Category: commentaries, rants & reflections

Richard J. Neutra

Richard J. Neutra

Nicholas Olsberg

‘Richard J. Neutra has carried on the Wagner tradition of experimentation in new forms, materials and methods of construction… an impetus to the intelligent solution of new problems.’  Ernestine M. Fantl on the Corona Avenue School, ‘Modern Architecture in California’ (Typescript Mimeograph, MoMA Archives, 1935) Just before 6 o’clock on… Read More

The Facade is the Window to the Soul of Architecture: Venice Architecture Biennale, 2018

The Facade is the Window to the Soul of Architecture: Venice Architecture Biennale, 2018

Adam Caruso and Helen Thomas

In response to the Biennale’s theme of Freespace, Caruso St John Architects put together an exhibition that celebrates the historical richness and social generosity of the façade. Whether a building is public or private, whatever its intended use, its façades have the responsibility to make a positive contribution to the public… Read More

arq : plan, Stan Allen, Helen Mallinson, Niall Hobhouse

arq : plan, Stan Allen, Helen Mallinson, Niall Hobhouse

arq & Drawing Matter To launch the collaboration with Drawing Matter, and in continued celebration of arq’s recent twenty-first anniversary, the first issue of Volume 22 opens with a collection of twenty-one pairs of plan drawings. Stan Allen, Niall Hobhouse, and Helen Mallinson chose the images in an intense one-day session.… Read More

A Fragment of Wright’s Great City

A Fragment of Wright’s Great City

Nicholas Olsberg

Wright, Wagner and the Idea of the Great City We become greater in service to the general effect, more harmonious as part of the whole.– Frank Lloyd Wright, ‘To my European Co-Workers’, 1925 ‘I came upon the Secession during the winter of 1910,’ Wright wrote in An Autobiography, noting with great… Read More

Architectural Research Quarterly: Plan

Architectural Research Quarterly: Plan

Volume 22, Issue 1 pp. 8–40 This issue of arq introduces the new collaboration with Drawing Matter. To launch the collaboration, and in continued celebration of arq’s recent twenty-first anniversary, this issue opens with a collection of twenty-one pairs of plan drawings. Stan Allen, Niall Hobhouse, and Helen Mallinson chose the images in… Read More

Aldo Rossi Cabina Construction

Aldo Rossi Cabina Construction

Tom Graham

The blue and pink cabin suffers from a few structural/constructional inadequacies. The first of these to be noticed is the door which binds within in its ‘frame’ (there is no frame as such; the short strap hinges simply hang off the boarding). The vertical boards which make the door have… Read More

Freestanding: Sigurd Lewerentz

Freestanding: Sigurd Lewerentz

Helen Thomas

Inhabiting and transforming the lozenge-like space of a long room in the heart of the Central Pavilion’s labyrinth, an installation by Petra Gipp creates a series of veiled rooms, corners and framed views, making spaces both ordered and complex. Everything is luminous. Light drops drops down from the skylights opened… Read More

Architectural Ethnography: Japan Pavilion

Architectural Ethnography: Japan Pavilion

Helen Thomas

Flooded with light cast across alluringly animated walls, the Japan Pavilion at the 16th International Architecture Biennale in Venice is lined with drawings gathered together under the name of Architectural Ethnography. Momoyo Kaijima of Atelier Bow Wow has been developing the thinking underlying this method of observing and recording the human environment since the… Read More

Talking to Drawings

Talking to Drawings

Sam Jacob

Talking to Drawings was produced to accomapny the exhibition Disappear Here (RIBA, 2 May – 7 Oct 2018), which explored the history, application and implications of perspective, how it spans truth and illusion, linking the disciplines of art, architecture and mathematics, through material from the RIBA and Drawing Matter collections.… Read More

Without Irony 1

Without Irony 1

Niall Hobhouse

Without Irony 3

Without Irony 3

Niall Hobhouse

Without Irony 2

Without Irony 2

Niall Hobhouse

Elizabeth Hatz: Line, Light, Locus

Elizabeth Hatz: Line, Light, Locus

Elizabeth Hatz

This is a Drawing Room, a with-drawing room. It is simply a love-declaration to the architectural drawing. Four walls, three large doorways. One end calmer, the other more open. The first thing decided is a table-bench; the drawing flat on the tabletop – like when you draw it – and… Read More

