Medium: drawing
fala atelier: Seriously Playful
06.05.2021
fala atelier: Seriously Playful06.05.2021
Back in December 2018, I received an email with a pdf containing 8 compositions in 1:200 from fala atelier. These were ‘comprehensive drawings’ that they were experimenting with for their 2G publication. They simply wanted to know which I liked, and what I thought about them. Some differ from the… Read More
Diagrams: Hans van der Heijden in Conversation with Richard Hall
05.05.2021
Diagrams: Hans van der Heijden in Conversation with Richard Hall05.05.2021
Hans van der Heijden is an Amsterdam-based architect. He co-founded biq in 1994 with Rick Wessels before establishing his own office, Hans van der Heijden Architect, in 2014. During this timeframe he has developed a recognisable and idiosyncratic drawing repertoire, the origins of which can be traced back to his… Read More
The Zilsel Thesis: A Review of Strata: William Smith’s Geological Maps (2020): Review
04.05.2021
The Zilsel Thesis: A Review of Strata: William Smith’s Geological Maps (2020): Review04.05.2021
In a series of essays and lectures developed between 1939 and 1943, the philosopher of science Edgar Zilsel identified three distinct sources of knowledge in the Renaissance. In the late-medieval period, writes Zilsel, the traditional learning associated with the universities was still theological and scholastic in character. The texts preserved… Read More
Insignificance 1: Discipline
04.05.2021
Insignificance 1: Discipline04.05.2021
The space of the architectural imagination resides within the discourses of line. This space defines the boundaries of a practice of conceptualising the laws of the place [1] whereby through an array of ordinances, the architectural line constitutes ‘the objects which it pretends only to describe realistically and to analyse… Read More
Notes on Architectural Education and Drawing
03.05.2021
Notes on Architectural Education and Drawing03.05.2021
The speed of transformation that characterises our contemporality is largely motivated by the development of the newest information technologies. The speed introduced by computation seems to be the promoter of the instability that reaches the conceptions of almost all professional and disciplinary fields since it imposes a pace of change… Read More
14 Wine Street, Bristol
29.04.2021
14 Wine Street, Bristol29.04.2021
Whilst leafing through the Drawing Matter collection, this drawing from 1885, by architect Henry Crisp, caught my eye. The drawing depicts a new shopfront and facade to be grafted on to the existing structure of 14 Wine Street, Bristol. Initially, the design struck me as remarkably contemporary and I came… Read More
The Beaux-Arts Tradition
29.04.2021
The Beaux-Arts Tradition29.04.2021
– Basile Baudez and Maureen Cassidy-Geiger
The following text has been excerpted from Living with Architecture as Art, the recently published catalogue of Peter May’s collection of drawings, models and architectural artefacts. The catalogue is edited by Maureen Cassidy-Geiger and published in two generously illustrated volumes. The first volume includes essays by Maureen Cassidy-Geiger, Basile Baudez,… Read More
Nobuo Sekine: Phase of Nothingness
27.04.2021
Nobuo Sekine: Phase of Nothingness27.04.2021
– Editors
With thanks to Nicholas Olsberg for sending us this tribute to Sekine written on the first anniversary of the artist’s death (linked here).
