Category: project & building histories
Notes on The Palace of the Assembly and Museum at Chandigarh
07.06.2021
Notes on The Palace of the Assembly and Museum at Chandigarh07.06.2021
Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More
Peekaboo! Stanford White and the Mystery Lantern for Madison Square Presbyterian Church
01.06.2021
Peekaboo! Stanford White and the Mystery Lantern for Madison Square Presbyterian Church01.06.2021
Up until the turn of the twentieth century architectural renderings tended to be created for clients early in the design process to give them an idea of how a proposed building would look. At that point however they began to be used more widely for publicity purposes as well, thanks… Read More
Hans Poelzig: Decorating the Empty Centre
01.06.2021
Hans Poelzig: Decorating the Empty Centre01.06.2021
‘Artists such as Poelzig, prevented from building in real life, have been driven to create Expressionist cinema architecture […] But in the long run, pasteboard fantasy creations […] can never be satisfying fodder for the architect; he has an inner urge to conceive and erect buildings in which real people… Read More
BOLLES+WILSON: Sketching-Over Albania
27.05.2021
BOLLES+WILSON: Sketching-Over Albania27.05.2021
Having devoted a number of years to techniques and images engendered by holding a wood encased rod of graphite, I some years ago experienced a sort of premature redundancy, noticing that those about me husbanding architecture were now mysteriously clutching not a pencil but a mouse. I had already technologically… Read More
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt
26.05.2021
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt26.05.2021
Review By preserving the trees on the site within his pavilion in the Giardini, Sverre Fehn offered Venice an insight into a unique Nordic sensitivity towards nature and the environment. He tempered the harsh Mediterranean sun to evoke the horizontal light of the Baltic through a spectacularly innovative technical design… Read More
biq: Revealing Construction
26.05.2021
biq: Revealing Construction26.05.2021
The French Modernist Auguste Perret is famously quoted as saying that ‘Construction is the mother tongue of the architect. The architect is a poet who thinks and speaks in terms of construction’. If this is the case, and given drawings are the primary communication tool for architects, it is perhaps… Read More
Superstudio & Piranesi: Zeno is Immortal
24.05.2021
Superstudio & Piranesi: Zeno is Immortal24.05.2021
It’s 1777 in the Italian region of Salerno, a man is resting on a massive Doric column, watching his two cows from the ruin of a temple where the weeds grow. This building was, a long time ago, considered as the house of Juno, goddess of fertility and the vital… Read More
Hans Hollein’s Immunological City
12.05.2021
Hans Hollein’s Immunological City12.05.2021
Hans Hollein’s city structures look awry to someone familiar with his retail work. In the time that these drawings were made, Hollein completed his UC Berkeley degree, travelled across the USA, and did an exhibition with Walter Pichler in Austria. His most influential visit was to the Native American pueblos.… Read More
14 Wine Street, Bristol
29.04.2021
14 Wine Street, Bristol29.04.2021
Whilst leafing through the Drawing Matter collection, this drawing from 1885, by architect Henry Crisp, caught my eye. The drawing depicts a new shopfront and facade to be grafted on to the existing structure of 14 Wine Street, Bristol. Initially, the design struck me as remarkably contemporary and I came… Read More
Leicester Engineering building: Two Architects (1964)
26.04.2021
Leicester Engineering building: Two Architects (1964)26.04.2021
Filmed in 1964, Ron Parks’ documentary on the newly completed Engineering Department at Leicester catches James Stirling and James Gowan at a moment of professional triumph and personal crisis. Their building was being applauded the world-over – Parks’ film had been commissioned by the American Institute of Architects, to mark its… Read More
Open Wide / Wide Open
22.04.2021
Open Wide / Wide Open22.04.2021
We started with six words: a short-term dwelling for an artist then added: with a child What adaptations have you made to your domestic space since having a child? / What adaptations have you made to your work space since having a child? / How / When / Where do… Read More
The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple
