Tag: projection (axonometric isometric)
MJ Long’s Doll House
31.03.2023
MJ Long’s Doll House31.03.2023
In 2018, I met the architect MJ Long at her home. Located in a building designed and constructed in the 1930s by Thomas Tait, it doubled as Long’s studio. It was formerly the home and studio of the sculptor Sir William Dick Reid; MJ Long and her husband Sandy (Colin… Read More
Construct
13.03.2023
Construct13.03.2023
In 1975, OMA (the Office for Metropolitan Architecture) produced two projects for Roosevelt Island (formerly Welfare Island), in New York’s East River, between Manhattan and Queens. The thin sliver of land—historically treated as ‘a storehouse for “undesirables”’ [1]—was undergoing a process of redevelopment under the New York State Urban Development… Read More
fala: wireframes
17.10.2022
fala: wireframes17.10.2022
– fala
This is the third of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Wireframes are snapshots of three-dimensional models built solely from lines. Single-line plans and sections are extruded to form a light envelope. Its colours dismantle the… Read More
fala: comprehensive
03.10.2022
fala: comprehensive03.10.2022
– fala
This is the second of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Normally, a project is depicted through a series of plans, sections, elevations, and some axonometric drawings, perhaps – every aspect of it explained and documented. We… Read More
Mies van der Rohe and the Universal Space Project
30.08.2022
Mies van der Rohe and the Universal Space Project30.08.2022
I must say that I was far more riveted by another Mies . . . who, in perfect International Style manner continued to insist on architecture and the production of truth as generated by a set of a priori and universalizing laws, and who was caught up in the entirely… Read More
Exhibition Design: Charging the Void
09.03.2022
Exhibition Design: Charging the Void09.03.2022
Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More
Louis Kahn: The Importance of a Drawing (2021) – Review
10.02.2022
Louis Kahn: The Importance of a Drawing (2021) – Review10.02.2022
I’ll confess, I ordered a copy of this book reluctantly. I had received one of those ‘We think you might be interested…’ notices, but my bookshelves are overburdened, and already include a number of books on Kahn, among them one of Michael Merrill’s previous collaborations with Lars Müller, Louis Kahn:… Read More
Essex Coastal Cornice: Ex-Mould
11.01.2022
Essex Coastal Cornice: Ex-Mould11.01.2022
The cover of early editions of John Summerson’s book The Classical Language of Architecture features a curious drawing of a Doric entablature. To all intents and purposes the profile of the entablature is correct, but it has been extruded through the method of oblique projection. It is as if we… Read More
Drawing Parallels: John Hejduk’s Wall House 1
06.12.2021
Drawing Parallels: John Hejduk’s Wall House 106.12.2021
The following text is extracted, with permission, from Drawing Parallels: Knowledge Production in Axonometric, Isometric and Oblique Drawings by Ray Lucas, published by Routledge © 2020. Available here. Drawing Parallels explores the uses of parallel projection in the work of five twentieth century architects: James Stirling, JJP Oud, Peter Eisenman, John Hejduk,… Read More
A Short History of Alberto Ponis on the Sardinian Coast
15.11.2021
A Short History of Alberto Ponis on the Sardinian Coast15.11.2021
Alberto Ponis was born in Genoa in 1933. He took his architecture degree in Florence in 1960. His father, Mario Alberto, had founded the M.I.T.A. (Manifattura Italiana Tappeti Artistici) in 1926 in Nervi, near Genoa. The company’s building was built by Luigi Daneri in 1940. Gio Ponti, Arnaldo Pomodoro and… Read More
Alberto Ponis on Casa Scalesciani
27.10.2021
Alberto Ponis on Casa Scalesciani27.10.2021
The site chosen by Juan S., an Argentinian with a penchant for Italy, was almost alarmingly steep and sheer above the sea. Even the path leading to it was perilous, and trodden with bated breath. During our long conversations about where the house would be built, we were not so… Read More
Bovenbouw Architectuur: One Paper Model and Three Paper Collages
12.05.2021
Bovenbouw Architectuur: One Paper Model and Three Paper Collages12.05.2021
The layers found in Bovenbouw Architectuur’s collages are analogous to the layering in their architecture – there to be unravelled by those willing to search. Sometimes ruinous, never complete, they are a representation of uncanny worlds where chimneystacks become doors, tyres become classical pediments and windows are adorned with eyelashes.… Read More
Diagrams: Hans van der Heijden in Conversation with Richard Hall
05.05.2021
Diagrams: Hans van der Heijden in Conversation with Richard Hall05.05.2021
Hans van der Heijden is an Amsterdam-based architect. He co-founded biq in 1994 with Rick Wessels before establishing his own office, Hans van der Heijden Architect, in 2014. During this timeframe he has developed a recognisable and idiosyncratic drawing repertoire, the origins of which can be traced back to his… Read More
Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids
11.03.2021
Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids11.03.2021
The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid is loaded with symbolism and history: it is emblematic of origins, order, systems, utopias and dystopias, and the inevitable susceptibility… Read More
Pan Scroll Zoom 7: MOS
25.02.2021
Pan Scroll Zoom 7: MOS25.02.2021
– Fabrizio Gallanti, Michael Meredith and Hilary Sample
This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More
On Tony Fretton and the Lisson Gallery
05.02.2021
On Tony Fretton and the Lisson Gallery05.02.2021
A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More
Architecture at the Edge
13.01.2021
Architecture at the Edge13.01.2021
– Craig Moller and Marco Moro
The following is a conversation between Marco Moro and Craig Moller, New Zealand-born architect and author of the drawing pictured above. Moller made the drawing while in a design studio taught by Mark Wigley in 1985, while the latter was about to finish his doctoral thesis within the newly established… Read More
Writing Prize 2020: The Anatomy of an Oyster Theatre
14.12.2020
Writing Prize 2020: The Anatomy of an Oyster Theatre14.12.2020
In the beginning, there was only a shell. An empty shell. But we could already sense the contours of its elliptical shape, its multilayered protective envelope, stratified, laminated, like the bark of a tree (a). Slowly, the outer flaps of the carapace would move away from each other, vertically sweeping… Read More
Pan Scroll Zoom 4: Pezo von Ellrichshausen
18.11.2020
Pan Scroll Zoom 4: Pezo von Ellrichshausen18.11.2020
– Sofia von Ellrichshausen, Fabrizio Gallanti and Mauricio Pezo
This is the fourth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Mauricio Pezo and Sofia von Ellrichshausen of Pezo von… Read More
Sigurd Lewerentz: Siting the Axonometric
17.11.2020
Sigurd Lewerentz: Siting the Axonometric17.11.2020
One way to think about an axonometric drawing is as a perspective with the vanishing point at infinity. This means that the lines of projection are parallel, which assures dimensional consistency. Early treatises, for example, spoke of parallel projection as analogous to shadows cast by the sun; not, strictly speaking,… Read More
Just Begin: The Convent Sainte-Marie-de-la-Tourette
28.07.2020
Just Begin: The Convent Sainte-Marie-de-la-Tourette28.07.2020
– Stan Allen and José Oubrerie
‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More
Materia 5: Timber
18.04.2023
Materia 5: Timber18.04.2023
– Gordon Shrigley
This text is the final instalment in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. The language of architectural drawing, although appearing to promise an infinite arena for self-projection, ultimately fails to contain and express… Read More
detail materia (editorial series) section projection (axonometric isometric)