Order and Uncertainty in Architectural Drawing
26.04.2021
Order and Uncertainty in Architectural Drawing26.04.2021
How we look at architectural drawings is an inherently complicated topic. The issue arises from what we understand to appear and disappear on the page. The field of architecture has spent little time talking about what we see (and don’t see) on the surface of the drawing itself. One could… Read More
Open Wide / Wide Open
22.04.2021
Open Wide / Wide Open22.04.2021
We started with six words: a short-term dwelling for an artist then added: with a child What adaptations have you made to your domestic space since having a child? / What adaptations have you made to your work space since having a child? / How / When / Where do… Read More
Peter Märkli: My Facade Material
21.04.2021
Peter Märkli: My Facade Material21.04.2021
– Editors
The following quotations are from ‘Mein Stoff für Fassaden (My Facade Material)’, a lecture delivered online by Peter Märkli to open a series of five talks for the Architecture Foundation. The quotations are presented here in a loose fashion, some treated as aphorisms about design, others illustrated with drawings from… Read More
Pan Scroll Zoom 11: Architecten Jan De Vylder Inge Vinck
19.04.2021
Pan Scroll Zoom 11: Architecten Jan De Vylder Inge Vinck19.04.2021
– Fabrizio Gallanti, Inge Vinck and Jan De Vylder
This is the eleventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Jan De Vylder and Inge Vinck about their teaching… Read More
The Vitruvian Man: With Fresh Eyes
14.04.2021
The Vitruvian Man: With Fresh Eyes14.04.2021
‘The Vitruvian Man of Leonardo da Vinci as a model of innovative entrepreneurship at the intersection of business, art and technology’ is shown in the first image. This is a ‘modern’ interpretation of the Renaissance drawing as a business model as published in the Journal of Innovation and Entrepreneurship in 2017. An… Read More
The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple
12.04.2021
The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple12.04.2021
The Architecture of Nothingness: Drawing the Drawings As architects we have learned to read drawings almost instantly. At a glance we see what the spaces feel like, what it will be like to move around the building and perhaps even get a sense of the appropriateness of the structure. This ‘presentational’ way… Read More
Shaping Landscape: Schinkel and Erratics
12.04.2021
Shaping Landscape: Schinkel and Erratics12.04.2021
It is the unique trait of the section drawing to fragment the singularity of built form, to allow the reading of a building as a series of individual pieces, and thereby delay our innate predilection for gestalt. Much like an erratic (in geology, an erratic is a material moved by geologic forces from… Read More
Place and Displacement: Rubbings from Architecture
12.04.2021
Place and Displacement: Rubbings from Architecture12.04.2021
The process of making a rubbing transcends the traditional boundaries of architectural draughtsmanship and illustration. A rubbing is made by placing a sheet of paper over an object or textured surface and burnishing its surface with a drawing medium such as graphite or charcoal. Many of us might associate the… Read More
Nancy Holt: Sky Mound
08.04.2021
Nancy Holt: Sky Mound08.04.2021
Nancy Holt (1938-2014) was a member of the earth, land, and conceptual art movements. A pioneer of site-specific installation and the moving image, Holt recalibrated the limits of art. She expanded the places where art could be found and embraced the new media of her time. Across five decades she… Read More
Hans Hollein: From a Distance
07.04.2021
Hans Hollein: From a Distance07.04.2021
On a page of Hans Hollein’s sketchbook, a cluster of adobe buildings climb slowly and modestly above the horizon, seeming to rise out of the earth. The sketch, produced in 1960 during the Austrian architect’s exploration of the western United States, feels unorthodox for Hollein, whose proclivity for radical, anti-Functionalist… Read More
Adam Bede’s ‘Discourse on Building’ (1859)
06.04.2021
Adam Bede’s ‘Discourse on Building’ (1859)06.04.2021
This speech on building – and architects – was made by Adam to Mr Poyser in Chapter 49 of George Eliot’s novel. It was pointed out to us by the Eliot scholar, Dermot Coleman, who added that ‘it is generally a safe bet that views on such matters expressed by Adam… Read More
Remembering a House in an Indiana Cornfield
31.03.2021
Remembering a House in an Indiana Cornfield31.03.2021
Dear Nicholas, It was wonderful to connect to your seminar and with you. We must catch up soon. I learned a lot from your presentation. And it brought back a flood of memories. Just now I quickly sketched the open plan house my father designed and had built in 1946,… Read More
Flores & Prats Sala Beckett International Drama Centre (2020): Review & Excerpts
30.03.2021
Flores & Prats Sala Beckett International Drama Centre (2020): Review & Excerpts30.03.2021
Review Making a book about making a building creates a special narrative challenge in the constant battle between reality and myth that vibrates through non-fiction publications and the ways in which we as readers engage with and interpret them. This is complicated even more when making a book about a… Read More
Casino Royale: Stynen’s unrealised sculpture garden
30.03.2021
Casino Royale: Stynen’s unrealised sculpture garden30.03.2021
The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More
The Intention of Suspension: Peter Wilson’s Clandeboye Fish
10.05.2021
The Intention of Suspension: Peter Wilson’s Clandeboye Fish10.05.2021
– Gabrielle Eglen
A phenomenological reading of ‘bridge’ would not prioritise function (crossing) but this suspended moment. – Peter Wilson [1] A fish out of water, a lady in thought, floating ‘wilderness’. Things first have to be separated from each other so as to be united later on. [2] Peter Wilson’s drawings of… Read More
drawing matter writing prize 2020 DMC industry & infrastructure