Category: project & building histories

Stirling at Stuttgart: Rear View / Up Views

Stirling at Stuttgart: Rear View / Up Views

John Tuomey

Rear Views I joined the Stirling office in September 1976, working late hours through the length of four years until my return to Dublin towards the end of 1980. Straight out of college and into my first proper job, the critical years in my formation as an architect. I had… Read More

Staging Brancusi

Staging Brancusi

Sarah Handelman and Asli Çiçek

Sarah Handelman: When we started talking about your work in scenography almost a year before, you were in the middle of designing the Brancusi exhibition, which opened last October at BOZAR in Brussels. Since then I’ve been wanting to have a conversation with you about the kinds of stages that… Read More

Mies: The Horizon

Mies: The Horizon

Robin Evans

Perusing the slides I had taken of the reconstructed pavilion, I found it difficult to decide which way up they went — an artefact of photography, no doubt. Then I changed my mind. It was not an artefact of photography, but a property of the pavilion itself, a property of… Read More

Thomas Henry Wyatt’s Brook House

Thomas Henry Wyatt’s Brook House

Andrew Jones

There is no building that tells the social and aesthetic story of Park Lane better than Brook House. From its beginnings as a scrappy country lane (‘Tyburn Lane’) in the eighteenth century, Park Lane rose to become the millionaires’ row of the Victorian and Edwardian eras and went on in… Read More

Ove Arup: Engineering the World

Ove Arup: Engineering the World

Hugh Pearman

My introduction to the work of Ove Arup, the great Anglo-Danish structural engineer whose firm made both the Sydney Opera House and the Pompidou Centre in Paris buildable, came over the course of three years as I walked, almost every day, across his Kingsgate foot-bridge in Durham. This is the… Read More

A Smoky Monument / Saunamonumentti

A Smoky Monument / Saunamonumentti

Tuomas Toivonen

Small sauna is part of a peculiar farm, where architecture is important. Sheltered by dense vegetation, the site is located on a steep incline on the edge of a valley grooved by water in a landscape of rolling fields, above the residential building and barnyard of an old dairy farm.… Read More

Welfare Palace Hotel (1978)

Welfare Palace Hotel (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More

Michael Graves’ Rooftop Village (1985)

Michael Graves’ Rooftop Village (1985)

David L. Gilbert

excerpted from The Critical Edge: Controversy in Recent American Architecture (Cambridge, Mass: MIT Press, 1985)

Jaume Mayol / TEd’A Arquitectes: Drawn Closer

Jaume Mayol / TEd’A Arquitectes: Drawn Closer

Sarah Handelman and Jaume Mayol

This drawing for a house in Mallorca joins a number of sketches we made to understand the project. Each space is made of separate elements. To understand the space you need to dive into each element, and to understand each element you need to be in the space. To draw… Read More

New Welfare Island (1978)

New Welfare Island (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

Gallaratese & Fagnano Olona (1976)

Gallaratese & Fagnano Olona (1976)

Aldo Rossi

Two fragments of texts paired with two fragments of process. Writing in the May 1976 issue of Architecture + Urbanism, Rossi reflects on two projects: the Gallaratese Housing Complex, Milan and the Fagnano Olona in the Lombardy region. In both of the drawings placed alongside the architect’ s writing, the forms… Read More

Eisenman: House VI (1985)

Eisenman: House VI (1985)

Kathleen Enz Finken

The design of House VI was partly the result of Eisenman’s attempt to reconcile linguistic theories with architectural design. His interest in the work of Noam Chomsky, especially his theories of syntax, led to the investigation of possible analogies between language and architecture, and particularly the syntactic aspects of architectural… Read More

Hotel Sphinx (1978)

Hotel Sphinx (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

L’Invasion de la Viande (1980)

L’Invasion de la Viande (1980)

Elie Delamare-Debouteville

As part of an imagined intervention in the subterranean spaces of the redeveloped Les Halles, Jean Criton’s project describes the new Metro station invaded, in a sinister process of parthenogenesis, by the meat from the Pavillon de la Boucherie, which had stood on the site until its controversial demolition eight… Read More

Paul Robbrecht: Drawn Closer

Paul Robbrecht: Drawn Closer

Paul Robbrecht

Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More

Wright & Lautner: The Divorce

Wright & Lautner: The Divorce

Nicholas Olsberg

Wright’s Eaglefeather (1941) – hilltop Malibu extravaganza for the filmmaker Arch Oboler – was running into trouble. Lloyd Wright, Frank Lloyd Wright’s son, oversaw construction drawings and supervision, but Lloyd was fired by Oboler in March 1941. Wright came to Los Angeles and arranged for Lautner to complete the project… Read More

Louis Kahn: Notes on a Scrap of Paper

Louis Kahn: Notes on a Scrap of Paper

Brian Carter

This scrap of paper, perhaps scooped up from the floor or a waste basket in Louis Kahn’s studio on Chestnut Street in Philadelphia, shows a single sketch – spidery lines outlining a modest block and strange openings. Beginning drawing in 1958 Kahn searched for a design of a new building… Read More

Cadbury-Brown: Royal College of Art Extension

Cadbury-Brown: Royal College of Art Extension

Lionel Brett

The counter-reformation did not last long. In the end I think what reconciled us was that everything I attempted failed. By way of diversion from internal dissension, like any politician, I switched to foreign affairs. There were two things which, as an architect, I was expected to achieve for the… Read More

Charles Barry: Good and Bad Manners in Architecture

Charles Barry: Good and Bad Manners in Architecture

David Blissett

Architectural manners are […] known by a quality which money cannot buy, and which can le­nd distinction not only to the greatest building but to the smallest. T. A. Edwards, Good and Bad Manners in Architecture, 1924, Preface, vi. There is often an elegance in architectural simplicity that goes unrecognised… Read More

The Garden of Earthly Delights

The Garden of Earthly Delights

Hamed Khosravi

The essay is an excerpt from Gabriel Guevrekian: The Elusive Modernist, by Hamed Khosravi, published by Hatje Cantz. Pre-order through the publisher’s website or visiting www.guevrekian.org.

Postcard from Nowhere (Counterswimming)

Postcard from Nowhere (Counterswimming)

Teresa Stoppani

Sixteen swim in synchrony. Bright red trunks, blue swim caps, in a perfectly choreographed 4 x 4 grid of bodies in motion. They swim in the shallow pale blue pool that contains them, as it floats in the ocean. They are about to collide with a dock that is too… Read More

Yasmeen Lari: Drawn Closer

Yasmeen Lari: Drawn Closer

Helen Thomas

In 2005, earthquakes in northern Pakistan killed 80,000 people. This was an eye-opener for me, and I was drawn to work with these remote, impoverished mountain communities, to help to rebuild their lives. Having retired from conventional architectural practice, and this was something I’d never done before. Unlike NGOs offering… Read More

Where Words Fail

Where Words Fail

Cyril Babeev and Matt Page

This drawing, a sketched site plan annotated in cursive old-Russian, was published in May 1903 in the Saint Petersburg-based architecture magazine Zodchiy (Зодчій). [1] The plan describes a nearly-square plot sited perpendicular to a street (ulitza, улица) and divided into three areas: a house, represented by a white void; a garden in the… Read More

Web of Intrigue

Web of Intrigue

Michael Webb

Searching the internet for the drawings of Michael Sorkin, one comes across a lengthy list of the projects that have emerged from his eponymously titled studio. Halfway down the list can be found an exotic beauty of a drawing soberly captioned thus: House of the Future. 1999. Coloured Pencil, Hand… Read More