Tag: sketch

Architectural Drawing (1983)

Architectural Drawing (1983)

George Collins

This essay was first published in the catalogue for Drawings by Architects (25 February – 3 April 1983), held at the ICA in London. A period piece, for sure, the text sits at the cusp of changing attitudes to the display and value attributed to architect’s drawings.  In recent years… Read More

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More

This Blue Love: Aldo Rossi in Samos in late Summer 1989

This Blue Love: Aldo Rossi in Samos in late Summer 1989

Vincenzo Moschetti

In his voyage to Samos in the Summer of 1989 Aldo Rossi gathered a collection of fragments in accordance with a Palladian education. The image repeats itself, following what Johns had written in 1984: ‘I like to repeat an image in another medium to observe the play between the two:… Read More

Hans Hollein’s Immunological City

Hans Hollein’s Immunological City

Dhruv Mehta

Hans Hollein’s city structures look awry to someone familiar with his retail work. In the time that these drawings were made, Hollein completed his UC Berkeley degree, travelled across the USA, and did an exhibition with Walter Pichler in Austria. His most influential visit was to the Native American pueblos.… Read More

Hans Hollein: From a Distance

Hans Hollein: From a Distance

Robert Crawford

On a page of Hans Hollein’s sketchbook, a cluster of adobe buildings climb slowly and modestly above the horizon, seeming to rise out of the earth. The sketch, produced in 1960 during the Austrian architect’s exploration of the western United States, feels unorthodox for Hollein, whose proclivity for radical, anti-Functionalist… Read More

Remembering a House in an Indiana Cornfield

Remembering a House in an Indiana Cornfield

Larry Richards

Dear Nicholas, It was wonderful to connect to your seminar and with you. We must catch up soon. I learned a lot from your presentation. And it brought back a flood of memories. Just now I quickly sketched the open plan house my father designed and had built in 1946,… Read More

Casino Royale: Stynen’s unrealised sculpture garden

Casino Royale: Stynen’s unrealised sculpture garden

Emerald Liu

The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More

Marie-José Van Hee: Seeing not Showing

Marie-José Van Hee: Seeing not Showing

Tessa Baird

‘House’ by Marie-José Van Hee is drawn on a sheet of trace, the edge of which is visible at the top, offset from the plain white ground for photographing or scanning. It is a freehand drawing that uses black graphite for lines, to hatch, shade, and achieve gradations of roughly rendered… Read More

Pan Scroll Zoom 8: Patrick Lynch

Pan Scroll Zoom 8: Patrick Lynch

Patrick Lynch

This is the eighth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode we share Instagram posts by Patrick Lynch in which he describes his experience… Read More

Glasgow School of Art: The Measure of Things

Glasgow School of Art: The Measure of Things

Paul Clarke

The following text was first published in The Library: Glasgow School of Art (2014), edited by Mark Baines, John Barr and Christopher Platt. The text describes Paul Clarke’s process of surveying Charles Rennie Mackintosh’s library at the Glasgow School of Art, which he undertook in 1993. When the library was… Read More

Pan Scroll Zoom 7: MOS

Pan Scroll Zoom 7: MOS

Fabrizio Gallanti, Michael Meredith and Hilary Sample

This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More

Re-presenting the Rococo

Re-presenting the Rococo

David Valinsky

In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More

Take One: Architects on Drawing

Take One: Architects on Drawing

Editors

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Walter Pichler: Mystery and Mysticism

Walter Pichler: Mystery and Mysticism

Harvey Herman

Walter Pichler’s sketches for the utopian city projects he developed with Hans Hollein in the early 1960s appear like arrangements of magnetised iron filings, blowing about the page to reveal mysterious momentary structures. Though they would later inform hardened isometric drawings, these forms are full of plasticity and, in this… Read More

Superstudio: Another Mirror Image

Superstudio: Another Mirror Image

Ludwig Engel

Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More

The Problem with Rainbows

The Problem with Rainbows

Adolfo Natalini

Resta sempre insoluto il problema dell’arcobalenoPare que ce ne sia uno dopo la pioggiaE che dall’alto con l’aereoSi veda tutto tornaMa questo metterebbe in crisi tutto quelliChe cercano la pentola d’oro Alle fine dell’arcobaleno C’e sempre un arcobalenoAl di sopra di ogni questione sulla quantitàE qualità dei suoi coloriDopo la pioggiaMa non dopo ogni pioggia… Read More

The Architect and the Matador

The Architect and the Matador

Thomas Gould

On one sheet, a matador;on the other, a design,with measurements for a cathedral pier.  What unites these drawingsis provenance:both, apparently, executedby the architectEugène Viollet-le-Ducin meetings.  As Viollet-le-Duc’s mind wanderedfrom doodle to design,my attention,beholding the drawings,is drawn between the two sheets; drawn, by the insistently connective impulseof looking,into associations.  Between architect… Read More

On Tony Fretton and the Lisson Gallery

On Tony Fretton and the Lisson Gallery

Nicholas Logsdail

A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More

Louis Kahn: In Praise of shadows

Louis Kahn: In Praise of shadows

Emerald Liu

The pale white touch The most exquisite glow and depth of shadows An immutable mystery in the crossbeam of tranquillity simply vanished when the sunlight flooded the atmosphere Of this small corner Where we as children would feel an inexpressible chill While waiting so quiet and pliant to the touch… Read More

Drawing Sacred Forests and Courtyards in South Benin

Drawing Sacred Forests and Courtyards in South Benin

Quentin Nicolaï

The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Quentin Nicolaï in Abomey, Benin, between January 2014 and June 2018. Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce… Read More

Hello Iwona

Hello Iwona

Hamish Lonergan

A large, red ‘Hello!!’ and attribution to ‘Gowan, James’ is all I can see, at first, of image 3157.3r in Drawing Matter’s online archive. No date, no caption. The greeting is enthusiastic enough to stop scrolling: ‘Hi there, James!!’ I think. But when I zoom in, it’s not him at all. … Read More

The House and the Sketch

The House and the Sketch

Bijan Thornycroft

288 sketches precede the design of a house. Each one starts again from zero. None for more than a few seconds. Never larger than a few centimeters. With each repetition of the loop, the house searches for itself. For the first 287 pages, it did not know what it was… Read More

The Values of Profiles (1951)

The Values of Profiles (1951)

Luigi Moretti

Provoked by the assertion of rational architecture, the beginnings of modern non-figurative art coincide in time with the exclusion from the world of living forms of cornices and profiles, the most evidently ‘abstract’ elements of ancient architecture. At least two reasons may be relevant to this singular phenomenon: one is… Read More

Writing Prize 2020: The Anatomy of an Oyster Theatre

Writing Prize 2020: The Anatomy of an Oyster Theatre

Emilie Banville

In the beginning, there was only a shell. An empty shell. But we could already sense the contours of its elliptical shape, its multilayered protective envelope, stratified, laminated, like the bark of a tree (a). Slowly, the outer flaps of the carapace would move away from each other, vertically sweeping… Read More