Tag: theoretical & imaginary
The Story of the Pool (1978)
19 June 2020
The Story of the Pool (1978)19 June 2020
In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More
SUPA Architects: Naked Plans
6 June 2020
SUPA Architects: Naked Plans6 June 2020
– Christian Schweitzer and Ryul Song
This drawing, the first in our ‘Naked Plan’ series, overlaps 107 A3 sheets of construction drawings for House P, a private house in Pyeonchang-dong, Seoul (2013-15). Stripped in Autocad of all information, such as image, text and mtext, line weight, saturation and lightness, only the basic lines remain. Through the… Read More
Welfare Palace Hotel (1978)
4 June 2020
Welfare Palace Hotel (1978)4 June 2020
In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More
Animals
5 May 2020
Animals5 May 2020
– James Gowan and Ellis Woodman
excerpted from The Architecture of James Gowan: Modernity and Reinvention (2008)
Language & the Doorn Manifesto
14 April 2020
Language & the Doorn Manifesto14 April 2020
The following audio clips are extracts from an interview with Peter Smithson conducted in 1997 for the Architects’ Lives oral history project run by National Life Stories. To listen to the full interview, click here. On language Peter Smithson on the change from the use of French to English as the predominant language of… Read More
Postcard from Nowhere (Counterswimming)
8 April 2020
Postcard from Nowhere (Counterswimming)8 April 2020
Sixteen swim in synchrony. Bright red trunks, blue swim caps, in a perfectly choreographed 4 x 4 grid of bodies in motion. They swim in the shallow pale blue pool that contains them, as it floats in the ocean. They are about to collide with a dock that is too… Read More
Web of Intrigue
3 April 2020
Web of Intrigue3 April 2020
Searching the internet for the drawings of Michael Sorkin, one comes across a lengthy list of the projects that have emerged from his eponymously titled studio. Halfway down the list can be found an exotic beauty of a drawing soberly captioned thus: House of the Future. 1999. Coloured Pencil, Hand… Read More
Behind the Walls
23 March 2020
Behind the Walls23 March 2020
Albert, an artist known only by his first name, thinks about buildings in ways similar to an architect. As he draws, he imagines the structures on the page having a future life in bricks and mortar, considering as he does so whether the audience for his drawings will ask themselves,… Read More
The Iconography of Desolation
17 February 2020
The Iconography of Desolation17 February 2020
‘We now discover an iconoscope that shall forgive the divorce of heaven and hell while it flashes before us for our selective graces – the bits and pieces of Divine Catastrophe. Such a scope has lost all division and order. One must pick over the scattered icons the way a… Read More
La Casa Della Falsita
5 February 2020
La Casa Della Falsita5 February 2020
The 1982 ‘Casa Della Falsita’ exhibition was decidedly under the English architectural radar. Held in Munich at the Focus Furniture Gallery, the inspiration for the show was the result of a squabble with municipality, after the shop owner, Peter Pfeiffer, was denied planning permission to build a spiral staircase between… Read More
Basil Spence: Houses of Parliament
29 January 2020
Basil Spence: Houses of Parliament29 January 2020
Sketch made by Sir Basil Spence at a meeting of the Royal Fine Art Commission in January 1969 to illustrate a scheme for enlarging the accommodation of MPs in the Houses of Parliament made by his assistant Christopher Libby.
Battersea Redevelopment
22 January 2020
Battersea Redevelopment22 January 2020
In Bat-Hat, our project for Battersea Power Station, we have divested the existing building of all that froze the immediate site, leaving only that which is considered important – its height and familiar profile. Excerpted from Cedric Price, Works II (London: Architectural Association, 1984), p.90.
