Tag: sketch

Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse

Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse

Peter Blake

Sometimes, in the space between the archive and the library at Shatwell, we make nice conjunctions. Here together are Peter Blake in 1992, old and very angry, writing for Abitare about the decline of architecture in late twentieth-century America; and Adolfo Natalini in 1972, young and thrilled to have got there, sketching… Read More

Behind the Walls

Behind the Walls

Matt Page

Albert, an artist known only by his first name, thinks about buildings in ways similar to an architect. As he draws, he imagines the structures on the page having a future life in bricks and mortar, considering as he does so whether the audience for his drawings will ask themselves,… Read More

Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building

Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Biba Dow on Giorgio Morandi: Group and Threshold

Biba Dow on Giorgio Morandi: Group and Threshold

Biba Dow

Giorgio Morandi’s work focused on studying again and again a small group of domestic objects – vases, jugs, bottles – in his home in Bologna. During his adult life, he produced a large quantity of paintings and etchings which together build up a shimmering representation of his field of focus.… Read More

Seeing, and Disbelieving

Seeing, and Disbelieving

Niall Hobhouse

It is easy enough to say that the analysis of any architectural drawing begins with asking what it is for. But trying to answer this innocent question, which applies equally to the purpose for which the drawing was intended and for which we are now looking at it, presents many… Read More

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Editors

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Tony Fretton: Drawn Closer

Tony Fretton: Drawn Closer

Tony Fretton and Sarah Handelman

Sometimes you make drawings to tell yourself the project is going okay. Well, that’s what I do. This drawing came quite late in the design of the first Lisson Gallery. In the way I used to work, you would reach a point where you’d have a very thorough sense of… Read More

La Casa Della Falsita

La Casa Della Falsita

Peter Wilson

The 1982 ‘Casa Della Falsita’ exhibition was decidedly under the English architectural radar. Held in Munich at the Focus Furniture Gallery, the inspiration for the show was the result of a squabble with municipality, after the shop owner, Peter Pfeiffer, was denied planning permission to build a spiral staircase between… Read More

Basil Spence: Houses of Parliament

Basil Spence: Houses of Parliament

Sketch made by Sir Basil Spence at a meeting of the Royal Fine Art Commission in January 1969 to illustrate a scheme for enlarging the accommodation of MPs in the Houses of Parliament made by his assistant Christopher Libby.

Battersea Redevelopment

Battersea Redevelopment

In Bat-Hat, our project for Battersea Power Station, we have divested the existing building of all that froze the immediate site, leaving only that which is considered important – its height and familiar profile. Excerpted from Cedric Price, Works II (London: Architectural Association, 1984), p.90.

A Chevrolet Truck

A Chevrolet Truck

Stephen Bayley

It was the architect Philip Johnson who first compared cars to statuary. In the ‘Eight Automobiles’ show he curated at the Museum of Modern Art in 1951, he coined the expression ‘rolling sculpture’. Johnson was good at coinages: two decades before he had given us ‘the International Style’ to describe… Read More

Espelho Álvaro

Espelho Álvaro

Mário Botta

This mirror was among the objects, sketches and photographs at his great exhibition at Padiglione di Arte Contemporanea. Siza was in a corner of the hall with some friends. More than a thousand guests from the Milano-bene (well-to-do Milanese) had come for a vernissage with fur coats, television spotlights, beautiful women, men… Read More

Marie-José Van Hee: Drawn Closer

Marie-José Van Hee: Drawn Closer

Marie-José Van Hee

Towards the end of my architectural studies in the late 1960s I moved into a little house near the Prinsenhof neighbourhood of Ghent. My neighbours were Ghent people, and my landlord owned the whole block. Every month he would collect rent, and although he didn’t talk to most people, he… Read More

Imaginal Cloud Spaces

Imaginal Cloud Spaces

Sayan Skandarajah

Many hours can be spent on what art historian Mary Berry calls ‘the sheer act of looking’ at the Japanese folding-screen paintings titled Rakuchu Rakugai zu (Scenes in and around Kyoto). [1] Across the sixteenth and seventeenth centuries, such paintings captured a seemingly complete image of the capital city. Through the consistent use of… Read More

From a Little Below and to the Right

From a Little Below and to the Right

Niall Hobhouse

There is a characteristic recurrence in Lutyens’ drawings of a quickly sketched oblique perspective in his own hand. Apparently, this is added as an afterthought once the orthogonal image of the building itself has been fully developed elsewhere (sometimes by assistants), and both usually appear on the same sheet. Invariably,… Read More

James Gowan Millbank: Sketches and Comments

James Gowan Millbank: Sketches and Comments

Matt Page

The following text was first published in 1977 in an issue of AD Profiles dedicated to the Millbank Housing Competition. Run by the Crown Estate, the competition to develop a site adjacent to Vauxhall Bridge attracted nearly five hundred entries, including proposals from Alison and Peter Smithson, Richard Rogers and Renzo Piano,… Read More

Henry van de Velde and a Monument to Nietzsche

Henry van de Velde and a Monument to Nietzsche

Richard Hollis

Count Harry Kessler – the German aristocrat, publisher, patron and friend of seemingly everyone in the European avant-garde – had long had in mind a worthy monument to his idol, Friedrich Nietzsche, whose seventieth birthday would be celebrated on 15 October 1914. Beginning in February 1911, Kessler began sending letters… Read More

Francesco Milizia on Maderno, Posi and Jonson

Francesco Milizia on Maderno, Posi and Jonson

Francesco Milizia

The first edition of Francesco Milizia’s Le vite de’ più celebri architetti d’ogni nazione e d’ogni tempo, known in English as The Lives of the Celebrated Architects, Ancient and Modern, was published in Rome by Paolo Giunchi in 1768. Clearly an eighteenth-century incarnation of Vasari’s Lives of the Most Excellent Painters, Sculptors, and… Read More

Giò Ponti: Plan chest designs, c.1955

Giò Ponti: Plan chest designs, c.1955

The Office Copier and Baptism by Colour: Working for Rossi in the 1990s

The Office Copier and Baptism by Colour: Working for Rossi in the 1990s

Maurizio Diton

Aldo made this drawing when the Bonnefanten Museum in Maastricht was already realised. I would say that it is typical for the kind of drawing he would make when he was bored, done with the first pencil and sheet of paper to hand. It is a drawing that already evokes… Read More

Geoffrey Goes to Basildon

Geoffrey Goes to Basildon

Gillian Darley

Charley in New Town is the peerless Halas and Batchelor film made for the government’s Central Office of Information in 1948, offering a utopian vision of new town living to the dazed postwar urban public. There is something of Charley, pedalling around the streets of the immaculately clean, smoke-free, Neo-Garden City,… Read More

Informal Housing in Fars (Iran) and Kuwait, 1974

Informal Housing in Fars (Iran) and Kuwait, 1974

Eric Parry

This is another world – Yazd, a desert town really. It is troglodytic – a response to a hot, dry climate, so it is cut into the ground using mud brick, the wind catchers and domes create the silhouettes. So these pages are about the visit to Yazd – getting… Read More

Zaha and Aldo Self Reflections

Zaha and Aldo Self Reflections

Zaha Hadid: Kurfürstendamm

Zaha Hadid: Kurfürstendamm

Michael Wolfson

This is all Zaha’s hand. When she is drawing there is a directionality – you are looking from the top, at a plan, extruded or in perspective. These sketches are relatively preliminary but certainly not initial – they are too defined. She is developing a composition, but already thinking about… Read More