Behind the Lines 5

Behind the Lines 5

Philippa Lewis

Boughton MonchelseaMaidstone September 26, 1828 My lord,  Please be so good as to find designs for the lodge that you commissioned, a habitation for your woodman, John Platt. I earnestly hope that it will be the ornament that you desired for your park improvements. I also enclose the books that… Read More

Empathy

Empathy

Andrew Clancy

Being that can be understood is language. – Hans-Georg Gadamer One of the items in the Drawing Matter collection is a notebook once owned by Álvaro Siza. In it is this sketch, made of the Royal Academy London, where he was asked to consider making some work for an exhibition.… Read More

Behind the Lines 4

Behind the Lines 4

Philippa Lewis

Isabella Puddefoot settled herself on the sofa, picked up her embroidery, and after enquiring about his day at the bank, remarked to her husband Samuel: ‘I do declare I am quite spent; running up and down stairs all day is very trying to my constitution. It is eight flights from dealing… Read More

A. W. N. Pugin

A. W. N. Pugin

Peter Howell

In 1846 Viscount Feilding (later 8th Earl of Denbigh) married Louisa Pennant. She was the great-granddaughter of the topographer Thomas Pennant, and inherited his house, Downing Hall, in Flintshire. They decided to build a church to celebrate their marriage. The architect was Thomas Henry Wyatt (who also added to Downing). Building… Read More

R. Norman Shaw

R. Norman Shaw

Andrew Saint

R. Norman Shaw (1831–1912) is commonly thought of as a domestic architect, but he built a fair number of churches, sixteen altogether, many of them original and remarkable in one way or another. There is an evolution in Shaw’s church designs from the emotional ardour of his earliest efforts, like… Read More

Louis Le Vau: Château de Meudon

Louis Le Vau: Château de Meudon

Basile Baudez, Alexandre Cojannot and Alexandre Gady

Built in the 16th century on the banks of the river Seine, west of Paris, the castle of Meudon stands amidst the great French Renaissance monuments that were ultimately destroyed. When it was bought by Abel Servien in 1654, the old castle – built under François I in brick and stone… Read More

Notes on the Sketchbook

Notes on the Sketchbook

Mark Dorrian

When we talk about the sketchbook what do we mean? Its complexity is reflected in the difficulty we experience – in many examples, at any rate – in straightforwardly attaching a name to it, for there are times it might seem to be equally a notebook, a journal, a diary,… Read More

Behind the Lines 3

Behind the Lines 3

Philippa Lewis

“Lord, Fanny, I had such a very strange encounter this morning. It being a Friday, I was delivering muffins down to that mad Lady Lewson in Cold Bath Square – her maid says she never washes and is most provoking – and as I was walking along the wall by… Read More

A Blueprint is… Blue

A Blueprint is… Blue

Neil Bingham

A common error in looking at architectural drawings is to mistake mechanical reproductions for originals. Original and copy drawings both physically consist of two elements: the material (like ink) and the support (usually paper). But – and it may seem obvious to say – lines on paper are made by… Read More

Gabriel Pierre Martin Dumont

Gabriel Pierre Martin Dumont

Editors

This large and exquisite drawing by Gabriel Pierre Martin Dumont represents a garden design in the form of the plan of St Peter’s Basilica and Piazza by Bernini. Serried ranks of trees rather than stone walls and columns are used to marshal a vast landscape into a perfect emblem of… Read More

The Politics of the Image

The Politics of the Image

Maria S. Giudici, Joseph Mercer, Florian Scheucher, Keranie Theodosiou, Livia Wang, Sophie Williams and Feifei Zhou

My course, The Politics of the Image at the Royal College of Art, drew on the Drawing Matter Collection amongst others to explore the construction of images since the Renaissance. This construction has allowed a crafty lie to evolve, be challenged and ultimately influence reality – albeit not always in straightforward ways.… Read More