Origins in Translation
20 January 2020
Origins in Translation20 January 2020
Broken bits of ancient architecture piled up in the foreground of a printed page is a topos in the canon of architectural publications. An early example takes place in the frontispiece of Sebastiano Serlio’s book on antiquities. Produced for the first edition of the third book, written in Italian and published in… Read More
Watkin on Milizia: Frontispiece to The Lives of the Celebrated Architects, Ancient and Modern
17 January 2020
Watkin on Milizia: Frontispiece to The Lives of the Celebrated Architects, Ancient and Modern17 January 2020
The illustration on the title page to the Vite is striking and can be seen as a preparation for that of Pugin’s Contrasts (Sailsbury 1836). Milizia depicts a crowded scene in which, on the left hand side, a Corinthian portico and Laugier’s primitive hut, fashioned from trees and branches, represent Antiquity and Nature. Pallas,… Read More
ETH Zurich: Casting the Cornice in Ticino
8 January 2020
ETH Zurich: Casting the Cornice in Ticino8 January 2020
– Emma Letizia Jones and Erik Wegerhoff
From the fifteenth century onwards, the Swiss region of Ticino was famous for its stuccatori – the skilled decorative plaster workers that migrated down to Italy in search of work ornamenting the great palaces and churches of the Renaissance. Further generations of these craftsmen made their way over the Gotthard pass to… Read More
Other Lives: Charles Eisen and Laugier’s Essai sur l’Architecture
26 December 2019
Other Lives: Charles Eisen and Laugier’s Essai sur l’Architecture26 December 2019
One of the best-known drawings related to the discipline is the ‘allegory of architecture’, drawn by Charles-Dominique-Joseph Eisen and engraved by Jean-Jacques Aliamet. [1] The original is now in the collection of Drawing Matter. Aliamet’s engraving serves as the frontispiece to the second edition of Marc-Antoine Laugier’s Essai sur l’architecture, and was included… Read More
Gio Ponti: un disegno è un idea
7 October 2019
Gio Ponti: un disegno è un idea7 October 2019
Signora Onvoloni, here is a drawing that might find a place in your cabinet of ideas: ‘a drawing is an idea’ – Gio Ponti, translated by Guido Beltramini [1] All seems simple enough on the face of it, and of course one smiles, just as Gio hoped we might. But… Read More
Learning from the tortoise
9 August 2019
Learning from the tortoise9 August 2019
I. The tortoise is certainly slow, but in the ancient fable it arrives sooner than the hare – or according to the even older paradox of Zeno it always arrives before the mighty runner Achilles. Slowness is usually seen as a negative characteristic, lacking the vibrancy of speed. But everything… Read More
Superstudio: In Yesterday’s Tomorrow
23 December 2018
Superstudio: In Yesterday’s Tomorrow23 December 2018
‘Metamorphoses become frequent when a culture does not have sufficient courage to commit suicide (to eliminate itself) and has no clear alternatives to offer either‘ – Adolfo Natalini Following social and economic upheaval, there is often a retreat to the home. Traditionally, the ‘home’ is identified with a site of… Read More
Madelon Vriesendorp
4 November 2018
Madelon Vriesendorp4 November 2018
– Niall Hobhouse and Madelon Vriesdendorp
Excerpted from Madelon Vreisendop in conversation with Niall Hobhouse, RIBA, 2 July 2018
Buckminster Fuller’s Geodesic Sphere
9 October 2018
Buckminster Fuller’s Geodesic Sphere9 October 2018
Frail and delicate, Richard Buckminster Fuller’s drawing of a geodesic sphere floats, without context, in the space of the paper it inhabits. More than the form it reveals, the net of thin, red lines expresses the presence of the space within it. A perspective effect emanates from the central point… Read More
Elena Manferdini
17 April 2018
Elena Manferdini17 April 2018
The tryptic Ink on Mirror is part of a collection of elevation studies developed over the past three years by my office, Atelier Manferdini. My reason for compiling a suite of digital sketches was rooted in the belief that for the past twenty years computers have been able to produce new geometrical… Read More
Eurolandschaft Dérive
1 April 2018
Eurolandschaft Dérive1 April 2018
The format is Japanese: a concertina sketchbook presented empty to me by Akira Suzuki shortly after the 1983 completion of our Tokyo Suzuki House design. The drawing format is also Japanese – influenced by our reading of Tokyo (documented in Western Objects + Eastern Fields, AA 1989). Tokyo is difficult for… Read More
Venice Biennale (1985)
14 July 2020
Venice Biennale (1985)14 July 2020
– Dario Passi
The third edition of the Venice Biennale in 1985, ‘Progetto Venezia’, directed by Aldo Rossi, had two major themes: the priority given to the moment of planning and the comparison with the Venetian landscape. For the 1985 exhibition, architects were invited to display their designs for the ‘requalification or the… Read More
public space DMC presentation theoretical & imaginary exhibition urban form