Category: project & building histories

Superstudio: In Yesterday’s Tomorrow

Superstudio: In Yesterday’s Tomorrow

Eszter Steierhoffer

‘Metamorphoses become frequent when a culture does not have sufficient courage to commit suicide (to eliminate itself) and has no clear alternatives to offer either‘ – Adolfo Natalini Following social and economic upheaval, there is often a retreat to the home. Traditionally, the ‘home’ is identified with a site of… Read More

OMA’S Nederlands Dans Theater

OMA’S Nederlands Dans Theater

Stefano de Martino

Since you have asked about the two small sketches from Luce van Rooy Gallery attributed to Zaha: they are my drawings from the very early stages of the Nederlands Dans Theater project. The original site was not in The Hague but in Scheveningen, just down the road near the beach.… Read More

Zaha Hadid

Zaha Hadid

Desley Luscombe

When, in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period,     What if fate had led her… Read More

Lina Bo Bardi: Public Plaza and Museum of Art São Paolo

Lina Bo Bardi: Public Plaza and Museum of Art São Paolo

Helen Thomas

This text is excerpted from Drawing Architecture (Phaidon, 2018) by Helen Thomas, which brings together over 250 drawings, with short narratives for each one about the circumstances in which they were made, the techniques used to produce them, and the realities that they were depicting.

Commonplace

Commonplace

Nicholas Olsberg

In 1877, London’s Building News reprinted – as the ‘work of two eminent architects, though it cannot be said to be their joint production’ – an elevation, plan, and partial section published by Eugène Viollet-le-Duc as a model town house, noting that this supposed ‘London Residence’ had been adapted – with due… Read More

Madelon Vriesendorp

Madelon Vriesendorp

Niall Hobhouse and Madelon Vriesdendorp

Excerpted from Madelon Vreisendop in conversation with Niall Hobhouse, RIBA, 2 July 2018

V&A Dundee by Model

V&A Dundee by Model

This video shows, through a non-linear sequence of model images, the design process behind V&A Dundee. At Kengo Kuma & Associates model making is a critical tool at all stages of the design process, from concept to detailing. In the case of V&A Dundee spatial explorations – cliff-like twisting surfaces… Read More

Bruce Goff

Bruce Goff

Nicholas Olsberg

This is an unbuilt house and studio project for two artists in the dry country of west Texas. It comes from a happy moment when architects could see no equation between the unreasonable and the unbuildable. Bruce Goff christened it APARTURE, perhaps a play on the words ‘apartness’, for its… Read More

Michael Graves: Fargo-Moorehead Cultural Bridge

Michael Graves: Fargo-Moorehead Cultural Bridge

Jordan Kauffman

The Fargo-Moorhead Cultural Bridge is an unrealised project combining infrastructural and cultural programs: a vehicular bridge between two cities over the Red River, a performing arts building in Fargo, North Dakota, the Red River Valley heritage interpretive centre in Moorhead, Minnesota, and at the centre over the river itself, an… Read More

Hugh Ferriss

Hugh Ferriss

Helen Thomas

In 1916 a series of laws came into force in the city of New York called the Zoning Ordinance, the first of its kind in America, which regulated building use, area and height of new buildings.

Hugh Strange Architects: Drawing Matter Archive

Hugh Strange Architects: Drawing Matter Archive

We worked on the design of the Drawing Matter Archive in Somerset from September 2011 through to completion of the building in February 2014, providing a building of two halves with a studio space for day-to-day working and an adjacent space for the storage and occasional display of the clients’… Read More

Aux Citoyens Membres de La Commune attachés à la commissions des services publics

Aux Citoyens Membres de La Commune attachés à la commissions des services publics

Matt Page

i Hector Horeau’s sketch of the Church of La Madeleine came at the height of the Paris Commune – the radical socialist regime that governed the French capital from 18 March – 28 May 1871. Although dated 19 April 1871, the drawing is on the verso of a frontispiece to Panorama… Read More

