Category: design methodologies

Pan Scroll Zoom 10: Studio Othenin-Girard

Pan Scroll Zoom 10: Studio Othenin-Girard

Guillaume Othenin-Girard

This is the tenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Guillaume Othenin-Girard discusses his studio at the University of Hong Kong which explored… Read More

Working with Gowan: Housing at East Hanningfield

Working with Gowan: Housing at East Hanningfield

Paul Notley

The Site Plan was one of the Planning drawings prepared for submission to Chelmsford District Council and Essex County Council. It is A1 size and drawn on Wiggins Teape 112 gram ‘Gateway’ tracing paper. The East Hanningfield job was the first on which ‘A’ sized paper had been used in… Read More

Derrida & Eisenman: Laugh(ing) of(f) the lyre

Derrida & Eisenman: Laugh(ing) of(f) the lyre

André Patrão

‘I think I understand, at least in principle.’ [1] Jacques Derrida tries to keep track of Peter Eisenman’s elaborate explanation. It is the 21st of April 1986, and in New Haven, Connecticut, philosopher and architect conduct the fifth of six meetings for their design of a garden in Bernard Tschumi’s… Read More

Pan Scroll Zoom 8: Patrick Lynch

Pan Scroll Zoom 8: Patrick Lynch

Patrick Lynch

This is the eighth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode we share Instagram posts by Patrick Lynch in which he describes his experience… Read More

Excerpt: Shadow Places

Excerpt: Shadow Places

Simon Unwin

The following text is excerpted from Simon Unwin’s book on shadow, in his series Analysing Architecture Notebooks, available here. For 20% off until May 31st 2021, use code KHL20. The piece is illustrated with drawings specially selected by Simon from the Drawing Matter collection. ‘Yea, though I walk through the… Read More

Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids

Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids

Rebecca Siefert

The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid is loaded with symbolism and history: it is emblematic of origins, order, systems, utopias and dystopias, and the inevitable susceptibility… Read More

Glasgow School of Art: The Measure of Things

Glasgow School of Art: The Measure of Things

Paul Clarke

The following text was first published in The Library: Glasgow School of Art (2014), edited by Mark Baines, John Barr and Christopher Platt. The text describes Paul Clarke’s process of surveying Charles Rennie Mackintosh’s library at the Glasgow School of Art, which he undertook in 1993. When the library was… Read More

Make me Hyper-Real: Image Ethics and the Architectural Visualisation

Make me Hyper-Real: Image Ethics and the Architectural Visualisation

Daniel Innes

Architectural visualisations sell us the image of a new reality. In depicting a building that is designed, rather than completed, they constitute a kind of spatial hypothesis: a temptation of a happier, wealthier, and more connected world. By constructing these fictions through the means of the image, they sell us the notion that the project it depicts will improve our lives for the better. … Read More

Tradition and Modernity, Continuity and Critique

Tradition and Modernity, Continuity and Critique

Rebecca Siefert

The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid has served as ‘the image of an absolute beginning’, as Rosalind Krauss affirmed in 1986 in ‘The Originality of… Read More

Architecture’s Mirror Stage

Architecture’s Mirror Stage

Michael Abrahamson

Mirrors and mirrored glass, perhaps the most characteristically postmodern of surface treatments, were not only a material choice but also emblematized a turn inward toward what Sylvia Lavin has taken to calling ‘architecture itself.’ As the psychoanalyst Jacques Lacan might have put it, it was at this moment that modernist… Read More

Pan Scroll Zoom 7: MOS

Pan Scroll Zoom 7: MOS

Fabrizio Gallanti, Michael Meredith and Hilary Sample

This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More

Stan Allen’s Situated Objects (2020): Review & Excerpt

Stan Allen’s Situated Objects (2020): Review & Excerpt

Niall Hobhouse

Review Three times a week a package arrives in Somerset with another Practice Monograph, and the generous proposal that we might want to add it to the library at Drawing Matter. This is clearly an old story – somewhere we have a copy of one of John Soane’s endless books… Read More

