Medium: collage
Pan Scroll Zoom 15: Other Architects
7 July 2021
Pan Scroll Zoom 15: Other Architects7 July 2021
– Fabrizio Gallanti, Grace Mortlock and David Neustein
This is the fifthteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio talks to Grace Mortlock and David Neustein of the Sydney-based practice Other Architects… Read More
Pan Scroll Zoom 13: Tatiana Bilbao
1 June 2021
Pan Scroll Zoom 13: Tatiana Bilbao1 June 2021
– Tatiana Bilbao and Fabrizio Gallanti
This is the thirteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Fabrizio interviews Tatiana Bilbao about her teaching at Yale School of Architecture and… Read More
Haunted: Robert Smithson’s ‘My House is a Decayed House’
18 March 2021
Haunted: Robert Smithson’s ‘My House is a Decayed House’18 March 2021
The following text is excerpted from Dr. Suzaan Boettger’s research for her book in process, The Passions of Robert Smithson, Art and Life. Follow her on Instagram @NatrCultr, where images are tagged #UnknownSmithson. ‘History has many cunning passages, contrived corridors.’ If the sardonic analogy sounds like Robert Smithson, you’re close: it was written by his favorite… Read More
Make me Hyper-Real: image ethics and the architectural visualisation
5 March 2021
Make me Hyper-Real: image ethics and the architectural visualisation5 March 2021
Architectural visualisations sell us the image of a new reality. In depicting a building that is designed, rather than completed, they constitute a kind of spatial hypothesis: a temptation of a happier, wealthier, and more connected world. By constructing these fictions through the means of the image, they sell us the notion that the project it depicts will improve our lives for the better. … Read More
Tradition and Modernity, Continuity and Critique
4 March 2021
Tradition and Modernity, Continuity and Critique4 March 2021
The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid has served as ‘the image of an absolute beginning’, as Rosalind Krauss affirmed in 1986 in ‘The Originality of… Read More
Architecture’s Mirror Stage
26 February 2021
Architecture’s Mirror Stage26 February 2021
Mirrors and mirrored glass, perhaps the most characteristically postmodern of surface treatments, were not only a material choice but also emblematized a turn inward toward what Sylvia Lavin has taken to calling ‘architecture itself.’ As the psychoanalyst Jacques Lacan might have put it, it was at this moment that modernist… Read More
Pan Scroll Zoom 7: MOS
25 February 2021
Pan Scroll Zoom 7: MOS25 February 2021
– Fabrizio Gallanti, Michael Meredith and Hilary Sample
This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More
Superstudio: Another Mirror Image
17 February 2021
Superstudio: Another Mirror Image17 February 2021
Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More
On Tony Fretton and the Lisson Gallery
5 February 2021
On Tony Fretton and the Lisson Gallery5 February 2021
A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More
Pan Scroll Zoom 6: Emily Wettstein
18 January 2021
Pan Scroll Zoom 6: Emily Wettstein18 January 2021
– Fabrizio Gallanti and Emily Wettstein
This is the sixth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Emily Wettstein, Design Critic in Landscape Architecture at Harvard University GSD. The… Read More
Pan Scroll Zoom 5: Andrés Jaque
16 December 2020
Pan Scroll Zoom 5: Andrés Jaque16 December 2020
– Fabrizio Gallanti and Andrés Jaque
This is the fifth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Andrés Jaque, founder of the Office for Political Innovation… Read More
Drawing, Collaging, Rendering
9 December 2020
Drawing, Collaging, Rendering9 December 2020
When the ‘hard-line drawing’ has become so synonymous with the image of the architect it is easy to forget that the convenience of the everyday pen is relatively recent. For most of the long history of the world’s second-oldest profession, pen, paint and ink were reserved for competition boards or… Read More
Superstudio: Monument Interrupted
31 August 2020
Superstudio: Monument Interrupted31 August 2020
The collages of Superstudio’s ‘Continuous Monument’ have always seemed to me like stills from an unseen film, each image framing a part of a wider scenography. Combining the collages does not make the larger reality of the monument any less elusive or fragmentary, akin to the way that remembered dreams… Read More
Mies: The Berlin Building Expostition (1974)
25 June 2020
Mies: The Berlin Building Expostition (1974)25 June 2020
The following text is excerpted from Oppositions 2 (1974): 86–91. The Berlin Building Exposition of 1931 was the largest of its kind ever to be held. With Teutonic thoroughness every material, every method, every theory that had to do with building was shown in the Exposition. The result of this thoroughness, plus… Read More
Welfare Palace Hotel (1978)
4 June 2020
Welfare Palace Hotel (1978)4 June 2020
In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More
New Welfare Island (1978)
27 May 2020
New Welfare Island (1978)27 May 2020
In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More
Gallaratese & Fagnano Olona (1976)
26 May 2020
Gallaratese & Fagnano Olona (1976)26 May 2020
Two fragments of texts paired with two fragments of process. Writing in the May 1976 issue of Architecture + Urbanism, Rossi reflects on two projects: the Gallaratese Housing Complex, Milan and the Fagnano Olona in the Lombardy region. In both of the drawings placed alongside the architect’ s writing, the forms… Read More
Cadbury-Brown: Royal College of Art Extension
28 April 2020
Cadbury-Brown: Royal College of Art Extension28 April 2020
The counter-reformation did not last long. In the end I think what reconciled us was that everything I attempted failed. By way of diversion from internal dissension, like any politician, I switched to foreign affairs. There were two things which, as an architect, I was expected to achieve for the… Read More
Daria’s Aria
23 April 2020
Daria’s Aria23 April 2020
Between 1939 and 1941 the French-born, Milan-based editor Daria Guarnati published seven volumes of a series called Aria d’Italia. Each issue formed a substantial monograph on a distinct facet of Italian life and culture. The inaugural Christmas edition was followed by the evocatively titled issues ‘Italy through Colour’, ‘Mediterranean Summer’, ‘The… Read More
Postcard from Nowhere (Counterswimming)
8 April 2020
Postcard from Nowhere (Counterswimming)8 April 2020
Sixteen swim in synchrony. Bright red trunks, blue swim caps, in a perfectly choreographed 4 x 4 grid of bodies in motion. They swim in the shallow pale blue pool that contains them, as it floats in the ocean. They are about to collide with a dock that is too… Read More
The Iconography of Desolation
17 February 2020
The Iconography of Desolation17 February 2020
‘We now discover an iconoscope that shall forgive the divorce of heaven and hell while it flashes before us for our selective graces – the bits and pieces of Divine Catastrophe. Such a scope has lost all division and order. One must pick over the scattered icons the way a… Read More
Bovenbouw Architectuur: One Paper Model and Three Paper Collages
12 May 2021
Bovenbouw Architectuur: One Paper Model and Three Paper Collages12 May 2021
– Ciaran Scannell
The layers found in Bovenbouw Architectuur’s collages are analogous to the layering in their architecture – there to be unravelled by those willing to search. Sometimes ruinous, never complete, they are a representation of uncanny worlds where chimneystacks become doors, tyres become classical pediments and windows are adorned with eyelashes.… Read More
projection (axonometric isometric) exhibition public space