Category: drawing histories

biq: Revealing Construction

biq: Revealing Construction

Neil Middleton

The French Modernist Auguste Perret is famously quoted as saying that ‘Construction is the mother tongue of the architect. The architect is a poet who thinks and speaks in terms of construction’.  If this is the case, and given drawings are the primary communication tool for architects, it is perhaps… Read More

Superstudio & Piranesi: Zeno is Immortal

Superstudio & Piranesi: Zeno is Immortal

Olivier Bellflamme

It’s 1777 in the Italian region of Salerno, a man is resting on a massive Doric column, watching his two cows from the ruin of a temple where the weeds grow. This building was, a long time ago, considered as the house of Juno, goddess of fertility and the vital… Read More

Hans Hollein’s Immunological City

Hans Hollein’s Immunological City

Dhruv Mehta

Hans Hollein’s city structures look awry to someone familiar with his retail work. In the time that these drawings were made, Hollein completed his UC Berkeley degree, travelled across the USA, and did an exhibition with Walter Pichler in Austria. His most influential visit was to the Native American pueblos.… Read More

fala atelier: Seriously Playful

fala atelier: Seriously Playful

Jack Huang

Back in December 2018, I received an email with a pdf containing 8 compositions in 1:200 from fala atelier. These were ‘comprehensive drawings’ that they were experimenting with for their 2G publication. They simply wanted to know which I liked, and what I thought about them. Some differ from the… Read More

The Zilsel Thesis: A Review of Strata: William Smith’s Geological Maps (2020): Review

The Zilsel Thesis: A Review of Strata: William Smith’s Geological Maps (2020): Review

Stan Allen

In a series of essays and lectures developed between 1939 and 1943, the philosopher of science Edgar Zilsel identified three distinct sources of knowledge in the Renaissance. In the late-medieval period, writes Zilsel, the traditional learning associated with the universities was still theological and scholastic in character. The texts preserved… Read More

14 Wine Street, Bristol

14 Wine Street, Bristol

Lee Marable

Whilst leafing through the Drawing Matter collection, this drawing from 1885, by architect Henry Crisp, caught my eye. The drawing depicts a new shopfront and facade to be grafted on to the existing structure of 14 Wine Street, Bristol. Initially, the design struck me as remarkably contemporary and I came… Read More

The Beaux-Arts Tradition

The Beaux-Arts Tradition

Basile Baudez and Maureen Cassidy-Geiger

The following text has been excerpted from Living with Architecture as Art, the recently published catalogue of Peter May’s collection of drawings, models and architectural artefacts. The catalogue is edited by Maureen Cassidy-Geiger and published in two generously illustrated volumes. The first volume includes essays by Maureen Cassidy-Geiger, Basile Baudez,… Read More

Order and Uncertainty in Architectural Drawing

Order and Uncertainty in Architectural Drawing

Luke Tipene

How we look at architectural drawings is an inherently complicated topic. The issue arises from what we understand to appear and disappear on the page. The field of architecture has spent little time talking about what we see (and don’t see) on the surface of the drawing itself. One could… Read More

The Vitruvian Man: With Fresh Eyes

The Vitruvian Man: With Fresh Eyes

Niamh Murphy

‘The Vitruvian Man of Leonardo da Vinci as a model of innovative entrepreneurship at the intersection of business, art and technology’ is shown in the first image. This is a ‘modern’ interpretation of the Renaissance drawing as a business model as published in the Journal of Innovation and Entrepreneurship in 2017.  An… Read More

Nancy Holt: Sky Mound

Nancy Holt: Sky Mound

Holt/Smithson Foundation

Nancy Holt (1938-2014) was a member of the earth, land, and conceptual art movements. A pioneer of site-specific installation and the moving image, Holt recalibrated the limits of art. She expanded the places where art could be found and embraced the new media of her time. Across five decades she… Read More

Hans Hollein: From a Distance

Hans Hollein: From a Distance

Robert Crawford

On a page of Hans Hollein’s sketchbook, a cluster of adobe buildings climb slowly and modestly above the horizon, seeming to rise out of the earth. The sketch, produced in 1960 during the Austrian architect’s exploration of the western United States, feels unorthodox for Hollein, whose proclivity for radical, anti-Functionalist… Read More

Adam Bede’s ‘Discourse on Building’ (1859)

Adam Bede’s ‘Discourse on Building’ (1859)

