Category: Drawing Matter archive: research & collecting
Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)
9 February 2023
Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)9 February 2023
– Editors
Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More
Pier Vittorio Aureli: Ambiguous Drawings
7 February 2023
Pier Vittorio Aureli: Ambiguous Drawings7 February 2023
For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More
Geography of Hope: John Lautner
31 January 2023
Geography of Hope: John Lautner31 January 2023
This is the second of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. Suspension and Poise: Lautner at Mountainside The first photograph of John Lautner that we know, shows him as a boy of about fourteen, standing… Read More
DMJ – Dialogues between Architecture And Granite in Punta Sardegna
20 January 2023
DMJ – Dialogues between Architecture And Granite in Punta Sardegna20 January 2023
The stones are also premonitions, and the trails chart a course through nature that is both sign and path, direction and culture. The human journey and the mystery of the eternal, chance and intervention. Thus, the pre-existing stones are added and mingle with those put in later, and vice versa,… Read More
Geography of Hope: Adolfo Natalini and Superstudio
18 January 2023
Geography of Hope: Adolfo Natalini and Superstudio18 January 2023
This is the first of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. As we descended into a World War that threatened the obliteration of decency and history, the poet Archibald Macleish, then Librarian of Congress,… Read More
Robert Bray: Design for a Playboy Duplex Penthouse, 1970
17 January 2023
Robert Bray: Design for a Playboy Duplex Penthouse, 197017 January 2023
Watch Philippa Lewis’s recent lecture, ‘From Drawing to Text’, on how we tell stories from architecture, for The Berlage Center for Advanced Studies in Architecture and Urban Design at Delft University of Technology here. Geoff Freeman, sales director of a Northamptonshire shoe company, arrives at JFK Airport for his flight… Read More
The Work of Ernest and Esther Born: World’s Fair
5 January 2023
The Work of Ernest and Esther Born: World’s Fair5 January 2023
Ernest and Esther Born trained as architects at Berkeley in the early 1920s and worked with great distinction in all aspects of architecture and the allied arts, from graphics and illustration to display design and architectural photography. This project marks one of their first endeavours on returning to San Francisco… Read More
Owen Luder: Practice at Work
3 January 2023
Owen Luder: Practice at Work3 January 2023
The day-to-day workings of a practice such as OLP fall into two separate yet overlapping sectors: administration and job organisation. Unless these two are properly related and maintained, no amount of design talent, no amount of entrepreneurial vigour or personal charm will keep the practice alive and flourishing. For, despite… Read More
Open Letters: Harvard GSD
2 December 2022
Open Letters: Harvard GSD2 December 2022
Drawing Matter has been enjoying Open Letters, published bi-weekly by Harvard University Graduate School Of Design, from the start. In part, this is because our own publishing initiative began at much at the same time – now ten years ago – and proceeds at the same pace, and with a little of the… Read More
The Usonia Plot at Pleasantville
23 November 2022
The Usonia Plot at Pleasantville23 November 2022
– Editors
Pleasantville, Westchester County, New York, was one of three co-operative Usonian communities founded in the late 1940s. The other two, The Acres (also known as Galesburg Country Homes) and Parkwyn Village were both near Kalamazoo, Michigan. They all involved Frank Lloyd Wright as the overall site planner and in each… Read More
The Work of Ernest and Esther Born: Models for the City House
18 November 2022
The Work of Ernest and Esther Born: Models for the City House18 November 2022
Ernest and Esther Born trained as architects at Berkeley in the early 1920s and worked with great distinction in all aspects of architecture and the allied arts, from graphics and illustration to display design and architectural photography. This project marks one of their first endeavours on returning to San Francisco… Read More
Heinz Isler Model
2 November 2022
Heinz Isler Model2 November 2022
– John Chilton and Paul Shepherd
This text was written by Paul Shepherd. The interjections, in italic, are additions by his friend and Heinz Isler expert John Chilton. If you go down to the woods today… Since our son was away on Scout camp all weekend, my plans for Sunday involved a much-needed lie-in and an… Read More
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism
19 October 2022
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism19 October 2022
As my title indicates, this text will focus on John Hejduk’s Silent Witnesses project from the mid-1970s, but I want to approach it in the first instance by way of Roland Barthes’s reflections on the ‘Neutral’. This is the topic of the lectures that Barthes delivered at the Collège de France… Read More
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář
4 October 2022
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář4 October 2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More
Superstudio’s Collage Chest: A Chance Machine
26 September 2022
Superstudio’s Collage Chest: A Chance Machine26 September 2022
In 1968 Adolfo Natalini’s partner, Frances Brunton, returned to Florence from London with their newborn daughter and a small wooden chest with five drawers. On three sides of the chest, Natalini hand painted sky-blue flowers on an orange background. The chest of drawers was then taken to the Superstudio-studio in… Read More
After the Revolution: Dugourc in Spain
16 September 2022
After the Revolution: Dugourc in Spain16 September 2022
After Jean Démosthène Dugourc’s forays into revolutionary paperwork, his return to silk and his migration to Spain to work for the Bourbons in 1800 places pressure on understanding his revolutionary activities, and whether he indeed had but briefly dabbled in the politics of the period before ultimately wishing, in his… Read More
Ulmer House Extension Proposal: Baumschlager & Eberle
12 September 2022
Ulmer House Extension Proposal: Baumschlager & Eberle12 September 2022
This drawing is a print of a hand drawing I made eighteen years ago on a roll of tracing paper. The original drawing, made with rapidograph pens and a pencil, is now lost. Last month this blueprint was moved to Drawing Matter’s archive. Drawing Matter asked me to explain why… Read More
Lenin’s Tomb, the Second Version
5 September 2022
Lenin’s Tomb, the Second Version5 September 2022
– Niall Hobhouse and Markus Lähteenmäki
The following email exchange took place between Niall Hobhouse, founder of Drawing Matter, and Markus Lähteenmäki in July 2022. Dear Markus, Came across these here in the archive… from god knows where exactly. Thought you might have something to say – had forgotten that it was originally ‘dummied’ in wood.… Read More
Alberto Pérez-Gómez: Architecture as Drawing
28 July 2022
Alberto Pérez-Gómez: Architecture as Drawing28 July 2022
– Mark Dorrian and Alberto Pérez-Gómez
Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More
Time’s Witness. History in the Age of Romanticism (2021) – Review
25 July 2022
Time’s Witness. History in the Age of Romanticism (2021) – Review25 July 2022
Anxious Objects At some point in the annals of Western scholarship it was judged that the past could be restituted not only from textual sources but also from objects, that the material of history was equally important as its written archive. This major shift in historical approach was largely brought… Read More
Materia 2: Corrugated Iron
14 July 2022
Materia 2: Corrugated Iron14 July 2022
This text is the second in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. Forthcoming texts will include thoughts on oxide-red paint, in-situ concrete, fired brick, plate glass and plastic. The first text… Read More
Le Corbusier: The ‘Open hand’ as an expression of freedom?
2 February 2023
Le Corbusier: The ‘Open hand’ as an expression of freedom?2 February 2023
– Marianna Charitonidou
Le Corbusier placed particular emphasis on the notion of freedom. In Où en est l’architecture?, he declares: ‘I accept a poem only if it is made of “words in freedom”’. [1] In the same text, Le Corbusier describes his conception of art as ‘individual manifestation of freedom’. [2] In Sur… Read More
publication politics DMC