straightedge and compass. Using natural black chalk, he then lightly sketched the principal parts and main particularities of the selected edifices.… Read More

The Ultimate Climes of John Lautner (1986)

The Ultimate Climes of John Lautner (1986)

Esther McCoy

Extracted, with permission, from Piecing Together Los Angeles: An Esther McCoy Reader, published by East of Borneo Books © 2012. The publication is available at East of Borneo.

BV Doshi: Drawn Closer

BV Doshi: Drawn Closer

Balkrishna Vithaldas Doshi and Sarah Handelman

I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More

Seeing, and Disbelieving

Seeing, and Disbelieving

Niall Hobhouse

It is easy enough to say that the analysis of any architectural drawing begins with asking what it is for. But trying to answer this innocent question, which applies equally to the purpose for which the drawing was intended and for which we are now looking at it, presents many… Read More

La Casa Della Falsita

La Casa Della Falsita

Peter Wilson

The 1982 ‘Casa Della Falsita’ exhibition was decidedly under the English architectural radar. Held in Munich at the Focus Furniture Gallery, the inspiration for the show was the result of a squabble with municipality, after the shop owner, Peter Pfeiffer, was denied planning permission to build a spiral staircase between… Read More

Spaghetti with Meatballs

Spaghetti with Meatballs

Andreas von Foerster

I was born in Berlin in 1943 and came to the US in 1949 when my father got a position at the University of Illinois. I was interested in history, art and mathematics, so I studied architecture there. I interrupted my studies to work in an office in San Francisco… Read More

Marie-José Van Hee: Drawn Closer

Marie-José Van Hee: Drawn Closer

Marie-José Van Hee

Towards the end of my architectural studies in the late 1960s I moved into a little house near the Prinsenhof neighbourhood of Ghent. My neighbours were Ghent people, and my landlord owned the whole block. Every month he would collect rent, and although he didn’t talk to most people, he… Read More