Tag: DMC
Alberto Pérez-Gómez: Architecture as Drawing
28 July 2022
Alberto Pérez-Gómez: Architecture as Drawing28 July 2022
– Mark Dorrian and Alberto Pérez-Gómez
Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More
Time’s Witness. History in the Age of Romanticism (2021) – Review
25 July 2022
Time’s Witness. History in the Age of Romanticism (2021) – Review25 July 2022
Anxious Objects At some point in the annals of Western scholarship it was judged that the past could be restituted not only from textual sources but also from objects, that the material of history was equally important as its written archive. This major shift in historical approach was largely brought… Read More
Jan Tschichold and El Lissitzky: Foto-Auge (Photo-eye)
29 June 2022
Jan Tschichold and El Lissitzky: Foto-Auge (Photo-eye)29 June 2022
Although not a member of the Deutscher Werkbund (DWB), Jan Tschichold was appointed to the selection committee for the Werkbund’s Film und Foto exhibition (FiFo), to be held in Stuttgart between May and June 1929. FiFo was one of the most ambitious attempts to showcase recent developments in photography. The… Read More
Workshop: On Siza’s March ’77 Sketchbook
22 June 2022
Workshop: On Siza’s March ’77 Sketchbook22 June 2022
This audio recording documents a workshop on Álvaro Siza’s Malagueira sketchbook delivered by Manuel Montenegro to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The sketchbook is a record of Siza’s thoughts and responses over three days in 1977, on… Read More
Benjamin Wistar Morris and a new Metropolitan Opera House
10 June 2022
Benjamin Wistar Morris and a new Metropolitan Opera House10 June 2022
A recent acquisition of six drawings by the American architect Benjamin Wistar Morris reveals his long involvement with one of the most important urban projects of the twentieth century. Morris’s role in this project was a highlight of his career although he has not been widely associated with it. A… Read More
The Anatomy of the Architectural Book: Magical Moves
6 June 2022
The Anatomy of the Architectural Book: Magical Moves6 June 2022
In 1586 Domenico Fontana completed the extraordinary task, commissioned by Pope Sixtus V, of moving the Vatican obelisk. The structure was said to have a ‘mysterious magic of an unknown civilization’, accepted by Christians due to the belief that it had witnessed the martyrdom of Saint Peter. In this text, André… Read More
Opportunism
2 June 2022
Opportunism2 June 2022
– Richard Hall and Emma Rutherford
While declaring explicitly architectural intentions (especially in the beginning), the enthusiastic appropriation of technologies and techniques peripheral to architecture has been a constant theme in OMA’s work. In 1976, Elia Zenghelis commented on the role of the telephone in their design process. [1] The photocopier and commercial printing would open up… Read More
Les Fêtes de Nuit (1937)
30 May 2022
Les Fêtes de Nuit (1937)30 May 2022
This is the best concise account of the technical sophistication behind the light and water installations created along and beside the Seine, for the Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937). We have added a group of gouache drawings by the architect René-André Coulon, made in the design phase for… Read More
Design Starts: Loughborough School of Architecture at Shatwell Farm
3 May 2022
Design Starts: Loughborough School of Architecture at Shatwell Farm3 May 2022
The following is an account of a visit to Drawing Matter in March 2022 made by Benjamin Machin and his students at the Loughborough School of Architecture, Building and Civil Engineering – Alina Abdulwahid, Nyewuna Amadi, Jemima Dabell, Beckie Downs, Lewis Foster-Jeapes, Will Jones, Will Mennell, Danielle Riley, Joe Tolley,… Read More
An Artist Browsing the Collection
3 May 2022
An Artist Browsing the Collection3 May 2022
My visits to the archive happened during the summer of 2021 in a gap between lockdowns. Shatwell Farm is a haven of contemporary buildings sitting alongside tumbling and restored farm buildings, an obelisk, pillars, corrugated materials, stone, sleepers, silos, a library, and a gallery. Amongst all this is the Drawing… Read More
The Evolving Role of Drawing
