Medium: drawing

Jaume Mayol / TEd’A Arquitectes: Drawn Closer

Jaume Mayol / TEd’A Arquitectes: Drawn Closer

Sarah Handelman and Jaume Mayol

This drawing for a house in Mallorca joins a number of sketches we made to understand the project. Each space is made of separate elements. To understand the space you need to dive into each element, and to understand each element you need to be in the space. To draw… Read More

New Welfare Island (1978)

New Welfare Island (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

Gallaratese & Fagnano Olona (1976)

Gallaratese & Fagnano Olona (1976)

Aldo Rossi

Two fragments of texts paired with two fragments of process. Writing in the May 1976 issue of Architecture + Urbanism, Rossi reflects on two projects: the Gallaratese Housing Complex, Milan and the Fagnano Olona in the Lombardy region. In both of the drawings placed alongside the architect’ s writing, the forms… Read More

Eisenman: House VI (1985)

Eisenman: House VI (1985)

Kathleen Enz Finken

The design of House VI was partly the result of Eisenman’s attempt to reconcile linguistic theories with architectural design. His interest in the work of Noam Chomsky, especially his theories of syntax, led to the investigation of possible analogies between language and architecture, and particularly the syntactic aspects of architectural… Read More

On William Kent (1771)

On William Kent (1771)

Horace Walpole

Here is Walpole’s famous one-liner, but with the remainder of his text on William Kent quoted in full; this is as Pevsner, in his unpublished Visual Planning and the Picturesque, apparently intended it to be. He leaped the fence, and saw that all nature was a garden. He felt the… Read More

Hotel Sphinx (1978)

Hotel Sphinx (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

Ink on his Hands: Montano’s Visceral Roman Architectures

Ink on his Hands: Montano’s Visceral Roman Architectures

Dijana O. Apostolski

When he sat down to make the drawings that form this eight-page album of Roman buildings, Giovanni Battista Montano began by embossing lines onto the sheet with a stylus, straightedge and compass. Using natural black chalk, he then lightly sketched the principal parts and main particularities of the selected edifices.… Read More

L’Invasion de la Viande (1980)

L’Invasion de la Viande (1980)

Elie Delamare-Debouteville

As part of an imagined intervention in the subterranean spaces of the redeveloped Les Halles, Jean Criton’s project describes the new Metro station invaded, in a sinister process of parthenogenesis, by the meat from the Pavillon de la Boucherie, which had stood on the site until its controversial demolition eight… Read More

Paul Robbrecht: Drawn Closer

Paul Robbrecht: Drawn Closer

Paul Robbrecht

Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More

Wright & Lautner: The Divorce

Wright & Lautner: The Divorce

Nicholas Olsberg

Wright’s Eaglefeather (1941) – hilltop Malibu extravaganza for the filmmaker Arch Oboler – was running into trouble. Lloyd Wright, Frank Lloyd Wright’s son, oversaw construction drawings and supervision, but Lloyd was fired by Oboler in March 1941. Wright came to Los Angeles and arranged for Lautner to complete the project… Read More

The Decline of Architectural Drawing (1859)

The Decline of Architectural Drawing (1859)

C. H. Smith

The Royal Academy’s 1859 summer exhibition, combined with a number of architectural drawings on display in Conduit Street, left a less than positive impression on critic C. H. Smith. In an article published by The Builder, Smith describes what he sees as a decline in the quality of the architectural… Read More

On plans

On plans

John Meunier

Plans, unlike many other architectural drawings, bear little or no relationship to what the building looks like, but they are crucial. First, they are essential as instructions for those involved with the construction of a building. Without a plan, the bits and pieces of a building could not be properly… Read More

O’Donnell + Tuomey in Conversation

O’Donnell + Tuomey in Conversation

Sheila O'Donnell and John Tuomey

John Tuomey: Let me tell you the story of this drawing. We were at one of those despairing moments when we were putting together our book Space for Architecture and feeling that we had never achieved anything of any substance. We didn’t have a lot of work going at that particular moment,… Read More

Animals

Animals

James Gowan and Ellis Woodman

excerpted from The Architecture of James Gowan: Modernity and Reinvention (2008)

The Ultimate Climes of John Lautner (1986)

The Ultimate Climes of John Lautner (1986)

Esther McCoy

Extracted, with permission, from Piecing Together Los Angeles: An Esther McCoy Reader, published by East of Borneo Books © 2012. The publication is available at East of Borneo.

Drawing on the Nolli Plan

Drawing on the Nolli Plan

Sheila O'Donnell

Every January, when John and I visit Rome, I bring a set of A3 photocopies of the Nolli plan (Giambattista Nolli’s Nuova Topografia di Roma, 1748). I don’t bring the whole map – it stretches to twelve sheets, each about A2 in size – so before arriving I am already editing… Read More

Louis Kahn: Notes on a Scrap of Paper

Louis Kahn: Notes on a Scrap of Paper

Brian Carter

This scrap of paper, perhaps scooped up from the floor or a waste basket in Louis Kahn’s studio on Chestnut Street in Philadelphia, shows a single sketch – spidery lines outlining a modest block and strange openings. Beginning drawing in 1958 Kahn searched for a design of a new building… Read More

Grounded: Plans & Planning

Grounded: Plans & Planning

Richard Hall and Niall Hobhouse

The following is part of an email exchange between Niall Hobhouse and Richard Hall in response to Richard’s text on James Gowan and John Hejduk, One Thing Leads to Another. Niall Hobhouse: When you have time, I thought it would be interesting to encourage you to think about why it is… Read More

Shape

Shape

Charles Moore

Shape calls attention to things and their meanings. Architects, whether they mean to or not, give shape to things, and the people who see or inhabit those things, whether in full consciousness or not, respond to these shapes. The dimensions of this response are somewhat difficult to measure, since they… Read More

Cadbury-Brown: Royal College of Art Extension

Cadbury-Brown: Royal College of Art Extension

Lionel Brett

The counter-reformation did not last long. In the end I think what reconciled us was that everything I attempted failed. By way of diversion from internal dissension, like any politician, I switched to foreign affairs. There were two things which, as an architect, I was expected to achieve for the… Read More

Space

Space

Charles Moore

Space in architecture is a special category of free space, phenomenally created by the architect when he gives a part of free space shape and scale. Its first two dimensions – width and breadth – are responsive mainly to functional imperatives in the narrow sense, but the manipulation of its… Read More

Daria’s Aria

Daria’s Aria

Sarah Handelman

Between 1939 and 1941 the French-born, Milan-based editor Daria Guarnati published seven volumes of a series called Aria d’Italia. Each issue formed a substantial monograph on a distinct facet of Italian life and culture. The inaugural Christmas edition was followed by the evocatively titled issues ‘Italy through Colour’, ‘Mediterranean Summer’, ‘The… Read More

One Thing Leads to Another

One Thing Leads to Another

Richard Hall

Architecture rarely results from a singular eureka moment or a spontaneous act of genius. The myth of the napkin sketch is precisely a myth. The lucidity it suggests is essential, but it is seldom instantaneous or hermetic. It comes from work. In architecture, this work is of a special kind,… Read More

BV Doshi: Drawn Closer

BV Doshi: Drawn Closer

Balkrishna Vithaldas Doshi and Sarah Handelman

I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More