Category: drawing histories
Sigurd Lewerentz: Siting the Axonometric
17.11.2020
Sigurd Lewerentz: Siting the Axonometric17.11.2020
One way to think about an axonometric drawing is as a perspective with the vanishing point at infinity. This means that the lines of projection are parallel, which assures dimensional consistency. Early treatises, for example, spoke of parallel projection as analogous to shadows cast by the sun; not, strictly speaking,… Read More
Bramante: Five Dots
16.11.2020
Bramante: Five Dots16.11.2020
The remote past is distant and faded. Original objects and documents that might be used to study it are scarce. They are often uncooperative and most of the time they don’t tell the truth, because they have been reframed by history’s ‘victors’ over the centuries. We must always bear in… Read More
Paolo Portoghesi: The Field Theory
09.11.2020
Paolo Portoghesi: The Field Theory09.11.2020
Architects mediate the complexity of the world and their ideas through different instrumental modalities. Whether perspective drawings, proportional relationships, descriptive geometry, material prototypes, scaled models, maquettes or three-dimensional models – models serve the purpose of collecting and indexing information into measurable and rational systems so that the architectural project can… Read More
All back to front: D’Aviler’s Cours D’Architecture
09.11.2020
All back to front: D’Aviler’s Cours D’Architecture09.11.2020
In Louis de Boulogne’s drawing, now in the Drawing Matter collection, Architecture appears as a young woman. She sits leaning on an altar with a Corinthian capital at her feet, compasses in one hand and a portrait of Vignola in the other. Behind her are the ruins of Rome. It… Read More
Tree Speech
07.11.2020
Tree Speech07.11.2020
The following text is the fourth of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More
Writing Prize 2020: Hugh Casson’s ‘Diary’
06.11.2020
Writing Prize 2020: Hugh Casson’s ‘Diary’06.11.2020
Hugh Casson did it in the car. He did in in the Opera House, in Westminster Abbey and at the Buckingham Palace Garden Party. He did it in Goa, Mykonos and at Loughborough University. Wherever he went, whatever he saw, he drew. He drew to keep his eyes keen and… Read More
Writing Prize 2020: Held Fast: SITE’s Ghost Parking Lot
03.11.2020
Writing Prize 2020: Held Fast: SITE’s Ghost Parking Lot03.11.2020
The scene might not appear unusual at first: cars are parked in a row near a commercial building with pedestrians passing on a sidewalk. On closer examination, though, the edges of the finely crosshatched cars appear softer than those of the building and roads. The cars seem to be draped… Read More
Trees Push Back
03.11.2020
Trees Push Back03.11.2020
The following text is the third of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More
Tony Fretton: Tolerance
27.10.2020
Tony Fretton: Tolerance27.10.2020
The following text is an excerpt from AMAG 20 | Tony Fretton Architects. Drawing Matter would like to thank the author and the editors of the magazine for allowing us to reproduce the text on drawingmatter.org. To order a copy of AMAG 20, click here. Tolerance is a measure of… Read More
A New Administration Center For Los Angeles (1936)
27.10.2020
A New Administration Center For Los Angeles (1936)27.10.2020
Excerpted from ‘Architect and Engineer’ 1936 January by William Hamilton.
Trees Move In
22.10.2020
Trees Move In22.10.2020
The following text is the second of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us to reproduce the essays on… Read More
Raymond Erith On Soane at Tendring Hall
13.10.2020
Raymond Erith On Soane at Tendring Hall13.10.2020
The following notes were composed by Pierre du Prey to accompany his gift of the sketches pictured above to Drawing Matter, 16 September 2020. The circumstances surrounding two detailed sketches by Raymond Erithof the John Soane gate lodges at Tendring Hall, Suffolk, remain stronglyimpressed on the tablets of my memory.… Read More
The Empire State Building: Elevators (1931)
13.10.2020
The Empire State Building: Elevators (1931)13.10.2020
The following was first published as ‘The Empire State Building: Shreve, Lamb & Harmon, Architects: VIII. Elevators’, Architectural Forum (January 1931). Drawing Matter would like to thank Nicholas Olsberg for sending us this text. Digital copies of Architectural Forum’s series on the Empire State Building can be found at usmodernist.org.
