Medium: drawing
fala: execution drawings
07.11.2022
fala: execution drawings07.11.2022
– fala
This is the fifth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Construction documents include an array of scales. General drawings, partials, maps, details, and indexes are loaded with intentions and manic descriptions. They are supposed to… Read More
Drawing Conversations: Letters to Clients
26.10.2022
Drawing Conversations: Letters to Clients26.10.2022
In October 1925 Le Corbusier wrote to his client Madame Meyer a remarkable letter about his proposal with Pierre Jeanneret for her villa. It combined drawings with a highly scripted text that carefully guided her through each space, from the entrance to the roof garden. Like the pioneers of early… Read More
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing
21.10.2022
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing21.10.2022
– Federica Goffi and Devon Moar
The bee drawing(s) by Devon Moar illustrate that changes in scale imply a passage of time. One drawing here becomes many drawings, each marking a different moment of discovery unfolding a process. One could say that when it comes to architectural media, there are two types of scales dealing with… Read More
Vilanova Artigas: Drawing Models – Review
20.10.2022
Vilanova Artigas: Drawing Models – Review20.10.2022
The basement exhibition space at F’AR Lausanne is dominated by a forest of delicate metal and glass tilting tables within which drawings have been placed. When rotated from the horizontal, they give the large, artificially lit room the feeling of a drawing studio at the end of the day; the… Read More
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism
19.10.2022
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism19.10.2022
As my title indicates, this text will focus on John Hejduk’s Silent Witnesses project from the mid-1970s, but I want to approach it in the first instance by way of Roland Barthes’s reflections on the ‘Neutral’. This is the topic of the lectures that Barthes delivered at the Collège de France… Read More
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář
04.10.2022
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář04.10.2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More
fala: comprehensive
03.10.2022
fala: comprehensive03.10.2022
– fala
This is the second of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Normally, a project is depicted through a series of plans, sections, elevations, and some axonometric drawings, perhaps – every aspect of it explained and documented. We… Read More
Superstudio’s Collage Chest: A Chance Machine
26.09.2022
Superstudio’s Collage Chest: A Chance Machine26.09.2022
In 1968 Adolfo Natalini’s partner, Frances Brunton, returned to Florence from London with their newborn daughter and a small wooden chest with five drawers. On three sides of the chest, Natalini hand painted sky-blue flowers on an orange background. The chest of drawers was then taken to the Superstudio-studio in… Read More
Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture
23.09.2022
Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture23.09.2022
– Editors
These three sketches are from a sketchbook that Robert Maxwell used while studying at the Liverpool School of Architecture in 1944. They are reproduced here to mark the publication of Robert Maxwell: the Letter, the Lost Sketchbook and the Lecture, edited by Celia Scott, which is now available through Drawing… Read More
Where in the World are We? Melbourne Venice Studios 2022
22.09.2022
Where in the World are We? Melbourne Venice Studios 202222.09.2022
Remote teaching as a pandemic consequence has already been a theme for Drawing Matter, in the January 2022 Melbourne University Venice Workshop it reached an almost surreal zenith. Remoteness is fundamental to Australia, whether the extreme separations of the outback or a pre-digital geographic estrangement from global cultural discourses. At… Read More
fala: the single line
19.09.2022
fala: the single line19.09.2022
– fala
This is the first of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. It started from a rather liberating decision to omit thicknesses. Gradually, all the information that wasn’t central to our thinking was removed, avoiding any celebration… Read More
After the Revolution: Dugourc in Spain
16.09.2022
After the Revolution: Dugourc in Spain16.09.2022
