Category: commentaries, rants & reflections

William Heath Robinson ‘Tightening the Green Belt’

William Heath Robinson ‘Tightening the Green Belt’

Laura Freeman

On 22 March 1921, The Times reported on ‘the urgent need of a green belt being preserved round London.’ It was the first recorded use of the phrase. By the time William Heath Robinson came to makes sketches for ‘Tightening the Green Belt’ (c.1935–47), the urban ring o’ roses was familiar enough… Read More

Aldo Rossi: The First Sketch and the Final Drawing

Aldo Rossi: The First Sketch and the Final Drawing

Andrea Leonardi

The following letter was sent to the Drawing Matter editors by Andrea Leonardi, a member of Rossi’s office for nine years.   A few days ago my dear friend Maurizio Diton, sent me an article he wrote for you in October 2019, ‘The Office Copier and Baptism by Colour: Working… Read More

Drawing is discovery (1953)

Drawing is discovery (1953)

John Berger

For the artist drawing is discovery. And that is not just a slick phrase, it is quite literally true. It is the actual act of drawing that forces the artist to look at the object in front of him, to dissect it in his mind’s eye and put it together… Read More

Outside In

Outside In

Emily Priest

Music plays from behind a curtain. Lights come on and you see that the curtain runs along two sides of a carpet whose centre hosts a leopard skin cushion. There is a chair at one side of the carpet and at the opposite end, a single column. Not before long… Read More

Startha Éagsula: David Leech Architects on Barthélemy Enfantin

Startha Éagsula: David Leech Architects on Barthélemy Enfantin

David Leech

The colourful ink and pencil drawing of Barthélemy Enfantin seeks to establish a set of rules for a new open metropolis. Without site, set out in all axes, and with the edges of the drawing alluding to a non-determined repetition, it was possibly drawn for continuous reuse and translation. Like… Read More

Sigurd Lewerentz: Siting the Axonometric

Sigurd Lewerentz: Siting the Axonometric

Stan Allen

One way to think about an axonometric drawing is as a perspective with the vanishing point at infinity. This means that the lines of projection are parallel, which assures dimensional consistency. Early treatises, for example, spoke of parallel projection as analogous to shadows cast by the sun; not, strictly speaking,… Read More

Writing Prize 2020: Appropriation and Drawing

Writing Prize 2020: Appropriation and Drawing

Marko Skoblar

Similar to many of Rossi’s drawings, the Urban Fragment presents us with a collection of his most cherished forms – a primordial tower, the hand of a saint, and fragments of his own projects, such as the Gallaratese 2 housing complex in Milan and the Cemetery of San Cataldo. In… Read More

Startha Éagsula: Steve Larkin Architects on Walter Pichler

Startha Éagsula: Steve Larkin Architects on Walter Pichler

Steve Larkin

This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive. Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here. Friedrich… Read More

Tree Speech

Tree Speech

Sylvia Lavin

The following text is the fourth of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More

Trees Push Back

Trees Push Back

Sylvia Lavin

The following text is the third of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

Elizabeth Hatz

a vanished gardenthe oriental plan eclipses an obsession with circlesall spaces on their way to evaporateany momentthe terrible weight of void implodes into a dome turned sidewayson its way down, breast-feeding earthmidway of life – garden of deathlight words lift like invisible balloonsthe perspective of cantilevered canopies is relentlessin heavy… Read More

Tony Fretton: Tolerance

Tony Fretton: Tolerance

Richard Hall

The following text is an excerpt from AMAG 20 | Tony Fretton Architects. Drawing Matter would like to thank the author and the editors of the magazine for allowing us to reproduce the text on drawingmatter.org. To order a copy of AMAG 20, click here. Tolerance is a measure of… Read More

Trees Move In

Trees Move In

Sylvia Lavin

The following text is the second of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us to reproduce the essays on… Read More

Startha Éagsula: Grafton Architects on Paulo Mendes da Rocha

Startha Éagsula: Grafton Architects on Paulo Mendes da Rocha

Yvonne Farrell and Shelley McNamara

This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive. Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here. We… Read More

Palladio’s Lines

Palladio’s Lines

Sezin Sarıca

Andrea Palladio’s Il Quattro Libri dell’architettura (Venice, 1570) is a seminal document in the history and theory of architecture. The treatise projects the knowledge of both architectural form and its image. The formation of this knowledge is documented within Palladio’s work textually and visually. The work conveys both the formation… Read More

Raymond Erith On Soane at Tendring Hall

Raymond Erith On Soane at Tendring Hall

Pierre du Prey

The following notes were composed by Pierre du Prey to accompany his gift of the sketches pictured above to Drawing Matter, 16 September 2020. The circumstances surrounding two detailed sketches by Raymond Erithof the John Soane gate lodges at Tendring Hall, Suffolk, remain stronglyimpressed on the tablets of my memory.… Read More

S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of

S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of

Gerard Carty, Elizabeth Hatz and Fionn O'Leary

In the Autumn of 2019, tutors Elizabeth Hatz and Gerard Carty visited the Drawing Matter archive with their fourth-year students from the School of Architecture and the University of Limerick (SAUL). Below is a record of their visit and its place in the context of the fourth-year studio. Tutors interested… Read More

Writing Prize 2020: Figures of War

Writing Prize 2020: Figures of War

Francesco Marullo

Niccolò Machiavelli concludes his treatise on the art of war (Dell’Arte della Guerra, 1521) with a series of diagrammatic ‘figures’ illustrating the arrangements of troops known as ordinanze. Rather than using human silhouettes, the ordinanza links alphabetical signs to specific roles and positions of the soldiers, reducing the army to… Read More

Pan Scroll Zoom 3: Andrew Clancy

Pan Scroll Zoom 3: Andrew Clancy

Andrew Clancy

This is the third in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Andrew Clancy of Clancy Moore Architects and Professor of Architecture at… Read More

Writing Prize 2020: Drawing People

Writing Prize 2020: Drawing People

Daniel Innes

Representations of people are central to our ability to inhabit drawings, to make sense of them, understand their scale, their atmosphere, their character: to exist in the world that the drawing constructs. These images of people are immediately recognisable by all, but are we all able to recognise ourselves amongst… Read More

Superstudio: Monument Interrupted

Superstudio: Monument Interrupted

Julian Lewis

The collages of Superstudio’s ‘Continuous Monument’ have always seemed to me like stills from an unseen film, each image framing a part of a wider scenography. Combining the collages does not make the larger reality of the monument any less elusive or fragmentary, akin to the way that remembered dreams… Read More

Soane’s Designs for Combe House, Continued

Soane’s Designs for Combe House, Continued

Pierre du Prey

When Drawing Matter recently reproduced a preliminary ground plan for Combe House near Gittisham, Devon, by John Soane, I had a moment’s sudden recollection. Ptolemy Dean’s penetrating analysis of this precious if battered sheet of paper – entirely in the astonishingly fluid and energetic hand of the architect – set me to search… Read More

Pan Scroll Zoom 1: Fabrizio Gallanti

Pan Scroll Zoom 1: Fabrizio Gallanti

Fabrizio Gallanti

This is the first in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of the drawings in presentations and reviews. In this episode Fabrizio writes of his own experience as a tutor and… Read More