Medium: photograph
Shatwell Farm: Cars
19.02.2024
Shatwell Farm: Cars19.02.2024
This text is the first in a series of studies of Shatwell Farm made by Emily Priest while staying on site in September last year. I first came to Shatwell Farm on a wintery November morning in 2022 to see the drawing archive with some friends. On arrival, Niall recommended… Read More
Architectural Covers: A Site of Design
07.02.2024
Architectural Covers: A Site of Design07.02.2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Between 1971 and 1973,… Read More
Careful Crudeness
31.01.2024
Careful Crudeness31.01.2024
At first glance, this image is a mess. An aerial photograph onto which a pen drawing of an undistinctive, modernist building structure has been mounted. Gouache is smeared in a few places in a seemingly half-hearted attempt to hide parts of the photograph and soften the collision of the two… Read More
DMJ – Pencils, Computers, Cameras
19.01.2024
DMJ – Pencils, Computers, Cameras19.01.2024
Is distance the raw material of architecture? The early work of Itsuko Hasegawa seems to address this question. In her own words, these projects allowed human beings and architecture to ‘come close and react to each other’, by setting up ‘long distances’. She developed an array of representation techniques through… Read More
Return to the Archive
12.01.2024
Return to the Archive12.01.2024
In the mellow warmth of September 2023, I, in my capacity as the Director of the Museum of Architecture at the Technical University Berlin, found myself in the unpretentious village of Mikoszewo, Poland. There, where the Vistula River gracefully concludes its journey into the arms of the sea, I stood,… Read More
Remembering Architecture
18.10.2023
Remembering Architecture18.10.2023
This summer I exhibited a selection of photographs from the ongoing series Remembering Architecture in the Stephen Taylor designed Haybarn at Shatwell Farm. Kendra Matchett extended the invitation in the spring and over a few months we negotiated ideas of sequence and ways to respond to the material-forward exhibition space… Read More
Fraser Stables: Remembering Architecture
06.09.2023
Fraser Stables: Remembering Architecture 06.09.2023
Fraser Stables speaks quietly through his series Remembering Architecture. There is a staid documentarian quality to his photographs, but not that of architectural photography. When architectural details—the meeting of nature and architecture, light falling on surfaces—are made the focus, the images speak more to a sensitive process of recording moments; and in many… Read More
Denise Scott Brown ‘From Soane to the Strip’
01.09.2023
Denise Scott Brown ‘From Soane to the Strip’01.09.2023
The following text is an excerpt from Denise Scott Brown’s 2018 Soane Medal lecture, written by Thomas Weaver, and developed out of a series of conversations between Denise Scott Brown and Thomas Weaver in July 2018. I have never thought of myself as a photographer, only an architect and urbanist,… Read More
Trevor Dannatt: St Mary’s Grove — Hook & Extension
28.08.2023
Trevor Dannatt: St Mary’s Grove — Hook & Extension28.08.2023
Liza Fior, whose phone was used to take these snaps (I still refuse the portable-telephone obligation), was particularly taken by this hook for the garage door, the way it hangs, the perhaps deliberate chipping into the stone, ‘I am sure he planned it’. That minute attention to the smallest thing,… Read More
DMJ – The Art of Measuring Images: Albrecht Meydenbauer and the Invention of the Photographic Survey
18.08.2023
DMJ – The Art of Measuring Images: Albrecht Meydenbauer and the Invention of the Photographic Survey18.08.2023
In 1868, the little-known project manager and government surveyor Albrecht Meydenbauer (1834 – 1921) climbed to the top of the Rotes Rathaus in Berlin to shoot the first 360-degree photographic record of the city. In contrast to the idealistic, hyper-real clarity of a more famous painted panorama of Berlin made… Read More
Denise Scott Brown. In Other Eyes: Portraits of an Architect (2022) – Review
24.07.2023
Denise Scott Brown. In Other Eyes: Portraits of an Architect (2022) – Review24.07.2023
Denise Scott Brown In Other Eyes: Portraits of an Architect is a welcome and necessary publication. Its overview of the ideas and career of Denise Scott Brown establishes the rich foundations of her work in education, urban planning, and architecture, as informed by her attentions to the city as it… Read More
Sant’Elia and Global Futurist Architecture
21.07.2023
Sant’Elia and Global Futurist Architecture21.07.2023
