Medium: drawing

A Lung for the City (1984)

A Lung for the City (1984)

Cedric Price

The following has been excerpted from Cedric Price, 1984. A lung for the city. A 24-hour workshop where all can extend their knowledge and delight in learning. From its start and throughout its construction and development, all must be welcomed to observe its continuous growth and change. No area should be… Read More

Peter Märkli: Thinking Drawings

Peter Märkli: Thinking Drawings

Florian Beigel and Philip Christou

These are an intriguing set of drawings … they are very memorable and have a charm and magic about them. They have a directness, a sense of humour and ease, they make you smile. At first glance they look as if they were done by someone who is untrained, they… Read More

Believe in books (1998)

Believe in books (1998)

John Hejduk

I believe in books and the written word, therefore I fabricate works with the hope that they will be recorded in books. I am pragmatic and believe in keeping records. I believe to record is to bear witness. -John Hejduk Quoted from Such Places as Memory, 1998

Archizoom, Andrea Branzi and the No-Stop City

Archizoom, Andrea Branzi and the No-Stop City

Andrea Branzi

Archizoom describe this ‘hypothetical theatre’ as part of a fluid and unstoppable culture, a non-stop metropolis re-imagined to fit the times, characterised by mobile theatres, unbound books, rooms without plan, unwritten music, … and cities made of voids. For the first time the presentation technique has … become a specific… Read More

The Lost Art of Drawing

The Lost Art of Drawing

Michael Graves

The following has been excerpted from Architecture and the Lost Art of Drawing, New York Times, 2012. I personally like to draw on translucent … tracing paper, which allows me to layer one drawing on top of another, building on what I’ve drawn before, and again, creating a personal, emotional connection… Read More

Dismantled Sketchbook

Dismantled Sketchbook

James Gowan

To some extent this is the battleground of the British architectural avant-garde; the incompatibilities of graphics and architecture, the freedom that the former allows and the restrictions that the latter asserts. In recent years, the graphics have got smoother whilst the dialectic has remained largely unresolved. A conclusive project is… Read More

The Open Hand (1954)

The Open Hand (1954)

Le Corbusier

The Open Hand will affirm that the second era of the machine-civilisation, the era of harmony, has started. -Le Corbusier

James Gowan: The Expandable House

James Gowan: The Expandable House

Markus Lähteenmäki

James Gowan and James Stirling, first as partners (1956–1963) and then in their own practices, reworked the ideas of composition both in plan and section, often echoing alternative Modernist sources, such as those of the Soviet avant-garde. They looked for new ways to forge connections between programme and form, and… Read More

Zünd-Up: ‘Psycho-dynamic’ Street and Park System

Zünd-Up: ‘Psycho-dynamic’ Street and Park System

An element in this Viennese collective’s proposal to extend the city into a newly ‘psycho-dynamic’ street and park system, this ‘Cortina-Bob-Bahn’ would have ornamented the gardens of the Prater with a drive-yourself roller-coaster tower some 1500 metres high.

A Brutal Matter (1962)

A Brutal Matter (1962)

Walter Pichler

Architecture … is a brutal matter … it crushes those who cannot stand it. – Walter Pichler. Quoted from a manuscript statement, c. 1962.

Walter Pichler: 20 Sketches from the Archives

Walter Pichler: 20 Sketches from the Archives

‘Architecture,’ said Walter Pichler, ‘is a brutal matter … It crushes those who cannot stand it.’ Between 1961 and 1963 the sculptor and designer, working in collaboration with the architect Hans Hollein and drawing on conversations with Raimund Abraham and Friedrich Achleitner, introduced a radically adventurous new plasticity to architecture,… Read More

Haus-Rücker-Co.

Haus-Rücker-Co.