After Jean Démosthène Dugourc’s forays into revolutionary paperwork, his return to silk and his migration to Spain to work for the Bourbons in 1800 places pressure on understanding his revolutionary activities, and whether he indeed had but briefly dabbled in the politics of the period before ultimately wishing, in his… Read More
Dugourc’s Playing Cards
14.09.2022
Dugourc’s Playing Cards14.09.2022
After the journée of 10 August, Jean Démosthène Dugourc sought to distance himself from Etienne Anisson-Dupéron. He turned his attention from wallpaper to playing cards, leasing a space with his Jacobin business partner Urbaine Jaume in the former warehouse of the Académie royale de musique, down the street from the… Read More
Ulmer House Extension Proposal: Baumschlager & Eberle
12.09.2022
Ulmer House Extension Proposal: Baumschlager & Eberle12.09.2022
This drawing is a print of a hand drawing I made eighteen years ago on a roll of tracing paper. The original drawing, made with rapidograph pens and a pencil, is now lost. Last month this blueprint was moved to Drawing Matter’s archive. Drawing Matter asked me to explain why… Read More
Krier/Culot: Architecture, language and process (1977)
07.09.2022
Krier/Culot: Architecture, language and process (1977)07.09.2022
The essay by Robert Maxwell linked below was sent to Drawing Matter by Celia Scott earlier this year. It was first published in Architectural Design, March 1977, as part of a longer feature titled ‘The Role of Ideology’, which discussed the theme through the writing of the architect and historian… Read More
Turning Point: The US Embassy in Dublin
17.08.2022
Turning Point: The US Embassy in Dublin17.08.2022
This is an extract of the construction drawings produced by John M. Johansen’s office in 1963 for the cylindrical US Embassy in Dublin. It is a three-dimensional ink drawing of the external precast concrete structure, describing two single-storey bays in isolation. Viewed abstractly it could almost be an anatomical study,… Read More
Objects That Meet
15.08.2022
Objects That Meet15.08.2022
Revered objects that move about in design circles and are found in publications, museums, and galleries earn their status through persistence over time. Take two famous chairs, Gerrit Rietveld’s Red Blue chair of 1918–23 and Thomas Lee’s Adirondack chair of 1903. All chairs have met just by being chairs, but… Read More
W. R. Lethaby: Architecture, Mysticism and Myth
10.08.2022
W. R. Lethaby: Architecture, Mysticism and Myth10.08.2022
This is the first text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Here we start at the beginning with Architecture, Mysticism and Myth, first published in 1891. In many respects, and certainly in relation to his later output, William Richard Lethaby’s first book,… Read More
Alberto Pérez-Gómez: Architecture as Drawing
28.07.2022
Alberto Pérez-Gómez: Architecture as Drawing28.07.2022
– Mark Dorrian and Alberto Pérez-Gómez
Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More
Power & Public Space 7: Mabel O. Wilson – Memorial to Enslaved Labourers, University of Virginia
27.07.2022
Power & Public Space 7: Mabel O. Wilson – Memorial to Enslaved Labourers, University of Virginia27.07.2022
– Matthew Blunderfield and Mabel O. Wilson
Power & Public Space is a podcast from Drawing Matter and the Architecture Foundation hosted by Matthew Blunderfield. You can find the full podcast series here. Or listen now: In 2020 The Memorial to Enslaved Labourers opened at the University of Virginia, designed as a collaboration between Höweler+Yoon Architecture, Mabel O.… Read More
Power & Public Space 6: André Patrão – Eisenman, Derrida, and Chora L Works (Parc de la Villette)
22.07.2022
Power & Public Space 6: André Patrão – Eisenman, Derrida, and Chora L Works (Parc de la Villette)22.07.2022
– Matthew Blunderfield and André Patrão
Power & Public Space is a podcast from Drawing Matter and the Architecture Foundation hosted by Matthew Blunderfield. You can find the full podcast series here. Or listen now: Parc de la Villette was emblematic of the strong ties made between the disciplines of architecture and philosophy in the 1980s, where… Read More
W. R. Lethaby: The Builder’s Art and the Craftsman
24.10.2022
W. R. Lethaby: The Builder’s Art and the Craftsman24.10.2022
– Hugh Strange
This is the second text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Dissatisfied with his first book, Architecture, Mysticism and Myth, a year later William Lethaby indicated a significant shift in thinking with the essay, ‘The Builder’s Art and the Craftsman’. The text… Read More
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