Medium: drawing
The Vitruvian Man: With Fresh Eyes
14.04.2021
The Vitruvian Man: With Fresh Eyes14.04.2021
‘The Vitruvian Man of Leonardo da Vinci as a model of innovative entrepreneurship at the intersection of business, art and technology’ is shown in the first image. This is a ‘modern’ interpretation of the Renaissance drawing as a business model as published in the Journal of Innovation and Entrepreneurship in 2017. An… Read More
Shaping Landscape: Schinkel and Erratics
12.04.2021
Shaping Landscape: Schinkel and Erratics12.04.2021
It is the unique trait of the section drawing to fragment the singularity of built form, to allow the reading of a building as a series of individual pieces, and thereby delay our innate predilection for gestalt. Much like an erratic (in geology, an erratic is a material moved by geologic forces from… Read More
Place and Displacement: Rubbings from Architecture
12.04.2021
Place and Displacement: Rubbings from Architecture12.04.2021
The process of making a rubbing transcends the traditional boundaries of architectural draughtsmanship and illustration. A rubbing is made by placing a sheet of paper over an object or textured surface and burnishing its surface with a drawing medium such as graphite or charcoal. Many of us might associate the… Read More
Nancy Holt: Sky Mound
08.04.2021
Nancy Holt: Sky Mound08.04.2021
Nancy Holt (1938-2014) was a member of the earth, land, and conceptual art movements. A pioneer of site-specific installation and the moving image, Holt recalibrated the limits of art. She expanded the places where art could be found and embraced the new media of her time. Across five decades she… Read More
Hans Hollein: From a Distance
07.04.2021
Hans Hollein: From a Distance07.04.2021
On a page of Hans Hollein’s sketchbook, a cluster of adobe buildings climb slowly and modestly above the horizon, seeming to rise out of the earth. The sketch, produced in 1960 during the Austrian architect’s exploration of the western United States, feels unorthodox for Hollein, whose proclivity for radical, anti-Functionalist… Read More
Adam Bede’s ‘Discourse on Building’ (1859)
06.04.2021
Adam Bede’s ‘Discourse on Building’ (1859)06.04.2021
This speech on building – and architects – was made by Adam to Mr Poyser in Chapter 49 of George Eliot’s novel. It was pointed out to us by the Eliot scholar, Dermot Coleman, who added that ‘it is generally a safe bet that views on such matters expressed by Adam… Read More
Remembering a House in an Indiana Cornfield
31.03.2021
Remembering a House in an Indiana Cornfield31.03.2021
Dear Nicholas, It was wonderful to connect to your seminar and with you. We must catch up soon. I learned a lot from your presentation. And it brought back a flood of memories. Just now I quickly sketched the open plan house my father designed and had built in 1946,… Read More
Flores & Prats Sala Beckett International Drama Centre (2020): Review & Excerpts
30.03.2021
Flores & Prats Sala Beckett International Drama Centre (2020): Review & Excerpts30.03.2021
Review Making a book about making a building creates a special narrative challenge in the constant battle between reality and myth that vibrates through non-fiction publications and the ways in which we as readers engage with and interpret them. This is complicated even more when making a book about a… Read More
Casino Royale: Stynen’s unrealised sculpture garden
30.03.2021
Casino Royale: Stynen’s unrealised sculpture garden30.03.2021
The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More
André Arbus: Details Matter
29.03.2021
André Arbus: Details Matter29.03.2021
These presentation drawings – polished, finished, complete – were drawn by André Arbus in the 1950s. They are of a compact, open-plan apartment. Although they are not design drawings, they reveal a lot about the process of design. They communicate thought and care and suggest many drawings have come before them.… Read More
Pan Scroll Zoom 10: Studio Othenin-Girard
29.03.2021
Pan Scroll Zoom 10: Studio Othenin-Girard29.03.2021
This is the tenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Guillaume Othenin-Girard discusses his studio at the University of Hong Kong which explored… Read More
Working with Gowan: Housing at East Hanningfield
26.03.2021
Working with Gowan: Housing at East Hanningfield26.03.2021
The Site Plan was one of the Planning drawings prepared for submission to Chelmsford District Council and Essex County Council. It is A1 size and drawn on Wiggins Teape 112 gram ‘Gateway’ tracing paper. The East Hanningfield job was the first on which ‘A’ sized paper had been used in… Read More