Trees Make A Plan
07.10.2020
Trees Make A Plan07.10.2020
The following text is the first of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us to reproduce the essays on… Read More
Writing Prize 2020: Figures of War
29.09.2020
Writing Prize 2020: Figures of War29.09.2020
Niccolò Machiavelli concludes his treatise on the art of war (Dell’Arte della Guerra, 1521) with a series of diagrammatic ‘figures’ illustrating the arrangements of troops known as ordinanze. Rather than using human silhouettes, the ordinanza links alphabetical signs to specific roles and positions of the soldiers, reducing the army to… Read More
Paul László: Hertz Fallout Shelter
31.08.2020
Paul László: Hertz Fallout Shelter31.08.2020
The mid-century architect Paul László knew what it was like to live in uncertain times. He served in both world wars, first for his native land and then for his adopted country. He was Hungarian-born and schooled in Vienna, and his earliest notable achievements were in Germany. László began to… Read More
Soane’s Designs for Combe House, Continued
30.07.2020
Soane’s Designs for Combe House, Continued30.07.2020
When Drawing Matter recently reproduced a preliminary ground plan for Combe House near Gittisham, Devon, by John Soane, I had a moment’s sudden recollection. Ptolemy Dean’s penetrating analysis of this precious if battered sheet of paper – entirely in the astonishingly fluid and energetic hand of the architect – set me to search… Read More
Just Begin: The Convent Sainte-Marie-de-la-Tourette
28.07.2020
Just Begin: The Convent Sainte-Marie-de-la-Tourette28.07.2020
– Stan Allen and José Oubrerie
‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More
The Wobbly Line: Asplund, Johansson and the Influence of Tessenow in Sweden 1915–1925
27.07.2020
The Wobbly Line: Asplund, Johansson and the Influence of Tessenow in Sweden 1915–192527.07.2020
There is a drawing in a 1923 issue of the Swedish trade journal Byggmästaren (The Master-Builder). It is part of a presentation of a new three-storey house by the architect Cyrillus Johansson. To illustrate his text the architect has included photos and a drawing of the front elevation and a plan of… Read More
OMA in Scheveningen
22.07.2020
OMA in Scheveningen22.07.2020
Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] What a surprise to see this 40 year old drawing! I made it as a young collaborator of OMA in Rotterdam in 1982. It is an analytic sketch in ink and color… Read More
Siza at Sixteen
10.07.2020
Siza at Sixteen10.07.2020
– Manuel Montenegro and Álvaro Siza
Pouco a pouco, quase sem dar por isso, o carvão começou a não partir, o papel a não manchar, o miolo de pão a manter a plasticidade, o fôlego a aumentar. E a confiança. Slowly but steadily, unwittingly, the lead began to not break, paper to not stain, the bread… Read More
The Conservative (1941)
06.07.2020
The Conservative (1941)06.07.2020
All along the wide stony high street of Chipping Campden one is aware of stopped clocks. Time has been strenuously and persistently defied – almost successfully. Even the public telephone box – after a short struggle with the Post Office – has been allowed to wear the protective colouring of… Read More
Library of Babel
29.06.2020
Library of Babel29.06.2020
In its most rudimentary form, a LIDAR scan is a simple act of call and response. Thousands of beams of light leave the scanner and receive a measurement based on the distance and intensity (essentially a value of reflectivity) of the objects they collide with. The fascination in these scans… Read More
Outside In
23.11.2020
Outside In23.11.2020
– Emily Priest
Music plays from behind a curtain. Lights come on and you see that the curtain runs along two sides of a carpet whose centre hosts a leopard skin cushion. There is a chair at one side of the carpet and at the opposite end, a single column. Not before long… Read More
theoretical & imaginary theatre interior drawing matter writing prize 2020 DMC