Tag: sketch

Learning From Machine Learning, on designer trees and architectural historiographies of the digital

Learning From Machine Learning, on designer trees and architectural historiographies of the digital

Sylvia Lavin

What does it mean for scholars to collaborate with contemporary knowledge machines? In this article, Sylvia Lavin reflects on the failures, successes, and potentialities of a machine learning tool designed to identify trees in architectural drawings. This project, which she initiated in 2022, was undertaken by Princeton University and the… Read More

John Hejduk’s Bye House: An Object in the Landscape

John Hejduk’s Bye House: An Object in the Landscape

Stan Allen and Marina Correia

‘Life has to do with walls; we are continuously going in and out back and forth and through them; a wall is the quickest, the thinnest, the thing we’re always transgressing, and that is why I see it as the present, the most surface condition.’ — John Hejduk[1] The series… Read More

Álvaro Siza: A Vertical Dream

Álvaro Siza: A Vertical Dream

António Choupina and Álvaro Siza

In this short video, António Choupina and Álvaro Siza discuss a sketch for an imaginary skyscraper from Caderno 32 (1979), now in the Drawing Matter Collection. Siza describes his interest in Frank Lloyd Wright’s ‘Mile-High Illinois’ or ‘Sky City’ tower (1957), and his work for Rogério de Azevedo on the… Read More

Casa Ugalde Sketch

Casa Ugalde Sketch

Laura Bonell and Daniel Lopez-Doriga

As José Antonio Coderch told it, Mr. Ugalde climbed on the hill, sat in the shadow of a carob tree and looked around him. He then hired Coderch and his partner Manuel Valls with the unique proposal of building a house in the outskirts of Barcelona that could preserve the… Read More

On Authority

On Authority

Nuno Melo Sousa

Following our recent series with fala we decided to approach some other practices who have themselves developed their design process through particular drawing ‘types’, challenging our expectation of the usage and forms traditionally associated with drawing in an architecture studio. We are very grateful to fala for introducing us to Nuno Melo Sousa… Read More

Sverre Fehn and the Territorial Eye

Sverre Fehn and the Territorial Eye

Erika Brandl

This text is adapted from an abstract to Erika Brandl’s short paper which she presented last year at the ‘Nordic Nature: Art, Ecology, Landscape’ conference in Bergen. Architectural histories of Norway have been inexorably tied to landscape and localism, framed as the romantic wedlock of nature and the built form.… Read More

MJ Long’s Doll House

MJ Long’s Doll House

Elena Palacios Carral

In 2018, I met the architect MJ Long at her home. Located in a building designed and constructed in the 1930s by Thomas Tait, it doubled as Long’s studio. It was formerly the home and studio of the sculptor Sir William Dick Reid; MJ Long and her husband Sandy (Colin… Read More

Álvaro Siza — An ‘Amoral’ Architect

Álvaro Siza — An ‘Amoral’ Architect

Eduardo Souto de Moura

The fact that Álvaro Siza did not write about his work or about architecture is a conscious gesture, which goes beyond the mere neutrality of city walls. What is important in Siza is not the end result or the work, hence his lack of comment. His manner, his alibis, his… Read More

W. R. Lethaby: Philip Webb and His Work

W. R. Lethaby: Philip Webb and His Work

Hugh Strange

This is the fifth and final text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Philip Webb was William Lethaby’s great hero; he considered his life and work the model for an architect. Webb was a generation older than Lethaby, and the two men most… Read More

Drawing Conversations: Letters to Clients

Drawing Conversations: Letters to Clients

Paul Clarke

In October 1925 Le Corbusier wrote to his client Madame Meyer a remarkable letter about his proposal with Pierre Jeanneret for her villa. It combined drawings with a highly scripted text that carefully guided her through each space, from the entrance to the roof garden. Like the pioneers of early… Read More

How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing

How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing

Federica Goffi and Devon Moar

The bee drawing(s) by Devon Moar illustrate that changes in scale imply a passage of time. One drawing here becomes many drawings, each marking a different moment of discovery unfolding a process. One could say that when it comes to architectural media, there are two types of scales dealing with… Read More

Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture

Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture

Editors

These three sketches are from a sketchbook that Robert Maxwell used while studying at the Liverpool School of Architecture in 1944. They are reproduced here to mark the publication of Robert Maxwell: the Letter, the Lost Sketchbook and the Lecture, edited by Celia Scott, which is now available through Drawing… Read More

