Tag: theoretical & imaginary
Artful Trades: Into a Market of Consumables
06.03.2024
Artful Trades: Into a Market of Consumables06.03.2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Despite predictions of the… Read More
Visualizing the Renaissance Worksite and the problems of graphic translation
17.01.2024
Visualizing the Renaissance Worksite and the problems of graphic translation 17.01.2024
– Jarne Geenens and Elizabeth Merrill
Francesco di Giorgio’s autograph manuscript of machine design, the Opusculum de architectura is among the most enigmatic records of early modern architecture.[1] Dedicated to Duke Federico da Montefeltro, the compact vellum manuscript celebrates the art and ingenuity of technical design, while simultaneously capturing the energy and ambition of the fabled… Read More
Return to the Archive
12.01.2024
Return to the Archive12.01.2024
In the mellow warmth of September 2023, I, in my capacity as the Director of the Museum of Architecture at the Technical University Berlin, found myself in the unpretentious village of Mikoszewo, Poland. There, where the Vistula River gracefully concludes its journey into the arms of the sea, I stood,… Read More
Alberto Ponis, The London Years
14.12.2023
Alberto Ponis, The London Years14.12.2023
I am leafing through a neat hundred-page sketchbook with notes, the text enlivened with pencil, charcoal, and pen sketches with varied annotations, including asterisks and underlining in colour crayon, brought into order with careful lists and occasional full pages on practical matters such as delivering a lecture or taking architectural… Read More
On Drawing
30.11.2023
On Drawing30.11.2023
A drawing for me is a model that oscillates between the idea and the physical, or built, reality of architecture. It is not a step toward this reality but an autonomous act to anticipate the concreteness of the ideal. An architectural drawing can never be rendered but must surrender to… Read More
Mapping Cities: Barcelona and Paris
29.11.2023
Mapping Cities: Barcelona and Paris29.11.2023
– Dibujantes CNT and Grand Marnier
Prompted by the publication of Laurence Le Bras and Emmanuel Guy’s text on Guy Debord’s situationist maps of Paris, a closer look at two ways to represent the experience of a city…
Guy Debord—An Art of War
29.11.2023
Guy Debord—An Art of War29.11.2023
– Laurence Le Bras and Emmanuel Guy
The following is an extract from the book Emmanuel Guy, Laurence Le Bras, and Bibliothèque Nationale De France, Guy Debord: Un Art de La Guerre (Editions Gallimard, 2013), pp. 92–96 published on the occasion of the exhibition ‘Guy Debord: an art of war’, presented by the Bibliothèque nationale de France on the François-Mitterrand… Read More
Protected: Emerging Ecologies: O.M. Ungers
09.11.2023
Protected: Emerging Ecologies: O.M. Ungers09.11.2023
There is no excerpt because this is a protected post.
Repton does a Bernini – A Crescent for The Ham
24.10.2023
Repton does a Bernini – A Crescent for The Ham24.10.2023
Ever since 1743, when John Wood failed to get backers for his vast Royal Forum, the area to the south of South Parade has been treated like the campus of a nondescript university. The chequered gardens of Abbey Orchard have been supplanted by Manvers Street car park, while to the… Read More
Portals: The Visionary Architecture of Paul Goesch (2023) – Review
29.09.2023
Portals: The Visionary Architecture of Paul Goesch (2023) – Review29.09.2023
Paul Goesch was forcibly detained in a psychiatric hospital and, in 1940, murdered by the Nazis. Looking at these intense, yet often playful and exuberant drawings, it is impossible to forget the stark facts of his life. Which is unfortunate, because an exclusive attention to his personal history imposes a… Read More
Hans Hollein & Spiritual Expression in Architecture
22.09.2023
Hans Hollein & Spiritual Expression in Architecture22.09.2023
The defining characteristics of modern architecture took shape against a host of disorientating shifts in the 19th century. On the theoretical side, the instantiation and development of aesthetics as an autonomous realm strained a sacred harmony between beauty, truth, and goodness. On the practical side, technological, social, and cultural advancements… Read More
Denise Scott Brown ‘From Soane to the Strip’
01.09.2023
Denise Scott Brown ‘From Soane to the Strip’01.09.2023
The following text is an excerpt from Denise Scott Brown’s 2018 Soane Medal lecture, written by Thomas Weaver, and developed out of a series of conversations between Denise Scott Brown and Thomas Weaver in July 2018. I have never thought of myself as a photographer, only an architect and urbanist,… Read More