12.04.2021
The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple12.04.2021
The Architecture of Nothingness: Drawing the Drawings As architects we have learned to read drawings almost instantly. At a glance we see what the spaces feel like, what it will be like to move around the building and perhaps even get a sense of the appropriateness of the structure. This ‘presentational’ way… Read More
Balzac architecte (1856)
09.04.2021
Balzac architecte (1856)09.04.2021
No drawing, nor stone in the ground, remains of the dream house near Paris which the young novelist was never able to complete. By the time Balzac resold the whole property in 1840, with debts of 100,000 francs, it had collapsed back into the landscape, together with the terraced plantations… Read More
Nancy Holt: Sky Mound
08.04.2021
Nancy Holt: Sky Mound08.04.2021
Nancy Holt (1938-2014) was a member of the earth, land, and conceptual art movements. A pioneer of site-specific installation and the moving image, Holt recalibrated the limits of art. She expanded the places where art could be found and embraced the new media of her time. Across five decades she… Read More
Casino Royale: Stynen’s unrealised sculpture garden
30.03.2021
Casino Royale: Stynen’s unrealised sculpture garden30.03.2021
The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More
Working with Gowan: Housing at East Hanningfield
26.03.2021
Working with Gowan: Housing at East Hanningfield26.03.2021
The Site Plan was one of the Planning drawings prepared for submission to Chelmsford District Council and Essex County Council. It is A1 size and drawn on Wiggins Teape 112 gram ‘Gateway’ tracing paper. The East Hanningfield job was the first on which ‘A’ sized paper had been used in… Read More
Derrida & Eisenman: Laugh(ing) of(f) the lyre
22.03.2021
Derrida & Eisenman: Laugh(ing) of(f) the lyre22.03.2021
‘I think I understand, at least in principle.’ [1] Jacques Derrida tries to keep track of Peter Eisenman’s elaborate explanation. It is the 21st of April 1986, and in New Haven, Connecticut, philosopher and architect conduct the fifth of six meetings for their design of a garden in Bernard Tschumi’s… Read More
Building Desire: On the Barcelona Pavilion (2005)
16.03.2021
Building Desire: On the Barcelona Pavilion (2005)16.03.2021
The following text is an excerpt from George Dodds’ book Building Desire: On the Barcelona Pavilion (2005), an analysis of the historiography and mythography of Mies’s building and its afterlives. The author reminded the Drawing Matter editors of the text, in response to our publication in June 2020 of an… Read More
Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids
11.03.2021
Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids11.03.2021
The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid is loaded with symbolism and history: it is emblematic of origins, order, systems, utopias and dystopias, and the inevitable susceptibility… Read More
Tradition and Modernity, Continuity and Critique
04.03.2021
Tradition and Modernity, Continuity and Critique04.03.2021
The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid has served as ‘the image of an absolute beginning’, as Rosalind Krauss affirmed in 1986 in ‘The Originality of… Read More
Architecture’s Mirror Stage
26.02.2021
Architecture’s Mirror Stage26.02.2021
Mirrors and mirrored glass, perhaps the most characteristically postmodern of surface treatments, were not only a material choice but also emblematized a turn inward toward what Sylvia Lavin has taken to calling ‘architecture itself.’ As the psychoanalyst Jacques Lacan might have put it, it was at this moment that modernist… Read More
Re-presenting the Rococo
24.02.2021
Re-presenting the Rococo24.02.2021
In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More
Superstudio: Another Mirror Image
17.02.2021
Superstudio: Another Mirror Image17.02.2021
Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More
This Blue Love: Aldo Rossi in Samos in late Summer 1989
02.06.2021
This Blue Love: Aldo Rossi in Samos in late Summer 198902.06.2021
– Vincenzo Moschetti
In his voyage to Samos in the Summer of 1989 Aldo Rossi gathered a collection of fragments in accordance with a Palladian education. The image repeats itself, following what Johns had written in 1984: ‘I like to repeat an image in another medium to observe the play between the two:… Read More
record memory sketch