Category: project & building histories

Florian Beigel Architects: Stage House

Florian Beigel Architects: Stage House

Florian Beigel and Philip Christou

This photograph was made of a physical model as part of the ongoing process of working on the design. It was made to test the scale and dimensions of the various elements that make up the space of one of two large rooms within the ‘Stage House’, a small shed… Read More

Peter Smithson: Obelisk

Peter Smithson: Obelisk

Peter Smithson’s influence predates slightly that of Cedric Price. It has also migrated to Shatwell, most notably in the recent re-erection of his wooden obelisk that first stood at Hadspen, commanding the view across the countryside. At Shatwell the obelisk takes on a more urban role (the design was originally… Read More

Cedric Price: FIR Project

Cedric Price: FIR Project

Tim Abrahams observed in his AR article, Shatwell Farm: Reshaping the Rural: ‘Looking into the background of the Shatwell project it is evident that one of Hobhouse’s most important relationships was with the late Cedric Price who, among other things, helped him find the intellectual and architectural grounding to imagine a… Read More

Stephen Taylor: Urban Rural

Stephen Taylor: Urban Rural

The existing enclave of Shatwell Farm has seen a slow decline in its agricultural industry over recent decades, rendering many of its buildings derelict and redundant. The project is seen as part of a process to revitalise the farmstead at Shatwell. Whilst dairy farming is expected to continue and its… Read More

James Wines: Ghost Parking Lot

James Wines: Ghost Parking Lot

Christina Gray

This drawing depicts a site-specific public art project, commissioned by the retail developer David Burmant, which entombed twenty junked cars under a layer of asphalt in a suburban shopping plaza. James Wines was interested in upending expectations about common iconographic elements of suburbia by inverting the relationship between such objects… Read More

Hugh Strange: the Archive

Hugh Strange: the Archive

Hugh Strange has been involved in the transformations of Shatwell farmyard since 2010. He first entered the conversation as client advisor for an Architecture Research Unit project for a new Gardener’s House on the Hadspen Estate. Although the house was never built, the presence of ARU acted as a catalyst to several living… Read More

Álvaro Siza: Sense Making

Álvaro Siza: Sense Making

Álvaro Siza’s influence begins with the move of the Drawings Collection to Shatwell in 2012. In the same year Stephen Taylor Architects completed the Cowshed and Hugh Strange Architects completed the Archive building.  Well known for his seminal Quinta da Malagueira housing estate (1973–1977) in Evora, Portugal, Siza appreciated the scale of… Read More

Architecten De Vylder Vinck Taillieu

Architecten De Vylder Vinck Taillieu

Jan De Vylder

One cannot see these drawings without seeing the mural by Sol LeWitt, in which an electrician has subsequently installed doorbells and a light switch. The mural is in the entrance hall of a city palace that was for a time the entrance to a gallery. When the gallery stopped its… Read More

The Drawing as Actor

The Drawing as Actor

In two publications about post-war reconstruction, How should we rebuild London? (J.M. Dent & Sons Ltd, London, 1945) and Die Stalinallee Nationales Aufbauprogramme (Verlag Der Nation Berlin, 1952), the planning ferment in London and Berlin becomes a performance in itself, revealed through the choice of the media and subjects which they each adopt for illustration.… Read More

Drawings in Conversation

Drawings in Conversation

Matthew Wells

C. R. Cockerell, Joseph Gwilt and the Royal Exchange Competition Owing to a faulty gas lamp, on the 10th January 1838 the Royal Exchange in the City of London was destroyed by fire. The loss of the building was seen to be potentially catastrophic for trade in the City and… Read More

Enric Miralles: La Gran Casa

Enric Miralles: La Gran Casa

Javier Contreras

Few projects better represent Enric Miralles’ first stance towards architectural drawing than his own final degree project, La Gran Casa (The Large House), which he worked on with Marciá Codinachs and submitted to the Barcelona School of Architecture in 1978. Seven drawings, each about the size of a bed sheet (118.80 × 237.60 cm), define… Read More