Dalibor Vesely: Shared Horizons

Dalibor Vesely: Shared Horizons

Biba Dow

Looking at these drawings takes me instantly back to 1993. I am sitting next to Dalibor Vesely at my desk in Scroope Terrace in Cambridge. He is talking quietly and drawing on a stack of tracing paper which he has brought with him. He draws with a light hand in… Read More

Roland Simounet: De La Verité en Architecture

Roland Simounet: De La Verité en Architecture

Pierre Riboulet

For an artist, ‘getting down to work’ is an instinct carried out spontaneously. […] The first outpouring in the pages of the sketchbook, when thought turns into action, at the meeting point between a project and a site, is so strong sometimes, so commanding, that one has the feeling that… Read More

Workshop: On Siza’s March ’77 Sketchbook

Workshop: On Siza’s March ’77 Sketchbook

Manuel Montenegro

This audio recording documents a workshop on Álvaro Siza’s Malagueira sketchbook delivered by Manuel Montenegro to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The sketchbook is a record of Siza’s thoughts and responses over three days in 1977, on… Read More

William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England

William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England

Elizabeth Deans

During the upheavals of the Civil War, Westminster Abbey had functioned as the church of the state for the Commonwealth. Upon the Restoration of Charles II, the Abbey resumed its historic role as the coronation church for English monarchs. [1] Parliament voted towards restoring the fabric, reinstituting its monarchical function… Read More

The Evolving Role of Drawing

The Evolving Role of Drawing

Nicholas Olsberg

This text was first published in The Architectural Review in 2013. Carlo Scarpa, in a famously infamous gesture, opened all his courses in design at the University of Venice by demonstrating the art of sharpening a pencil. That was the precise point, he claimed, from which all architecture proceeds. And… Read More

Syon House and the Afterlife of Architectural Drawing

Syon House and the Afterlife of Architectural Drawing

Freddie Phillipson

His writing is not about something; it is that something itself. [1] I knew very little about the eighteenth-century architect Robert Adam prior to June 2014. When challenged to respond to his drawings of the Long Gallery at Syon House, my impulse was to visit and draw my way through… Read More

‘For the Curiosity of the Article’: Excerpts from Architectural Drawing (1870)

‘For the Curiosity of the Article’: Excerpts from Architectural Drawing (1870)

William Burges

The following introductory text and drawings are reproduced from William Burges’ Architectural Drawing (1870). Each of the drawings has been chosen for its graphic interest or for the content of Burges’ commentary – which covers the problems of surveying buildings, the limits of nineteenth-century book printing, and his personal curiosity in… Read More

Adaptations: A Teaching Studio at Cornell

Adaptations: A Teaching Studio at Cornell

Roz Barr

Options Studio was an Elective Module at Cornell University led by Roz Barr. The act of making means engaging with an idea that can be made, unmade, and reconsidered before being realised. Model-making has a critical role in formulating and realising an idea. Materiality and form are developed through discussions… Read More

What’s a Bludder Sketch?

What’s a Bludder Sketch?

Declan Quirke

As a timid foreigner in the Swedish Centre for Architecture and Design, shuffling through hundreds of important-looking drawings, I stumbled across a funny little sketch in whose lines I found some humanity. It was made by Bengt Lindroos in 1981 and is an imagined view of his office with the… Read More

The Edge of Architecture: Cornices in the Drawing Matter collection

The Edge of Architecture: Cornices in the Drawing Matter collection

Editors

The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.

Growth or Composition? Colin Rowe to Louis Kahn

Growth or Composition? Colin Rowe to Louis Kahn

Michael Merrill

Extracted, with permission, from Louis Kahn: The Importance of a Drawing edited by Michael Merrill, published by Lars Müller Publishers © 2021. Click here to read a review of this book by Stan Allen. An auspicious meeting: At the end of 1955, a thirty-five-year-old academic named Colin Rowe visited the office… Read More

Álvaro Siza: The Adoration of the Magi

Álvaro Siza: The Adoration of the Magi

António Choupina

Our story opens at the close of the Christmas season. It quite literally starts with an Epiphany, both chronologically and figuratively, a glimpse of Three Kings prompted by Niall Hobhouse’s holiday greetings. His somewhat precarious nativity scene, charmingly set upon Álvaro Siza’s yellow columns, reminded me of Sandro Botticelli’s Adoration… Read More