29 April 2022
The Evolving Role of Drawing29 April 2022
This text was first published in The Architectural Review in 2013. Carlo Scarpa, in a famously infamous gesture, opened all his courses in design at the University of Venice by demonstrating the art of sharpening a pencil. That was the precise point, he claimed, from which all architecture proceeds. And… Read More
Do You Remember How Perfect Everything Was? The Work of Zoe Zenghelis (2021) – Review
26 April 2022
Do You Remember How Perfect Everything Was? The Work of Zoe Zenghelis (2021) – Review26 April 2022
During the spring and summer of 2021, a two-part exhibition of the work of Zoe Zenghelis was shown in London. The first show was an enjoyably intimate immersion at Betts Project in Clerkenwell. The second, a more extensive review at the Architectural Association. Later that year a thick, crisply designed… Read More
The Ruined Temple and Oberrealta Chapel
14 April 2022
The Ruined Temple and Oberrealta Chapel14 April 2022
The plans of the Ruined Temple and Oberrealta Chapel were drawn nearly two hundred years apart, and yet they both speak to the Ruskian timelessness of the ruin. The temple and chapel are representative of their respective ages, with the former alluding to Romanticism’s longing for a pastoral past free… Read More
The Iterative Power of Architecture’s Absence
7 April 2022
The Iterative Power of Architecture’s Absence7 April 2022
In 1991, the Swiss architects Herzog & de Meuron prepared a submission with the artist Remy Zaugg for the Berlin Morgen (‘Berlin Tomorrow’) exhibition organised by the Deutsches Architekturmuseum in Frankfurt, Germany. By surrounding Berlin’s Tiergarten with four new buildings, they proposed to restructure the park – then perceived as… Read More
In the Archive: Laugier, Eisen, Boulogne, Petitot, Percier, Dumont and Hadid
22 March 2022
In the Archive: Laugier, Eisen, Boulogne, Petitot, Percier, Dumont and Hadid22 March 2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. On a crisp January morning I made my way to York railway station to visit… Read More
Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review
17 March 2022
Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review17 March 2022
From the frescoes of Pompeii to the Great Hall of Siedlecin, from the Book of Kells to the Book of Hours, architecture has been depicted in full colour. Where colour has been largely absent in the history of architectural representation, however, is in the more technical drawings of architects themselves.… Read More
Entering the Imperial Palace
16 March 2022
Entering the Imperial Palace16 March 2022
‘What a subject for John Martin!’ exclaimed a passer-by, as the hungry flames flickered up York Minster. Maybe they had in mind his apocalyptic painting The Fall of Nineveh, exhibited that same year at the Western Exchange on Old Bond Street and reproduced widely as a mezzotint print. Unbeknown to… Read More
Exhibition Design: Charging the Void
9 March 2022
Exhibition Design: Charging the Void9 March 2022
Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More
The Edge of Architecture: Cornices in the Drawing Matter collection
21 February 2022
The Edge of Architecture: Cornices in the Drawing Matter collection21 February 2022
– Editors
The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.
Charles Stanley Peach: Pioneer in Power
8 February 2022
Charles Stanley Peach: Pioneer in Power8 February 2022
Charles Stanley Peach set up his architectural practice in 1884, just as the public’s access to electricity was established. Through his contacts in the engineering world, he became involved in designing power supply infrastructure, including Brown Hart Gardens, a substation and Italianate garden in Mayfair. The following excerpt is taken… Read More
Materia 2: Corrugated Iron
14 July 2022
Materia 2: Corrugated Iron14 July 2022
– Gordon Shrigley
This text is the second in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. Forthcoming texts will include thoughts on oxide-red paint, in-situ concrete, fired brick, plate glass and plastic. The first text… Read More
materia (editorial series) DMC section housing industry & infrastructure