A.L.T. Vaudoyer

A.L.T. Vaudoyer

Basile Baudez

Antoine-Laurent-Thomas Vaudoyer’s Maison d’un Cosmopolite is part of a series of projects from the end of the 1780s and 1790s that try to think about the sphere as a built volume. The most famous is Boullée’s Newton Cenotaph but it is one among many. It is not only the sphere… Read More

Permanence

Permanence

Elizabeth Hatz

Drawing as adjuration (incantation) If architecture, like art, is a way of asking forgiveness for being mortal (consider the Egyptians or Etruscans), making something last long after the last sigh of its author and searching for a form of permanence, transcending the most ephemeral moment, then the architectural hand-drawing must… Read More

The Town: The Dream of Unity in the 1960s

The Town: The Dream of Unity in the 1960s

Jean-Paul Jungmann

Staying on the theme of images and theoretical propositions from the sixties, the environment of the architectonic avant-gardes was that of the groups thought radical – they were Italian, Austrian, British and American (Archizoom, Superstudio, Archigram and others) and were known for their innovative graphic design and spectacular photomontages which… Read More

A House for A Sculptor / A House for my Mother

A House for A Sculptor / A House for my Mother

Celia Scott

In this drawing of his project for a house for a sculptor, Ugo La Pietra tries to criticise the boxiness of the standard house and the context of the city. Working to synthesise the forms and disciplines of art and architecture, he draws an enveloping free-form volume on pillars. This… Read More

Jørn Utzon

Jørn Utzon

Mogens Prip-Buus

I had been working from late 1956 to 1957 with Vilhelm Wohlert on the schemes of Louisiana and the summerhouse for Niels Bohr, and suddenly there was no more work. Wohlert, who knew all my weaknesses (he had been my teacher in my fifth year at school) advised me to… Read More

Loggia Mercato Nuovo, Florence

Loggia Mercato Nuovo, Florence

Lauren Jacobi

A few blocks north of the Ponte Vecchio in Florence one finds the loggia of Mercato Nuovo (1546–51), a rectangular edifice three bays wide and four bays deep, built under Cosimo I de’ Medici. It was constructed as part of a program meant to bolster the trade of gold and silk… Read More

George Wilkinson: Building On The Stones Of Ireland

George Wilkinson: Building On The Stones Of Ireland

William Taylor

George Wilkinson (1813/4–1890) was an English architect employed by the Poor Law Commissioners in 1839 to facilitate the construction of workhouses throughout Ireland in response to growing numbers of homeless poor. While historians have written of the Poor Laws and the workhouses, Wilkinson’s contribution to both merits further study in… Read More

Paolo Soleri

Paolo Soleri

Tim Abrahams

Over an advertisement for a series of workshops in the Arizona desert in 1979 ran the legend: ‘Soleri is in the desert not to escape the city for some pastoral dream but to create a wholly new urban civilization.’ It is not known when he started referring to himself in… Read More

Viollet-le-Duc: Mont Blanc

Viollet-le-Duc: Mont Blanc

Martin Bressani

This simple but fascinating ink drawing by French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) illustrates the geometrical structure that, according to him, regulates the morphology of the entire Mont Blanc massif. Far from an amorphous, chaotic mass, he describes the mountain as a gigantic crystal that follows the regular structure of a… Read More

Superstudio: Cinematography

Superstudio: Cinematography

Markus Lähteenmäki

It is distinctive that in Superstudio’s practice, the search for the means of manifestation was as rigorous as the research itself. The first major work where Superstudio seems to have found the pace it was to follow was Un Viaggio nelle Regioni della Ragione. This project, first appearing in 1966 and… Read More

Heathrow Airport Project

Heathrow Airport Project

Catrina Beevor

These drawings from 1987 formed part of NATØ’s Heathrow Airport project, exhibited in The British Edge show at the ICA Boston, USA, in the same year. The proposal (in the first drawing) shows an Arrivals landscape spectacularised by indoctrination booths: cricket, the NHS, weather, accents… In the middle distance (depicted… Read More