Category: commentaries, rants & reflections
Materia: Render
12.04.2022
Materia: Render12.04.2022
Render, a sticky viscous coloured slop traditionally applied by hand with a float, hawk and trowel to solid form, first as inchoate lumps, then smoothed down or mottled, to scatter particles of light in diffuse haphazard ways. Inaugurated as the application of mere ground to wall, mud render allowed a… Read More
The Iterative Power of Architecture’s Absence
07.04.2022
The Iterative Power of Architecture’s Absence07.04.2022
In 1991, the Swiss architects Herzog & de Meuron prepared a submission with the artist Remy Zaugg for the Berlin Morgen (‘Berlin Tomorrow’) exhibition organised by the Deutsches Architekturmuseum in Frankfurt, Germany. By surrounding Berlin’s Tiergarten with four new buildings, they proposed to restructure the park – then perceived as… Read More
Drawing Out, Drawing In: Cartographies for ‘Out of the Sea’
24.03.2022
Drawing Out, Drawing In: Cartographies for ‘Out of the Sea’24.03.2022
The provocation for this essay is Drawing Matter’s own: ‘we take the word “drawing” to be as much a verb as a noun…’ Drawing describes an act and a thing: both a process and the outcome of that process. There aren’t many English words like it, and many of them… Read More
Wood & Harrison: A Film About a City
21.03.2022
Wood & Harrison: A Film About a City21.03.2022
– Paul Harrison and John Wood
We are not architects. I mean, if you insist, we could probably knock something up, but we are not that good at maths, and not really that great with materials. ‘Wood and Harrison – Architects. You’ll be knocked out by our buildings’. But we have always been interested in architecture.… Read More
Room at the Top?: Kate Macintosh, Denise Scott Brown and the Kingmaker-critic
07.03.2022
Room at the Top?: Kate Macintosh, Denise Scott Brown and the Kingmaker-critic07.03.2022
All creative disciplines rely on the mythologies of heroes: intellectual bigwigs who shape a profession’s academic and visual frameworks. A lengthy period of university study gives plenty of time for architecture students to ruminate on which white, male ‘guru’ to call their own — Corb, Aalto, Rossi, Scarpa? Drawings are… Read More
Tom de Paor: ‘i see Earth’, Building and Ground 1991–2021 – Review
04.03.2022
Tom de Paor: ‘i see Earth’, Building and Ground 1991–2021 – Review04.03.2022
On the morning of 12 April 1961, the cosmonaut Yuri Gagarin was launched into orbit, strapped into a spherical capsule fixed to the top of a modified intercontinental ballistic missile. The first to see our planet in its totality, his words were simple: ‘I see Earth. It is so beautiful.’… Read More
Pan Scroll Zoom 20: 10PM in Inner Mongolia
23.02.2022
Pan Scroll Zoom 20: 10PM in Inner Mongolia23.02.2022
This is the final episode in the Pan Scroll Zoom series, edited by Fabrizio Gallanti. It was written in April 2021 and first published in print in Drawing Matter Extracts 3: Pan Scroll Zoom. Mark Dorrian is the Forbes Chair in Architecture at the Edinburgh School of Architecture and Landscape… Read More
Sigurd Lewerentz: Punctum. Seeing the Detail
14.02.2022
Sigurd Lewerentz: Punctum. Seeing the Detail14.02.2022
In his book on photography, Camera Lucida, Roland Barthes introduces the concept of ‘the Punctum’. The Punctum is something in a photograph that etches itself in the consciousness of the viewer. It is often a small detail that evokes emotions long after the gaze has left the picture: an experience that is born in the viewer’s… Read More
Charles Jencks: Architect in the Jumping Universe
25.01.2022
Charles Jencks: Architect in the Jumping Universe25.01.2022
Gardens have always been the location to contemplate and speculate on man’s place in nature. Gardens bring the macrocosm into the microcosm by the necessity of being a living place, connecting to the wider rhythms, ecological networks, or the even more abstract forces that create our world. When Charles and… Read More
Álvaro Siza: The Adoration of the Magi
19.01.2022
