Category: Drawing Matter archive: research & collecting

Álvaro Siza: Seven Early Sketchbooks

Álvaro Siza: Seven Early Sketchbooks

Niall Hobhouse, Manuel Montenegro and Álvaro Siza

These films were made over four hours on the afternoon of Sunday 25 March 2018 in Álvaro Siza’s studio in Rua do Aleixo outside Porto. I had flown to Portugal that morning with the seven sketchbooks which we were to look through with Manuel Montenegro. Manuel and I had conceived… Read More

The Urban Fact: Aldo Rossi, The School, Fagnano Olona

The Urban Fact: Aldo Rossi, The School, Fagnano Olona

Kersten Geers, Stefano Graziani and Jelena Pancevac

This is part one of two excerpts chosen from The Urban Fact: A Reference Book on Aldo Rossi. The second text, on Aldo Rossi’s Student Housing in Chieti, completed in 1976, will be available soon. Please see the end of the page for more information on this publication. The Olona… Read More

A Short History of Alberto Ponis on the Sardinian Coast

A Short History of Alberto Ponis on the Sardinian Coast

Sebastiano Brandolini

Alberto Ponis was born in Genoa in 1933. He took his architecture degree in Florence in 1960. His father, Mario Alberto, had founded the M.I.T.A. (Manifattura Italiana Tappeti Artistici) in 1926 in Nervi, near Genoa. The company’s building was built by Luigi Daneri in 1940. Gio Ponti, Arnaldo Pomodoro and… Read More

The Pursuit of Gothic

The Pursuit of Gothic

Rosemary Hill

William Gilpin notoriously suggested that the ruins of Tintern Abbey could be improved by ‘a mallet judiciously used’. [1] The next generation saw in the architecture of the Middle Ages something more than an assortment of ornamental landscape features, but it did not begin to understand it. Uvedale Price, whose… Read More

Frank Lloyd Wright, House for Edith Carlson, 1939, Part II

Frank Lloyd Wright, House for Edith Carlson, 1939, Part II

Philippa Lewis

Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Order the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. My dear Miss Carlson, By… Read More

Drawing Powers 2: the object in the drawing

Drawing Powers 2: the object in the drawing

Fernando Poeiras

This text is the second in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. First, I consider drawing as an adequate medium… Read More

Drawing Powers 3: the drawing in the object

Drawing Powers 3: the drawing in the object

Fernando Poeiras

This text is the third in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. It was the drawing that led me to architecture,… Read More

Drawing Powers 4: the drawing-object

Drawing Powers 4: the drawing-object

Fernando Poeiras

This text is the fourth in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. After I have developed a feel for the programme,… Read More

Alberto Ponis on Casa Scalesciani

Alberto Ponis on Casa Scalesciani

Alberto Ponis

The site chosen by Juan S., an Argentinian with a penchant for Italy, was almost alarmingly steep and sheer above the sea. Even the path leading to it was perilous, and trodden with bated breath. During our long conversations about where the house would be built, we were not so… Read More

Álvaro Siza: Fast and Slow Lines

Álvaro Siza: Fast and Slow Lines

Lok-Kan Chau

Álvaro Siza began working on the ‘Quinta da Malagueira’ project in 1977. In his sketchbooks, he would doodle iterations of the proposal over and over, together with other observational scenes, figures, calculations, and schedules. The sketches have various line qualities. Some are steadier, thicker in the middle, and thinner at… Read More

Writing Prize 2021: Savinien Petit’s Chapelle a deux salles avec luminaire

Writing Prize 2021: Savinien Petit’s Chapelle a deux salles avec luminaire

Raphael Haque

When art crosses paths with the language of architecture, odd things can occur. Savinien Petit was an academic painter who is little-known today. Conventional even for his own time, his taste at times did not exceed drawing children in clouds, but mostly he created religious scenes in traditional frescoes for churches, work which was… Read More

The Hidden Horizontal. Cornices in Art and Architecture: Exhibition Review

The Hidden Horizontal. Cornices in Art and Architecture: Exhibition Review

Cammy Brothers

Architecture is never an easy topic for exhibitions, because the level of knowledge and pre-existing interest of the public is difficult to gauge. A show devoted specifically to a single architectural detail, seen across a historic panorama, is even more challenging. But this is the ambition of ‘The Hidden Horizontal:… Read More