George Eliot

This speech on building – and architects – was made by Adam to Mr Poyser in Chapter 49 of George Eliot’s novel. It was pointed out to us by the Eliot scholar, Dermot Coleman, who added that ‘it is generally a safe bet that views on such matters expressed by Adam… Read More

Remembering a House in an Indiana Cornfield

Remembering a House in an Indiana Cornfield

Larry Richards

Dear Nicholas, It was wonderful to connect to your seminar and with you. We must catch up soon. I learned a lot from your presentation. And it brought back a flood of memories. Just now I quickly sketched the open plan house my father designed and had built in 1946,… Read More

Casino Royale: Stynen’s unrealised sculpture garden

Casino Royale: Stynen’s unrealised sculpture garden

Emerald Liu

The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More

Ritual and Repitition at San Cataldo Cemetery

Ritual and Repitition at San Cataldo Cemetery

Marwa El Mubark

In an AA article from 1995, Adam Caruso wrote that ‘buildings are about many things. Their design develops out of a set of complex and changing circumstances and, once built, the ‘meaning’ of a good building can shift and remain relevant as its social and physical situation changes.’ The same… Read More

Working with Gowan: Housing at East Hanningfield

Working with Gowan: Housing at East Hanningfield

Paul Notley

The Site Plan was one of the Planning drawings prepared for submission to Chelmsford District Council and Essex County Council. It is A1 size and drawn on Wiggins Teape 112 gram ‘Gateway’ tracing paper. The East Hanningfield job was the first on which ‘A’ sized paper had been used in… Read More

Haunted: Robert Smithson’s ‘My House is a Decayed House’

Haunted: Robert Smithson’s ‘My House is a Decayed House’

Suzaan Boettger

The following text is excerpted from Dr. Suzaan Boettger’s research for her book in process, The Passions of Robert Smithson, Art and Life.  Follow her on Instagram @NatrCultr, where images are tagged #UnknownSmithson. ‘History has many cunning passages, contrived corridors.’ If the sardonic analogy sounds like Robert Smithson, you’re close: it was written by his favorite… Read More

The Floor Plan of a Room

The Floor Plan of a Room

Thomas Hutton

Drawn from memory, the floor plan of a room in which two plan chests stand apart like two rectangular islands, plain-faced in plan but each one a tower of uncountable lines, paper upon paper suspended and preserved within the pellucid sleeves of polyester where they lie dormant and entombed as… Read More

Hans Poelzig: Der Golem

Hans Poelzig: Der Golem

Robert Wightman

I gaze at the screen, engrossed in the German horror film Der Golem (originally released in 1915 and reworked for reissue in 1920), a masterpiece of performance art. This cinematographic journey is my latest odyssey into the work of Hans Poelzig. The film catalogues his lesser-known work in the art… Read More

Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids

Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids

Rebecca Siefert

The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid is loaded with symbolism and history: it is emblematic of origins, order, systems, utopias and dystopias, and the inevitable susceptibility… Read More

The MARS Group’s Plan for London, 1933-1944

The MARS Group’s Plan for London, 1933-1944

Mirjam Kupferschmid

Collaboration within the field of architecture is as important as ever before. Construction projects grow increasingly complex, and pressing social issues need addressing. Yet we think of architects as unique and outstanding personalities that profoundly shape our built environment. This image of the architect as ‘genius’ is more present among… Read More

Stanley Peach: Church Plan based on the Figure of Christ

Stanley Peach: Church Plan based on the Figure of Christ

Mireya Fabregas

Charles Stanley Peach’s watercolour over pencil painting is executed by overlaying two forms of religious representation: figural images over a church plan reflecting a ceiling plan. The figurative depictions narrate accounts of Christianity through various portrayals of Christ; the most prominent being God, benevolent, and Jesus crucified. Other portraits of… Read More

Make me Hyper-Real: Image Ethics and the Architectural Visualisation

Make me Hyper-Real: Image Ethics and the Architectural Visualisation

Daniel Innes

Architectural visualisations sell us the image of a new reality. In depicting a building that is designed, rather than completed, they constitute a kind of spatial hypothesis: a temptation of a happier, wealthier, and more connected world. By constructing these fictions through the means of the image, they sell us the notion that the project it depicts will improve our lives for the better. … Read More

Tradition and Modernity, Continuity and Critique

Tradition and Modernity, Continuity and Critique

Rebecca Siefert

The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid has served as ‘the image of an absolute beginning’, as Rosalind Krauss affirmed in 1986 in ‘The Originality of… Read More