‘Found’ in the archive at Drawing Matter, this wild text by Marinetti on his friend and collaborator Sant’Elia seems not to have been previously translated. Its occasion was a commemorative exhibition of the young architect’s work organized in 1930 by the commune of his native city, Como, fourteen years after… Read More
The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso
17.07.2023
The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso17.07.2023
Alberto Cruz presented the principles of The Palace of Dawn and Dusk (Palacio del Alba y del Ocaso) in the Open City’s Music Room on 19 January 1981[1]. While the initial project comprised four lodges with communal rooms, courtyards, and public baths, ultimately, as Cruz describes, following a ‘poetic revelation’… Read More
A Christmas Card from Ralph Erskine
06.07.2023
A Christmas Card from Ralph Erskine06.07.2023
Most of us must sometimes receive a message or a drawing that in retrospect we wish we’d retained—but they go astray. In my own case I can recall three: a note from the philosopher Bernard Williams about his friend Thomas Nagel (lost without record) a postcard from Göran Schildt clarifying our… Read More
Instagram, Indifference, and Postcritique in US Architectural Discourse
05.07.2023
Instagram, Indifference, and Postcritique in US Architectural Discourse05.07.2023
The following text is reproduced from The Hybrid Practitioner: Building, Teaching, Researching Architecture (2022), edited by Caroline Voet, Eireen Schreurs, and Helen Thomas. The publication is available in print or as an ebook, here. You can find Joseph Bedford on Instagram here. From the 1970s through the 1990s, many architects… Read More
Trevor Dannatt: St Mary’s Grove — House Number & Gate
04.07.2023
Trevor Dannatt: St Mary’s Grove — House Number & Gate04.07.2023
This is the second part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, and the first text, here. The other sign on the street—blue baked enamel as ur-signifier… Read More
Through a Glass Darkly
06.06.2023
Through a Glass Darkly06.06.2023
This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. Since Burckhardt’s discovery of Petra in 1812, Europeans and… Read More
‘A free composition of bodies’: the Härlanda Church
30.05.2023
‘A free composition of bodies’: the Härlanda Church30.05.2023
Peter Celsing won the competition to design the Härlanda Church, Gothenburg, Sweden, in 1952, and the church was completed seven years later in 1959. The design of the project is a fragmented list of reflections by the architect in the account reproduced below—which was first drafted on receipts from the… Read More
Nuno Melo Sousa: weight
26.05.2023
Nuno Melo Sousa: weight26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. They dance.They stand.They stare.They bend.They underline.They comply.They don’t comply.They question.They agree.They dismiss.They provoke.They ignore. Each and every one of them keeps a continuous movement between what… Read More
Abelardo Morell
06.04.2023
Abelardo Morell06.04.2023
In 2006 Abelardo Morell was invited by a collector with a Palazzo in Venice to photograph a camera obscura image of the Grand Canal in his mother’s bedroom. Morell returned to the city a year later. His host, pointing at a window in a Canaletto painting, said he knew a… Read More
Richard Neutra’s Corona Avenue School
22.03.2023
Richard Neutra’s Corona Avenue School22.03.2023
This project scrapbook traces the publication and exhibition history of Richard Neutra’s experimental Corona Avenue School, built in 1935 after the Los Angeles earthquake of 1933. The material for this scrapbook has been compiled by Nicholas Olsberg; his earlier text on the school for Drawing Matter can be read here.
Nancy Goldring: Drawings and Foto-Projections
17.03.2023
Nancy Goldring: Drawings and Foto-Projections17.03.2023
– Leann Davis Alspaugh and Nancy Goldring
The following interview is reproduced from the publication Distillations: Nancy Goldring, Drawings and Foto-Projections, 1971–2021, published by ORO Editions. The interview was conducted by Leann Davis Alspaugh for The Hedgehog Review. The Hedgehog Review: In the 2014 summer issue of The Hedgehog Review, we ran two of your works ‘The… Read More
Shatwell Farm: Sheds and Silos
11.03.2024
Shatwell Farm: Sheds and Silos11.03.2024
– Emily Priest
This text is the second in a series of studies of Shatwell Farm made by Emily Priest while staying on site in September last year. Shatwell sits on dusty yellow Bridport sand encircled by limestone. Most of the farm’s ground is flat, except for its western edge, which creeps up… Read More
agriculture Buildings Projects at Shatwell Farm Emily Priest (series)