Survey: Le Corbusier, Roland Garros stadium

Survey: Le Corbusier, Roland Garros stadium

Matthew Wells

In July 1958, one day before Faisal II was assassinated during the 14 July Revolution in Baghdad, the Iraqi Ministry of Development sent a telegram to Paris confirming Le Corbusier’s appointment to design the Olympic Stadium. Over the following months, while the programme and site were being clarified, his office… Read More

PC Harry Woodley: Plans of No 131 Cornwall Street, 1902

PC Harry Woodley: Plans of No 131 Cornwall Street, 1902

Philippa Lewis

Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Preorder the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. It was a short walk… Read More

An Overwhelming Concern with Shelter! (1966)

An Overwhelming Concern with Shelter! (1966)

Gustav Metzger

The International Dialogue on Experimental Architecture (IDEA) was held at New Metropole Arts Centre in Folkestone, Kent, 10–11 June 1966. The symposium was organised by Archigram and included contributions from Hans Hollein, Joe Weber, Yona Friedman, Cedric Price, Arthur Quarmsby, Anthony G. William and Reyner Banham. The following text is… Read More

Disney: The Architecture of Staged Realities

Disney: The Architecture of Staged Realities

Saskia van Stein

‘Project Life Cycle’ provides a brief look into the complex work behind the scenes of a Walt Disney Company production. It is a meticulous formalisation that maps the industrial-organisational apparatus of the life cycle of a Disney project. The creative process is abstracted into a sequence of decisions, a neatly… Read More

John Nash: Designs for Langham House, ca. 1812–1816

John Nash: Designs for Langham House, ca. 1812–1816

Philippa Lewis

Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Preorder the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. Nash… Read More

Cosmos Street Revisited

Cosmos Street Revisited

Peter Wilson

This response relates to a text by Oscar Binder and Nicholas Podlanha published by Drawing Matter in July 2021, which described and reconstructed (badly) a lost project by the deceased architect James Clark. In fact I am James Clark (decidedly not dead) and the project parodied in this less than… Read More

Superstudio: Finding the Horizon

Superstudio: Finding the Horizon

Gian Piero Frassinelli

Until not too long ago, I would be asked to explain to youngsters accustomed to digital graphics how I used to make montages. I felt like an archaeologist, explaining how, in the Palaeolithic era, Neanderthals used to make their tools.  Across several workshops, I have realised that the techniques today… Read More

Where to Begin? – Juhani Pallasmaa

Where to Begin? – Juhani Pallasmaa

Juhani Pallasmaa

This is the first in a series revisiting responses from architects to the question: Where to Begin?. The question was posed by the Drawing Matter editors while compiling the first volume in our Extracts series – find more information here. Beginning to sketch a project has always been easier for me… Read More

Building the Gowan Shed

Building the Gowan Shed

Jonah Ginsburg

Through the week of July 12–17, thirteen young architects camped at Shatwell Farm in order to realise a shed from an enigmatic early drawing by James Gowan. The workshop was initiated and led by Maria-Chiara Piccinelli of PiM.studio and Corinna Dean of ARCA. This film portrays the (re)design and construction… Read More

Steeling Stirling & Gowan’s Isle of Wight House

Steeling Stirling & Gowan’s Isle of Wight House

Neil Jackson

The editors were thrilled to receive this response from Neil Jackson to our publication of drawings and literature relating to Stirling & Gowan’s Isle of Wight house. We are always interested in receiving comments and feedback from our readers: editors@drawingmatter.org.  In taking the plan of the Stirling & Gowan’s Isle… Read More

Insignificance 4: Self-reflexive

Insignificance 4: Self-reflexive

Gordon Shrigley

Whoever decides to study the conditions of a practice of imagining architecture through/as line will, I am afraid, be left in despair. Once the theatrical mask of line’s incontrovertible instrumentality is seen to slip, line’s solidity, its all too evident honesty as a simple mimetic tool, turns up by and… Read More

Cassius Goldsmith’s Grey Weather Gate House

Cassius Goldsmith’s Grey Weather Gate House

Marie-Henriette Desmoures

I find myself lost in the woods, then reorientated, guided by the centralised chimney. Standing dead centre in front of the gate lodge, my gaze is lifted to the space between chimney and sky, between foreground or background. A cloud of white smoke disguises itself as an English cloud, passing… Read More