Netherfield Scroll Two

Netherfield Scroll Two

Michael Gold

What follows here forms the second part of a two-part conversation. It has been extracted from the original email exchange between Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones in relation to the acquisition of the Netherfield Scroll, published in part one. The Netherfield Scroll – which measures 20… Read More

Grunt Group: Unrolling the Netherfield Scroll

Grunt Group: Unrolling the Netherfield Scroll

On 7 April 2018, former members of the Grunt Group – Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones – presented their Netherfield Scroll to Drawing Matter. The 20-foot-long drawing was created c. 1971 for a low-density, social housing estate in Milton Keynes. The following video is a brief… Read More

Drawing Out Gehry

Drawing Out Gehry

Riet Eeckhout

There is something about the immediacy of drawing at a large size, standing in front of a drawing board that brings the quality and urgency of instant involvement with a subject in view.  Drawing at a size in relation to your body allows for the drawing not to become object, treasured in hand,… Read More

Richard J. Neutra

Richard J. Neutra

Nicholas Olsberg

‘Richard J. Neutra has carried on the Wagner tradition of experimentation in new forms, materials and methods of construction… an impetus to the intelligent solution of new problems.’  Ernestine M. Fantl on the Corona Avenue School, ‘Modern Architecture in California’ (Typescript Mimeograph, MoMA Archives, 1935) Just before 6 o’clock on… Read More

Yacht Club Path

Yacht Club Path

Alberto Ponis

I The drawings have different stories. They don’t have a linear story, a beginning date and then a finished date at the end. Sometimes they are drawn in the beginning before the project is built and then continue during the construction of the project and sometimes too – actually, quite often… Read More

A Fragment of Wright’s Great City

A Fragment of Wright’s Great City

Nicholas Olsberg

Wright, Wagner and the Idea of the Great City We become greater in service to the general effect, more harmonious as part of the whole.– Frank Lloyd Wright, ‘To my European Co-Workers’, 1925 ‘I came upon the Secession during the winter of 1910,’ Wright wrote in An Autobiography, noting with great… Read More

Three Timber Constructions

Three Timber Constructions

David Grandorge

When forested and harvested responsibly timber can be considered as a sustainable, renewable resource. With regard to its use as the material of choice in these self-build projects, it has two distinct advantages: firstly, it is fairly cheap relative to other building products. Secondly, it is a democratic material –… Read More

Aldo Rossi Cabina Construction

Aldo Rossi Cabina Construction

Tom Graham

The blue and pink cabin suffers from a few structural/constructional inadequacies. The first of these to be noticed is the door which binds within in its ‘frame’ (there is no frame as such; the short strap hinges simply hang off the boarding). The vertical boards which make the door have… Read More

Schinkel: ‘Precisely Loose’

Schinkel: ‘Precisely Loose’

Lok-Kan Chau

What light may Schinkel’s drawings shed on Building Information Modelling (BIM) practice? In 1806 the young Schinkel was asked to develop a residence design from a set of initial layout plans. He drew a façade section, a peristyle detail and a column capital, before the war began and the commission… Read More

Alexander Brodsky: The Shed

Alexander Brodsky: The Shed

Frank Lloyd Wright, Taliesin and Fallingwater

Frank Lloyd Wright, Taliesin and Fallingwater

Adam Sutherland

The formative history of Frank Lloyd Wright – leading to Fallingwater – touches upon many of the themes that run through the exhibition ‘The Land We Live In – The Land We Left Behind’ (Hauser & Wirth Somerset till May 7th). The idea that there is a rural mindset, an… Read More

Jørn Utzon’s Sydney Opera House

Jørn Utzon’s Sydney Opera House

Mogens Prip-Buus

Somebody said the story about the orange is not right, but it is: he sent one of us over to the shop to buy an orange and he peeled it and took up the segments. Mogens Prip-Buus on Jørn Utzon and the Sydney Opera House