Category: project & building histories

DMJ – Asphalt Tales and the Ends of History

DMJ – Asphalt Tales and the Ends of History

Nicholas Boyarsky

This paper explores how asphalt became a medium for architects and artists from the late 1950s to the 1970s to raise and articulate questions about memory, oblivion, communication and the environment. It questions to what extent T.J. Demos’ recent assertion that experimental visual culture is embedded ‘within social engagements and… Read More

Geography of Hope: Hans Hollein and John Hejduk

Geography of Hope: Hans Hollein and John Hejduk

Nicholas Olsberg

This is the final of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. Extrusion: Hollein in the Southwest The Austrian architect Hans Hollein, for many years a leading figure in the international avant-garde, was a student at… Read More

Geography of Hope: Bruce Goff

Geography of Hope: Bruce Goff

Nicholas Olsberg

This is the third of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. ‘Aparture’: Bruce Goff in the Parched Land ‘For the Panhandle, …1956 became the seventh straight year of drouth. Except for one savage blizzard, it… Read More

Porto: Paving Work on Rua de António Sardinha

Porto: Paving Work on Rua de António Sardinha

Ivo Martins

In the photograph on the left from 1939, found in the municipal digital archive, Porto’s civic centre is still under construction. The image captures half-paved new roads, with curious people milling around the freshly built City Hall. Viewing this photograph recalls the collages of Fernando Barroso and Mário Ramos, where… Read More

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Editors

Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More

W. R. Lethaby: Philip Webb and His Work

W. R. Lethaby: Philip Webb and His Work

Hugh Strange

This is the fifth and final text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Philip Webb was William Lethaby’s great hero; he considered his life and work the model for an architect. Webb was a generation older than Lethaby, and the two men most… Read More

Le Corbusier: The ‘Open hand’ as an expression of freedom?

Le Corbusier: The ‘Open hand’ as an expression of freedom?

Marianna Charitonidou

Le Corbusier placed particular emphasis on the notion of freedom. In Où en est l’architecture?, he declares: ‘I accept a poem only if it is made of “words in freedom”’. [1] In the same text, Le Corbusier describes his conception of art as ‘individual manifestation of freedom’. [2] In Sur… Read More

Geography of Hope: John Lautner

Geography of Hope: John Lautner

Nicholas Olsberg

This is the second of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. Suspension and Poise: Lautner at Mountainside The first photograph of John Lautner that we know, shows him as a boy of about fourteen, standing… Read More

Historic England Image Archive

Historic England Image Archive

Arthur Prior-Palmer

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

DMJ – Dialogues between Architecture And Granite in Punta Sardegna

DMJ – Dialogues between Architecture And Granite in Punta Sardegna

Alberto Ponis

The stones are also premonitions, and the trails chart a course through nature that is both sign and path, direction and culture. The human journey and the mystery of the eternal, chance and intervention. Thus, the pre-existing stones are added and mingle with those put in later, and vice versa,… Read More

W. R. Lethaby: Apprenticeship and Education

W. R. Lethaby: Apprenticeship and Education

Hugh Strange

This is the fourth text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. The building sites of London in the late nineteenth century desperately lacked adequate skills, and this need was being addressed neither on the job nor through appropriate training. The first prospectus of… Read More

The ESB’s New Clothes

The ESB’s New Clothes

Colum O'Riordan

In 1965 sixteen late-eighteenth-century houses on the east side of Fitzwilliam Street Lower, Dublin were demolished. They had served as headquarters of the Electricity Supply Board (ESB) and in their place was to be a new company HQ, a 1961 competition-winning scheme by the partnership of Sam Stephenson and Arthur… Read More

The Wessex Project: Thomas Hardy, Architect: Part III

The Wessex Project: Thomas Hardy, Architect: Part III

Kester Rattenbury

This is the final of three extracts, each a series of vignette studies; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as a young architect in London and Dorset. As he… Read More

The Work of Ernest and Esther Born: World’s Fair

The Work of Ernest and Esther Born: World’s Fair

Nicholas Olsberg

Ernest and Esther Born trained as architects at Berkeley in the early 1920s and worked with great distinction in all aspects of architecture and the allied arts, from graphics and illustration to display design and architectural photography. This project marks one of their first endeavours on returning to San Francisco… Read More

The Wessex Project: Thomas Hardy, Architect: Part II

The Wessex Project: Thomas Hardy, Architect: Part II

Kester Rattenbury

This is the second of three extracts, each a series of vignette studies, that we will publish over the next few weeks; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as… Read More

The Wessex Project: Thomas Hardy, Architect: Part I

The Wessex Project: Thomas Hardy, Architect: Part I

Kester Rattenbury

This is the first of three extracts, each a series of vignette studies, that we will publish over the next few weeks; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as… Read More

DMJ – The Sound of Magma: Geographies of Infrasound, Vibrating Bodies, and Representing the Earth

DMJ – The Sound of Magma: Geographies of Infrasound, Vibrating Bodies, and Representing the Earth

Adam Bobbette

What does the inside of the earth sound like? Do continental margins have a signature key? Does magma whistle? These questions preoccupied the scientist Frank Perret in the early 20th century as he sought to develop the new science of volcanology. For Perret, though, listening to the earth was not… Read More

DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope

DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope

Yue Zhuang

In 1739, the English poet Alexander Pope transformed his grotto – a subterranean passage that used to consist of a cryptoporticus with architectural orders – into ‘a mine’. Minerals were encrusted into the walls in a manner that imitated those found underground. Previous scholars have considered this to be a… Read More

Oscar Niemeyer’s Cathedral in Brasília

Oscar Niemeyer’s Cathedral in Brasília

Ciro Miguel

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

Joan Littlewood’s Memos to Cedric Price

Joan Littlewood’s Memos to Cedric Price

Ana Bonet Miró

In this text, Ana Bonet Miró reflects on the memos written by Joan Littlewood addressed to her company of actors, and to Cedric Price during their collaboration on the Fun Palace project. For more on Littlewood and Price’s collaboration, listen to Ana Bonet Miró and Matthew Blunderfield in conversation for… Read More

The Work of Ernest and Esther Born: Models for the City House

The Work of Ernest and Esther Born: Models for the City House

Nicholas Olsberg

Ernest and Esther Born trained as architects at Berkeley in the early 1920s and worked with great distinction in all aspects of architecture and the allied arts, from graphics and illustration to display design and architectural photography. This project marks one of their first endeavours on returning to San Francisco… Read More

Queensway, Hong Kong

Queensway, Hong Kong

Sony Devabhaktuni

What I knew of Hong Kong before I moved here came from film and photography. It was a dense, post-modern city that in earlier decades had been characterised by its economic success. Since the turn of the century, the city has been pummelled by shocks and anxieties. Life in Hong… Read More

Heinz Isler Model

Heinz Isler Model

John Chilton and Paul Shepherd

This text was written by Paul Shepherd. The interjections, in italic, are additions by his friend and Heinz Isler expert John Chilton. If you go down to the woods today… Since our son was away on Scout camp all weekend, my plans for Sunday involved a much-needed lie-in and an… Read More

Drawing Conversations: Letters to Clients

Drawing Conversations: Letters to Clients

Paul Clarke

In October 1925 Le Corbusier wrote to his client Madame Meyer a remarkable letter about his proposal with Pierre Jeanneret for her villa. It combined drawings with a highly scripted text that carefully guided her through each space, from the entrance to the roof garden. Like the pioneers of early… Read More