Álvaro Siza: The Adoration of the Magi19.01.2022
Our story opens at the close of the Christmas season. It quite literally starts with an Epiphany, both chronologically and figuratively, a glimpse of Three Kings prompted by Niall Hobhouse’s holiday greetings. His somewhat precarious nativity scene, charmingly set upon Álvaro Siza’s yellow columns, reminded me of Sandro Botticelli’s Adoration… Read More
Working with Tony Fretton
04.01.2022
Working with Tony Fretton04.01.2022
In the early 1990s a number of architects, academics and artists came together in a rather fluid manner, meeting regularly in my Bloomsbury apartment. Tony Fretton was older than most of us and had already established a clear critical position. The conversations we had, and sometimes the arguments, were instructive… Read More
Movements of the Drawing Hand
08.12.2021
Movements of the Drawing Hand08.12.2021
How can you study the movements of the drawing hand? Although completed drawings can be interpreted, much the same way graphologists analyse the sequencing and flow of handwriting, can we see an architecture in the movements of the drawing hand? Can we be inside a drawing, and witness, as paper… Read More
Álvaro Siza: Seven Early Sketchbooks
22.11.2021
Álvaro Siza: Seven Early Sketchbooks22.11.2021
– Niall Hobhouse, Manuel Montenegro and Álvaro Siza
These films were made over four hours on the afternoon of Sunday 25 March 2018 in Álvaro Siza’s studio in Rua do Aleixo outside Porto. I had flown to Portugal that morning with the seven sketchbooks which we were to look through with Manuel Montenegro. Manuel and I had conceived… Read More
Pan Scroll Zoom 18: Wolff Architects
17.11.2021
Pan Scroll Zoom 18: Wolff Architects17.11.2021
– Fabrizio Gallanti, Ilze Wolff and Heinrich Wolff
This is the eighteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Heinrich Wolff and Ilze Wolff of Wolff Architects discuss the production of their drawings,… Read More
The Pursuit of Gothic
10.11.2021
The Pursuit of Gothic10.11.2021
William Gilpin notoriously suggested that the ruins of Tintern Abbey could be improved by ‘a mallet judiciously used’. [1] The next generation saw in the architecture of the Middle Ages something more than an assortment of ornamental landscape features, but it did not begin to understand it. Uvedale Price, whose… Read More
Drawing Powers: Introduction
02.11.2021
Drawing Powers: Introduction02.11.2021
This text is the first in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. There is an enormous difference between seeing a thing without a pencil in your… Read More
Drawing Powers 2: The Object in the Drawing
02.11.2021
Drawing Powers 2: The Object in the Drawing02.11.2021
This text is the second in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. First, I consider drawing as an adequate medium… Read More
Drawing Powers 3: The Drawing in the Object
02.11.2021
Drawing Powers 3: The Drawing in the Object02.11.2021
This text is the third in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. It was the drawing that led me to architecture,… Read More
Drawing Powers 4: The Drawing-object
02.11.2021
Drawing Powers 4: The Drawing-object02.11.2021
This text is the fourth in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. After I have developed a feel for the programme,… Read More
Drawing Powers: Conclusions
02.11.2021
Drawing Powers: Conclusions02.11.2021
This text is the conclusion to a series of essays in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. What surprises me most in architecture, as in other… Read More
The Ruined Temple and Oberrealta Chapel
14.04.2022
The Ruined Temple and Oberrealta Chapel14.04.2022
– Zachary Torres
The plans of the Ruined Temple and Oberrealta Chapel were drawn nearly two hundred years apart, and yet they both speak to the Ruskian timelessness of the ruin. The temple and chapel are representative of their respective ages, with the former alluding to Romanticism’s longing for a pastoral past free… Read More
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