Tag: sketch

Casino Royale: Stynen’s unrealised sculpture garden

Casino Royale: Stynen’s unrealised sculpture garden

Emerald Liu

The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More

Marie-José Van Hee: Seeing not Showing

Marie-José Van Hee: Seeing not Showing

Tessa Baird

‘House’ by Marie-José Van Hee is drawn on a sheet of trace, the edge of which is visible at the top, offset from the plain white ground for photographing or scanning. It is a freehand drawing that uses black graphite for lines, to hatch, shade, and achieve gradations of roughly rendered… Read More

Pan Scroll Zoom 8: Patrick Lynch

Pan Scroll Zoom 8: Patrick Lynch

Patrick Lynch

This is the eighth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode we share Instagram posts by Patrick Lynch in which he describes his experience… Read More

Glasgow School of Art: The Measure of Things

Glasgow School of Art: The Measure of Things

Paul Clarke

The following text was first published in The Library: Glasgow School of Art (2014), edited by Mark Baines, John Barr and Christopher Platt. The text describes Paul Clarke’s process of surveying Charles Rennie Mackintosh’s library at the Glasgow School of Art, which he undertook in 1993. When the library was… Read More

Pan Scroll Zoom 7: MOS

Pan Scroll Zoom 7: MOS

Fabrizio Gallanti, Michael Meredith and Hilary Sample

This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More

Re-presenting the Rococo

Re-presenting the Rococo

David Valinsky

In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More

Take One: Architects on Drawing

Take One: Architects on Drawing

Editors

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Walter Pichler: Mystery and Mysticism

Walter Pichler: Mystery and Mysticism

Harvey Herman

Walter Pichler’s sketches for the utopian city projects he developed with Hans Hollein in the early 1960s appear like arrangements of magnetised iron filings, blowing about the page to reveal mysterious momentary structures. Though they would later inform hardened isometric drawings, these forms are full of plasticity and, in this… Read More

Superstudio: Another Mirror Image

Superstudio: Another Mirror Image

Ludwig Engel

Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More

The Problem with Rainbows

The Problem with Rainbows

Adolfo Natalini

Resta sempre insoluto il problema dell’arcobalenoPare que ce ne sia uno dopo la pioggiaE che dall’alto con l’aereoSi veda tutto tornaMa questo metterebbe in crisi tutto quelliChe cercano la pentola d’oro Alle fine dell’arcobaleno C’e sempre un arcobalenoAl di sopra di ogni questione sulla quantitàE qualità dei suoi coloriDopo la pioggiaMa non dopo ogni pioggia… Read More

The Architect and the Matador

The Architect and the Matador

Thomas Gould

On one sheet, a matador;on the other, a design,with measurements for a cathedral pier.  What unites these drawingsis provenance:both, apparently, executedby the architectEugène Viollet-le-Ducin meetings.  As Viollet-le-Duc’s mind wanderedfrom doodle to design,my attention,beholding the drawings,is drawn between the two sheets; drawn, by the insistently connective impulseof looking,into associations.  Between architect… Read More

On Tony Fretton and the Lisson Gallery

On Tony Fretton and the Lisson Gallery

Nicholas Logsdail

A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More

Louis Kahn: In Praise of shadows

Louis Kahn: In Praise of shadows

Emerald Liu

The pale white touch The most exquisite glow and depth of shadows An immutable mystery in the crossbeam of tranquillity simply vanished when the sunlight flooded the atmosphere Of this small corner Where we as children would feel an inexpressible chill While waiting so quiet and pliant to the touch… Read More

Drawing Sacred Forests and Courtyards in South Benin

Drawing Sacred Forests and Courtyards in South Benin

Quentin Nicolaï

The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Quentin Nicolaï in Abomey, Benin, between January 2014 and June 2018. Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce… Read More

Hello Iwona

Hello Iwona

Hamish Lonergan

A large, red ‘Hello!!’ and attribution to ‘Gowan, James’ is all I can see, at first, of image 3157.3r in Drawing Matter’s online archive. No date, no caption. The greeting is enthusiastic enough to stop scrolling: ‘Hi there, James!!’ I think. But when I zoom in, it’s not him at all. … Read More

The House and the Sketch

The House and the Sketch

Bijan Thornycroft

288 sketches precede the design of a house. Each one starts again from zero. None for more than a few seconds. Never larger than a few centimeters. With each repetition of the loop, the house searches for itself. For the first 287 pages, it did not know what it was… Read More

The Values of Profiles (1951)

The Values of Profiles (1951)

Luigi Moretti

Provoked by the assertion of rational architecture, the beginnings of modern non-figurative art coincide in time with the exclusion from the world of living forms of cornices and profiles, the most evidently ‘abstract’ elements of ancient architecture. At least two reasons may be relevant to this singular phenomenon: one is… Read More

Writing Prize 2020: The Anatomy of an Oyster Theatre

Writing Prize 2020: The Anatomy of an Oyster Theatre

Emilie Banville

In the beginning, there was only a shell. An empty shell. But we could already sense the contours of its elliptical shape, its multilayered protective envelope, stratified, laminated, like the bark of a tree (a). Slowly, the outer flaps of the carapace would move away from each other, vertically sweeping… Read More

Startha Éagsula: O’Donnell + Tuomey on Zaha Hadid

Startha Éagsula: O’Donnell + Tuomey on Zaha Hadid

Sheila O'Donnell and John Tuomey

Around the time she made this super-skinny scheme for Berlin, Zaha came to Dublin to lecture at the National Gallery. She showed her design for the Taoiseach’s House, breaking out of the walled garden in the Phoenix Park, alongside her breakthrough project for the Hong Kong Peak and other funny… Read More

Writing Prize 2020: Smudgy Logic – A Short Story

Writing Prize 2020: Smudgy Logic – A Short Story

Aris Kafantaris

‘it is dangerous to unmask images, since they dissimulate the fact that there is nothing behind them.’– Jean Baudrillard, Simulacra and Simulation ‘so you compute with smudgy pictures?’– K-32, Universal Fabricator ‘But what does it do?’ insisted Kei in his eerily smooth, synthetic voice. ‘Are you really asking me what my drawing does?’ Miho’s… Read More

William Heath Robinson ‘Tightening the Green Belt’

William Heath Robinson ‘Tightening the Green Belt’

Laura Freeman

On 22 March 1921, The Times reported on ‘the urgent need of a green belt being preserved round London.’ It was the first recorded use of the phrase. By the time William Heath Robinson came to makes sketches for ‘Tightening the Green Belt’ (c.1935–47), the urban ring o’ roses was familiar enough… Read More

Bramante: Five Dots

Bramante: Five Dots

Guido Beltramini

The remote past is distant and faded. Original objects and documents that might be used to study it are scarce. They are often uncooperative and most of the time they don’t tell the truth, because they have been reframed by history’s ‘victors’ over the centuries. We must always bear in… Read More

Startha Éagsula: Steve Larkin Architects on Walter Pichler

Startha Éagsula: Steve Larkin Architects on Walter Pichler

Steve Larkin

This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive. Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here. Friedrich… Read More

Writing Prize 2020: Hugh Casson’s ‘Diary’

Writing Prize 2020: Hugh Casson’s ‘Diary’

Laura Freeman

Hugh Casson did it in the car. He did in in the Opera House, in Westminster Abbey and at the Buckingham Palace Garden Party. He did it in Goa, Mykonos and at Loughborough University. Wherever he went, whatever he saw, he drew. He drew to keep his eyes keen and… Read More