This art collective – we might call them the ‘house thief company’ or ‘house drawing company’– took its name from a pun on the verb ‘to draw’ and an old slang word for ‘thief’. Their projects during this period involved interventions in which a house or building would be ‘stolen’… Read More

Buckminster Fuller: Six Patents

Buckminster Fuller: Six Patents

1-170-604: Zelthaut für ein kugelkalottenförmiges Zeltgestell 1-097-653: Bauwerk in Kugel- oder Kugelabschnittform 1-292-354: Räumliches Gitterwerk für Gewölbe, Kuppeln 926-229: Geodesic Dome 1-294-387: Dôme à construction triangulée 1-009-850: Geodesic Structures

Buckminster Fuller

Buckminster Fuller

Slenderness, Lightness, and Strength. From Inventions: The Patented Works of R.Buckminster Fuller, 1983

Jean-Baptiste Lassus’s Sainte-Chapelle

Jean-Baptiste Lassus’s Sainte-Chapelle

The watercolour of the Sainte-Chapelle drawn by Lassus dates from the first years of the restoration, when the desire to restore the monument to its original thirteenth-century form was still very strong. The chapel is shown without its fifteenth-century flamboyant rose window and its exterior staircase built by Louis XII,… Read More

A Life of Their Own (1985)

A Life of Their Own (1985)

Paul Rudolph

The following has been excerpted from Staying Creative; Artistic Passion is a Lifelong Pursuit – and These Mature Masters Prove the Point. (Otto Luening, Elizabeth Catlett, Paul Rudolph), December 1985. I try to find a graphic means of indicating what’s happening to the space. Space can move quickly or slowly. It… Read More

John Lautner: House and Studio for Edgar Ewing

John Lautner: House and Studio for Edgar Ewing

Nicholas Olsberg

On presenting himself as a potential apprentice at Taliesin to Frank Lloyd Wright Jr., Lautner heard no objection except the sly comment that he would be ‘too big for the rooms’. Everything about his approach to visualising a design speaks to the distance from which this towering figure saw the… Read More

History & Origins

History & Origins

Aldo Rossi

And these old drawings […] now have their own history, an almost enforced form of composition. And yet I wonder at the fact that they are the origin or germ of these new architectural works, which others could regard as more professional. In actual fact, invention and imagination have deeper… Read More

Erik Gunnar Asplund: The Father

Erik Gunnar Asplund: The Father

Nicholas Olsberg

Erik Gunnar Asplund’s son Ingemar told me that their father would pick him and his brother Hans up on Sundays to take them to the summer house. (He was then living with a woman other than their mother.) Father would make a little conversation as they made their way to… Read More

Sketch from Vézelay from Letter to Mérimée (1843)

Sketch from Vézelay from Letter to Mérimée (1843)

Eugène Viollet-le-Duc

From a letter to Mérimée written in 1843 from Vézelay: You, Sir, who have ceaselessly lived the life of the past, you understand the joy, the secret happiness felt when we can record in our sketchbook some of these forgotten [historical] treasures … but how much more interesting when these… Read More

Five Boxes

Five Boxes

Michael Craig-Martin

Line drawing — drawing without shading, cross-hatching or chiaroscuro — permits and conveys the most precise sense of accuracy of any kind of drawing. The facts are laid bare, nothing can be fudged or obscured. Leonardo used line drawing for his studies of everything from flying machines to the human… Read More

Wagnerschule

Wagnerschule

The drawings of Emil Hoppe (1876 – 1957) and Otto Schönthal (1878–1961) attracted particular interest in the Land Marks exhibition, and people were eager for us to share them more widely. They are presented here with little comment and a few additions for context. These drawings by Emil Hoppe, Otto Schönthal and… Read More

François Soufflot le Romain: Ruins

François Soufflot le Romain: Ruins

Editors

This drawing, commissioned by Jacques-Germain Soufflot from his nephew in Rome, for presentation to his colleagues at the Académie Française, vindicates the revolutionary structural principles on which his own church of St Geneviève was then being slowly constructed in Paris. It does this by establishing a direct comparison with the… Read More

Potomania (1982)

Potomania (1982)

Jacques Couëlle

Call it ‘Potomania’ — plants and flowers above all … a column of water cascading freely on to a little pond … the column a staff both shining and singing.