Take One: Architects on Drawing

Take One: Architects on Drawing

Editors

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

In Search of an Honest Map

In Search of an Honest Map

Nicholas Herrmann

We don’t experience place as maps would have us believe. We might technically exist within the map, an orientation marker besieged by the total sum of data, every landmark, park and street swarming around us at all times. But our perspective is only partial – a patchwork of neighbourhoods, structures… Read More

Walter Pichler: Mystery and Mysticism

Walter Pichler: Mystery and Mysticism

Harvey Herman

Walter Pichler’s sketches for the utopian city projects he developed with Hans Hollein in the early 1960s appear like arrangements of magnetised iron filings, blowing about the page to reveal mysterious momentary structures. Though they would later inform hardened isometric drawings, these forms are full of plasticity and, in this… Read More

On Tony Fretton and the Lisson Gallery

On Tony Fretton and the Lisson Gallery

Nicholas Logsdail

A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More

The House and the Sketch

The House and the Sketch

Bijan Thornycroft

288 sketches precede the design of a house. Each one starts again from zero. None for more than a few seconds. Never larger than a few centimeters. With each repetition of the loop, the house searches for itself. For the first 287 pages, it did not know what it was… Read More

Zahalternative Histories: O’Donnell + Tuomey on Zaha Hadid

Zahalternative Histories: O’Donnell + Tuomey on Zaha Hadid

John Tuomey

From a sheet of sketches by Zaha Hadid to rock formations at Ines Meáin and St Brigid’s Well, in this short film John Tuomey explains the thinking behind O’Donnell + Tuomey’s Alternative Histories model. This commentary is the first in a series organised by the Irish Architectural Archive. The series,… Read More

Pier Vittorio Aureli’s Architecture of Abstraction

Pier Vittorio Aureli’s Architecture of Abstraction

Nicholas Andrew Pacula

Pier Vittorio Aureli’s The Marriage of Reason and Squalor series may rightly be called barbaric. ‘Barbarism? Yes indeed,’ writes Walter Benjamin in his 1933 essay, Experience and Poverty. ‘We say this in order to introduce a new positive concept of barbarism. For what does poverty of experience do for the… Read More

Architecture at the Edge

Architecture at the Edge

Craig Moller and Marco Moro

The following is a conversation between Marco Moro and Craig Moller, New Zealand-born architect and author of the drawing pictured above. Moller made the drawing while in a design studio taught by Mark Wigley in 1985, while the latter was about to finish his doctoral thesis within the newly established… Read More

The Discreet Charm of the Bureaucratic

The Discreet Charm of the Bureaucratic

Michael Abrahamson

When Henry-Russell Hitchcock drew a crooked line between the architecture of genius and the architecture of bureaucracy in a famous essay of 1947, he could hardly have predicted that within two decades, neo-avant-gardists around the world would embrace bureaucratic architecture because of its liberatory capacities—precisely the opposite reading of what… Read More

The Values of Profiles (1951)

The Values of Profiles (1951)

Luigi Moretti

Provoked by the assertion of rational architecture, the beginnings of modern non-figurative art coincide in time with the exclusion from the world of living forms of cornices and profiles, the most evidently ‘abstract’ elements of ancient architecture. At least two reasons may be relevant to this singular phenomenon: one is… Read More

Shower at Shatwell Farm

Shower at Shatwell Farm

Adam Blencowe

Being a designer and adherent of adhocism – speed, economy, improvisation and learning-as-you-go – the materials I use have a strong influence on the outcome of my work. This completely dovetailed with Niall’s brief: to design and build an outdoor toilet and shower for occasional scholars occupying the library at… Read More

Writing Prize 2020: Pens down, Braid up

Writing Prize 2020: Pens down, Braid up

Cassandra Adjei

Hair, silky, wavy or coiled, somewhere, is felt by us all. It is one of the first things we play with, we shape and mold, unconsciously or artfully. Beginning as a line, slack and tentative, a hair appears as a strike of fine ink. Collected and carefully teased each strand… Read More