Studio Mumbai’s Tape Drawing
25.03.2021
Studio Mumbai’s Tape Drawing25.03.2021
Rain falls from the sky as a five-month monsoon season sweeps across India. Often associated with abundance and blessing, rain is a sign of good prospects, particularly for Southwest Indian farmers who are dependent on rainfall for their crops. The Saatrasta-Mahindra tape drawing embodies the term ‘adapting to place’, as… Read More
Derrida & Eisenman: Laugh(ing) of(f) the lyre
22.03.2021
Derrida & Eisenman: Laugh(ing) of(f) the lyre22.03.2021
‘I think I understand, at least in principle.’ [1] Jacques Derrida tries to keep track of Peter Eisenman’s elaborate explanation. It is the 21st of April 1986, and in New Haven, Connecticut, philosopher and architect conduct the fifth of six meetings for their design of a garden in Bernard Tschumi’s… Read More
Marie-José Van Hee: Seeing not Showing
22.03.2021
Marie-José Van Hee: Seeing not Showing22.03.2021
‘House’ by Marie-José Van Hee is drawn on a sheet of trace, the edge of which is visible at the top, offset from the plain white ground for photographing or scanning. It is a freehand drawing that uses black graphite for lines, to hatch, shade, and achieve gradations of roughly rendered… Read More
Haunted: Robert Smithson’s ‘My House is a Decayed House’
18.03.2021
Haunted: Robert Smithson’s ‘My House is a Decayed House’18.03.2021
The following text is excerpted from Dr. Suzaan Boettger’s research for her book in process, The Passions of Robert Smithson, Art and Life. Follow her on Instagram @NatrCultr, where images are tagged #UnknownSmithson. ‘History has many cunning passages, contrived corridors.’ If the sardonic analogy sounds like Robert Smithson, you’re close: it was written by his favorite… Read More
The Floor Plan of a Room
17.03.2021
The Floor Plan of a Room17.03.2021
Drawn from memory, the floor plan of a room in which two plan chests stand apart like two rectangular islands, plain-faced in plan but each one a tower of uncountable lines, paper upon paper suspended and preserved within the pellucid sleeves of polyester where they lie dormant and entombed as… Read More
Pan Scroll Zoom 8: Patrick Lynch
16.03.2021
Pan Scroll Zoom 8: Patrick Lynch16.03.2021
This is the eighth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode we share Instagram posts by Patrick Lynch in which he describes his experience… Read More
Excerpt: Shadow Places
15.03.2021
Excerpt: Shadow Places15.03.2021
The following text is excerpted from Simon Unwin’s book on shadow, in his series Analysing Architecture Notebooks, available here. For 20% off until May 31st 2021, use code KHL20. The piece is illustrated with drawings specially selected by Simon from the Drawing Matter collection. ‘Yea, though I walk through the… Read More
Hans Poelzig: Der Golem
11.03.2021
Hans Poelzig: Der Golem11.03.2021
I gaze at the screen, engrossed in the German horror film Der Golem (originally released in 1915 and reworked for reissue in 1920), a masterpiece of performance art. This cinematographic journey is my latest odyssey into the work of Hans Poelzig. The film catalogues his lesser-known work in the art… Read More
The MARS Group’s Plan for London, 1933-1944
08.03.2021
The MARS Group’s Plan for London, 1933-194408.03.2021
Collaboration within the field of architecture is as important as ever before. Construction projects grow increasingly complex, and pressing social issues need addressing. Yet we think of architects as unique and outstanding personalities that profoundly shape our built environment. This image of the architect as ‘genius’ is more present among… Read More
Glasgow School of Art: The Measure of Things
08.03.2021
Glasgow School of Art: The Measure of Things08.03.2021
The following text was first published in The Library: Glasgow School of Art (2014), edited by Mark Baines, John Barr and Christopher Platt. The text describes Paul Clarke’s process of surveying Charles Rennie Mackintosh’s library at the Glasgow School of Art, which he undertook in 1993. When the library was… Read More
The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple
12.04.2021
The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple12.04.2021
– Frank Lyons
The Architecture of Nothingness: Drawing the Drawings As architects we have learned to read drawings almost instantly. At a glance we see what the spaces feel like, what it will be like to move around the building and perhaps even get a sense of the appropriateness of the structure. This ‘presentational’ way… Read More
publication concept & diagram religion