Medium: drawing

Glasgow School of Art: The Measure of Things

Glasgow School of Art: The Measure of Things

Paul Clarke

The following text was first published in The Library: Glasgow School of Art (2014), edited by Mark Baines, John Barr and Christopher Platt. The text describes Paul Clarke’s process of surveying Charles Rennie Mackintosh’s library at the Glasgow School of Art, which he undertook in 1993. When the library was… Read More

Stanley Peach: Church Plan based on the Figure of Christ

Stanley Peach: Church Plan based on the Figure of Christ

Mireya Fabregas

Charles Stanley Peach’s watercolour over pencil painting is executed by overlaying two forms of religious representation: figural images over a church plan reflecting a ceiling plan. The figurative depictions narrate accounts of Christianity through various portrayals of Christ; the most prominent being God, benevolent, and Jesus crucified. Other portraits of… Read More

Tradition and Modernity, Continuity and Critique

Tradition and Modernity, Continuity and Critique

Rebecca Siefert

The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid has served as ‘the image of an absolute beginning’, as Rosalind Krauss affirmed in 1986 in ‘The Originality of… Read More

The Perpetual Race of Piranesi and the Tortoise

The Perpetual Race of Piranesi and the Tortoise

Marc McGowan

Melting reality, ancient history and fantasy into one, the etchings of Giovanni Battista Piranesi hold an unparalleled allure that continues to entrance and captivate. They offer an escape into imagined and unknown worlds; each drawing an organism of its own, containing an immense depth of spatial layering and an extraordinary… Read More

Architecture’s Mirror Stage

Architecture’s Mirror Stage

Michael Abrahamson

Mirrors and mirrored glass, perhaps the most characteristically postmodern of surface treatments, were not only a material choice but also emblematized a turn inward toward what Sylvia Lavin has taken to calling ‘architecture itself.’ As the psychoanalyst Jacques Lacan might have put it, it was at this moment that modernist… Read More

Pan Scroll Zoom 7: MOS

Pan Scroll Zoom 7: MOS

Fabrizio Gallanti, Michael Meredith and Hilary Sample

This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More

Stan Allen’s Situated Objects (2020): Review & Excerpt

Stan Allen’s Situated Objects (2020): Review & Excerpt

Niall Hobhouse

Review Three times a week a package arrives in Somerset with another Practice Monograph, and the generous proposal that we might want to add it to the library at Drawing Matter. This is clearly an old story – somewhere we have a copy of one of John Soane’s endless books… Read More

Re-presenting the Rococo

Re-presenting the Rococo

David Valinsky

In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More

Take One: Architects on Drawing

Take One: Architects on Drawing

Editors

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

In Search of an Honest Map

In Search of an Honest Map

Nicholas Herrmann

We don’t experience place as maps would have us believe. We might technically exist within the map, an orientation marker besieged by the total sum of data, every landmark, park and street swarming around us at all times. But our perspective is only partial – a patchwork of neighbourhoods, structures… Read More

Walter Pichler: Mystery and Mysticism

Walter Pichler: Mystery and Mysticism

Harvey Herman

Walter Pichler’s sketches for the utopian city projects he developed with Hans Hollein in the early 1960s appear like arrangements of magnetised iron filings, blowing about the page to reveal mysterious momentary structures. Though they would later inform hardened isometric drawings, these forms are full of plasticity and, in this… Read More

Superstudio: Another Mirror Image

Superstudio: Another Mirror Image

Ludwig Engel

Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More

Signature

Signature

André Patrão

It’s just a small loose sheet of paper ripped off a notepad. Along its margins, an elegant round-cornered brown border, once enclosing an anonymous blank space of empty expectancy, now ceremoniously frames a mysteriously attractive, harmonious, yet utterly cryptic mark, struck and left upon its surface: a signature. By whose… Read More

Mother of All Drawings

Mother of All Drawings

Deepiga Kameswaran

The very first attempts of humans to express their thoughts can be seen in prehistoric cave paintings. From these rudimentary markings to modern-day coding, the human race has evolved to acquire many skills. Still, none of us are born fully equipped with this skillset; we must repeat this process of learning… Read More

Charlotte Skene Catling: The Dairy House

Charlotte Skene Catling: The Dairy House

Françoise Astorg Bollack

This project involved the enlargement of a nineteenth-century masonry dairy house built by the owner’s great grandfather for the estate’s cheesemaker. The addition fills a narrow space dug into the hill behind the existing house providing additional bedrooms, bathrooms, and more generous circulation spaces. The building sits in an 850-acre… Read More

Sir John Soane’s Museum: Bound Legacy

Sir John Soane’s Museum: Bound Legacy

Alexandra Politis

John Britton, a topographer and antiquarian by trade, began preparations to publish a guidebook to John Soane’s house-museum in 1825. The earliest mention of such an endeavour appears in a letter to Soane dated 3 November, in which Britton outlines his desire to ‘produce a vol to surprise the public, and… Read More

The Architect and the Matador

The Architect and the Matador

Thomas Gould

On one sheet, a matador;on the other, a design,with measurements for a cathedral pier.  What unites these drawingsis provenance:both, apparently, executedby the architectEugène Viollet-le-Ducin meetings.  As Viollet-le-Duc’s mind wanderedfrom doodle to design,my attention,beholding the drawings,is drawn between the two sheets; drawn, by the insistently connective impulseof looking,into associations.  Between architect… Read More

On Tony Fretton and the Lisson Gallery

On Tony Fretton and the Lisson Gallery

Nicholas Logsdail

A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More

Louis Kahn: In Praise of shadows

Louis Kahn: In Praise of shadows

Emerald Liu

The pale white touch The most exquisite glow and depth of shadows An immutable mystery in the crossbeam of tranquillity simply vanished when the sunlight flooded the atmosphere Of this small corner Where we as children would feel an inexpressible chill While waiting so quiet and pliant to the touch… Read More

Drawing the Curtain: Entangling rendering and theatrical space

Drawing the Curtain: Entangling rendering and theatrical space

Thomas Hutton

Pliny the Elder recounted the following story in Naturalis Historia: The two great painters of classical Greece, Zeuxis and Parrhasius staged a contest to determine the greater painter. When Zeuxis unveiled his painting, the grapes he depicted appeared so real that a bird flew down to peck at them. When… Read More

Carlos Diniz and the World Trade Center

Carlos Diniz and the World Trade Center

Sam van Strien

The landmark skyscrapers of SOM, the deconstructivism of Frank Gehry’s Disney Concert Hall, and the corporate modernist master plan of the World Trade Center all have something in common: long before they were constructed, they were represented in drawings by Carlos Diniz.  In 1962, the architect Minoru Yamasaki hired Diniz… Read More

Drawing Sacred Forests and Courtyards in South Benin

Drawing Sacred Forests and Courtyards in South Benin

Quentin Nicolaï

The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Quentin Nicolaï in Abomey, Benin, between January 2014 and June 2018. Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce… Read More

Hello Iwona

Hello Iwona

Hamish Lonergan

A large, red ‘Hello!!’ and attribution to ‘Gowan, James’ is all I can see, at first, of image 3157.3r in Drawing Matter’s online archive. No date, no caption. The greeting is enthusiastic enough to stop scrolling: ‘Hi there, James!!’ I think. But when I zoom in, it’s not him at all. … Read More

Elliott Glushak vs. The City of New York

Elliott Glushak vs. The City of New York

Philippa Lewis

Is an architectural rendering the work of an artist? Or is it just a skilled service, like a plumber or plasterer? This was the question that was fought out in the Supreme Court of the State of New York in 1958. At stake was the payment of New York sales… Read More