Tag: landscape
Trees Push Back
3 November 2020
Trees Push Back3 November 2020
The following text is the third of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More
Just Begin: The Convent Sainte-Marie-de-la-Tourette
28 July 2020
Just Begin: The Convent Sainte-Marie-de-la-Tourette28 July 2020
– Stan Allen and José Oubrerie
‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More
A Glasgow Effect
17 July 2020
A Glasgow Effect17 July 2020
I draw and make dens to counter the weather of Scotland and the urban dislocation that I experienced from growing up in Glasgow, a city that suffered disproportionately from devastating post-war planning policy and the imposition of industrial modern architecture. The consequences of this are described by the medical term… Read More
The Story of the Pool (1978)
19 June 2020
The Story of the Pool (1978)19 June 2020
In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More
On William Kent (1771)
19 May 2020
On William Kent (1771)19 May 2020
Here is Walpole’s famous one-liner, but with the remainder of his text on William Kent quoted in full; this is as Pevsner, in his unpublished Visual Planning and the Picturesque, apparently intended it to be. He leaped the fence, and saw that all nature was a garden. He felt the… Read More
Web of Intrigue
3 April 2020
Web of Intrigue3 April 2020
Searching the internet for the drawings of Michael Sorkin, one comes across a lengthy list of the projects that have emerged from his eponymously titled studio. Halfway down the list can be found an exotic beauty of a drawing soberly captioned thus: House of the Future. 1999. Coloured Pencil, Hand… Read More
Imaginal Cloud Spaces
31 December 2019
Imaginal Cloud Spaces31 December 2019
Many hours can be spent on what art historian Mary Berry calls ‘the sheer act of looking’ at the Japanese folding-screen paintings titled Rakuchu Rakugai zu (Scenes in and around Kyoto). [1] Across the sixteenth and seventeenth centuries, such paintings captured a seemingly complete image of the capital city. Through the consistent use of… Read More
Superstudio: In Yesterday’s Tomorrow
23 December 2018
Superstudio: In Yesterday’s Tomorrow23 December 2018
‘Metamorphoses become frequent when a culture does not have sufficient courage to commit suicide (to eliminate itself) and has no clear alternatives to offer either‘ – Adolfo Natalini Following social and economic upheaval, there is often a retreat to the home. Traditionally, the ‘home’ is identified with a site of… Read More
Yacht Club Path
2 August 2018
Yacht Club Path2 August 2018
I The drawings have different stories. They don’t have a linear story, a beginning date and then a finished date at the end. Sometimes they are drawn in the beginning before the project is built and then continue during the construction of the project and sometimes too – actually, quite often… Read More
Eurolandschaft Dérive
1 April 2018
Eurolandschaft Dérive1 April 2018
The format is Japanese: a concertina sketchbook presented empty to me by Akira Suzuki shortly after the 1983 completion of our Tokyo Suzuki House design. The drawing format is also Japanese – influenced by our reading of Tokyo (documented in Western Objects + Eastern Fields, AA 1989). Tokyo is difficult for… Read More
Shatwell DrawingScape
29 January 2018
Shatwell DrawingScape29 January 2018
This year a group of 12 students from the Intermediate School at the Architectural Association, London, are developing proposals for the Shatwell site. They take inspiration from the Drawing Matter collection to create exhibition spaces to display and celebrate the culture of drawing. The work ranges from speculative interpretations of… Read More
The Clandeboye Drawings
27 October 2017
The Clandeboye Drawings27 October 2017
The seven Clandeboye drawings, each 35 × 35 cm and on A2 trace, were produced in 1984. The year is significant. Then the AA was busy maintaining a posture of indifference to Jenksian postmodernism, while the possibly visionary (at least in the case of architectural speculation) and certainly introspective 1970s… Read More
Blind Spots
20 October 2017
Blind Spots20 October 2017
Architectural drawing is a strange and powerful tool. It is simultaneously a means of depiction and a way of constructing the world. That’s why, beyond the conventions of practice, the politics of the architectural image remain so significant. The drawing is the world we construct: its own ideas of subject, its modes… Read More
Peter Smithson: Obelisk
12 October 2017
Peter Smithson: Obelisk12 October 2017
Peter Smithson’s influence predates slightly that of Cedric Price. It has also migrated to Shatwell, most notably in the recent re-erection of his wooden obelisk that first stood at Hadspen, commanding the view across the countryside. At Shatwell the obelisk takes on a more urban role (the design was originally… Read More
Cedric Price: FIR Project
12 October 2017
Cedric Price: FIR Project12 October 2017
Tim Abrahams observed in his AR article, Shatwell Farm: Reshaping the Rural: ‘Looking into the background of the Shatwell project it is evident that one of Hobhouse’s most important relationships was with the late Cedric Price who, among other things, helped him find the intellectual and architectural grounding to imagine a… Read More
Stephen Taylor: Urban Rural
12 October 2017
Stephen Taylor: Urban Rural12 October 2017
The existing enclave of Shatwell Farm has seen a slow decline in its agricultural industry over recent decades, rendering many of its buildings derelict and redundant. The project is seen as part of a process to revitalise the farmstead at Shatwell. Whilst dairy farming is expected to continue and its… Read More
James Wines: Ghost Parking Lot
5 October 2017
James Wines: Ghost Parking Lot5 October 2017
This drawing depicts a site-specific public art project, commissioned by the retail developer David Burmant, which entombed twenty junked cars under a layer of asphalt in a suburban shopping plaza. James Wines was interested in upending expectations about common iconographic elements of suburbia by inverting the relationship between such objects… Read More
Carlos Diniz: Weyerhaeuser Project
1 March 2017
Carlos Diniz: Weyerhaeuser Project1 March 2017
This remarkable drawing is a rendering by Carlos Diniz of the headquarters for the timber company Weyerhaeuser in Washington State from 1969, which he drew for the architects Skidmore, Owings & Merrill. The completed building is stunning, of course: the concept of office design known as bürolandschaft, extended out into… Read More
Viollet-le-Duc: Mont Blanc
17 February 2017
Viollet-le-Duc: Mont Blanc17 February 2017
This simple but fascinating ink drawing by French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) illustrates the geometrical structure that, according to him, regulates the morphology of the entire Mont Blanc massif. Far from an amorphous, chaotic mass, he describes the mountain as a gigantic crystal that follows the regular structure of a… Read More
Hans Hollein: Infinite Space
4 March 2016
Hans Hollein: Infinite Space4 March 2016
Between 1959 and 1964, the sculptor and designer Walter Pichler (1936–2012) and the architect Hans Hollein (1934–2014), working in dialogue, introduced a radically adventurous new plasticity to form, questioning the functional idea of architecture as shelter and its symbolic role as monument, as well as calling for the architect to… Read More
Becoming One with the Landscape (1969)
15 January 2016
Becoming One with the Landscape (1969)15 January 2016
The following is excerpted from Two Continuous Monuments, by Nicholas Olsberg. Published in the AA Files No. 71, 2015. The architect’s guiding idea has been to create a building which would ‘literally tend to disappear – becoming one with the landscape’ … The dramatic architectural concept and primarily coniferous flora… Read More
Tree Speech
7 November 2020
Tree Speech7 November 2020
– Sylvia Lavin
The following text is the fourth of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More
nature DMC competition landscape urban form