Comins x Shatwell Tea House
25.08.2023
Comins x Shatwell Tea House25.08.2023
– Various
Similar to the way the soil, climate, cultivar, and—of course—the tea maker come together to craft distinct and flavourful teas, numerous helping hands played an important role in the journey that culminated in the process and construction of the Comins x Shatwell Tea House. The most common question visitors have… Read More
Sant’Elia and Global Futurist Architecture
21.07.2023
Sant’Elia and Global Futurist Architecture21.07.2023
‘Found’ in the archive at Drawing Matter, this wild text by Marinetti on his friend and collaborator Sant’Elia seems not to have been previously translated. Its occasion was a commemorative exhibition of the young architect’s work organized in 1930 by the commune of his native city, Como, fourteen years after… Read More
Learning From Machine Learning, on designer trees and architectural historiographies of the digital
11.07.2023
Learning From Machine Learning, on designer trees and architectural historiographies of the digital11.07.2023
What does it mean for scholars to collaborate with contemporary knowledge machines? In this article, Sylvia Lavin reflects on the failures, successes, and potentialities of a machine learning tool designed to identify trees in architectural drawings. This project, which she initiated in 2022, was undertaken by Princeton University and the… Read More
Drawing as Preservation
14.06.2023
Drawing as Preservation14.06.2023
Jiang Yuan’s ‘Epanggong Illustration’ is a reverie made real by the tip of Yuan’s paintbrush. It is simultaneously a fantasy of a past to which one cannot return, a fascination with a form of existence that has disappeared, and also a set of ideas, which live on in spheres far… Read More
Bruno Taut’s ‘Alpine Architektur’
12.05.2023
Bruno Taut’s ‘Alpine Architektur’12.05.2023
This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. In January 1917, the architect Bruno… Read More
Aldo Rossi: ‘Shards’ and Smooth Surfaces for an Architecture of Longue Durée
03.04.2023
Aldo Rossi: ‘Shards’ and Smooth Surfaces for an Architecture of Longue Durée03.04.2023
This text is excerpted from Aldo Rossi. Insulae, edited by Nadejda Bartels, a catalogue that accompanies an exhibition of the same name at the Museum for Architectural Drawing in Berlin, run by the Tchoban Foundation (on display from 4 February – 14 May 2023). Drawing represented for Aldo Rossi the privileged… Read More
Aldo Rossi: Transforming Artefacts into Objects of Affection
13.02.2023
Aldo Rossi: Transforming Artefacts into Objects of Affection13.02.2023
Michael Sorkin, in Drawings for Sale, draws a distinction between two levels of the impact of architectural drawings on their spectator: ‘the drawing as artefact and the drawing as the representation of certain ideas about some architecture’. Sorkin argues that the power of the impact of a drawing on its spectator… Read More
Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)
09.02.2023
Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)09.02.2023
– Editors
Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More
Forecast and Fantasy: Architecture without Borders 1960s to 1980s – Review
30.01.2023
Forecast and Fantasy: Architecture without Borders 1960s to 1980s – Review30.01.2023
This carefully curated and beautifully displayed exhibition brings together 150 drawings with numerous publications and films to display a wave of rebellion and research by architects across the European continent, with a focus on the east, over three decades. The abundance of visionary thinking that followed the boom of post-war… Read More
The City of Design
09.01.2023
The City of Design09.01.2023
Italy has remained a federation of city-states. There are museum cities and factory cities. There is a city whose streets are made of water and another where all streets are hollowed walls. There is a city where all its inhabitants work on the manufacture of equipment for amusement parks, a… Read More
Judit Reigl: Invisible Cities
10.10.2023
Judit Reigl: Invisible Cities10.10.2023
– Janos Gat
Judit Reigl was ninety-two years old in 2015 when she started Dance of Death, her transcendent series of small-scale vanitas drawings. Having reached a stage where she could barely see her own pencil marks, Reigl found skulls to be a ready subject. She said she had drawn many skulls in… Read More
art practice theoretical & imaginary urban form literature