Tag: sketch
The Sacred Games of Art
1 December 2017
The Sacred Games of Art1 December 2017
These images show a series of buildings and public spaces designed over the past decade on Victoria Street, some made intuitively in meetings, others in contemplation, and others as a way to try to communicate something. They also formed part of my PhD submission, and so are sometimes attempts to… Read More
Assemble: Collective Authorship
18 November 2017
Assemble: Collective Authorship18 November 2017
– Giles Smith and Adam Willis
Assemble’s practice was established in 2010 through a collective desire to build together, and our first projects were largely designed on site as we went. Our practice has been and remains organised cooperatively, without hierarchy, and our design methodologies have been developed to accommodate that particular dynamic. We use large-scale… Read More
The Clandeboye Drawings
27 October 2017
The Clandeboye Drawings27 October 2017
The seven Clandeboye drawings, each 35 × 35 cm and on A2 trace, were produced in 1984. The year is significant. Then the AA was busy maintaining a posture of indifference to Jenksian postmodernism, while the possibly visionary (at least in the case of architectural speculation) and certainly introspective 1970s… Read More
Drawing from a Deep Well
22 September 2017
Drawing from a Deep Well22 September 2017
I make several different types of drawings in my life as an architect and as a teacher: those made at the speed of thought in B4 sketchbooks, on my lap or at the dining table or on trains or buses; tracing drawings made on bits torn from rolls of detail… Read More
Architecten De Vylder Vinck Taillieu
7 September 2017
Architecten De Vylder Vinck Taillieu7 September 2017
One cannot see these drawings without seeing the mural by Sol LeWitt, in which an electrician has subsequently installed doorbells and a light switch. The mural is in the entrance hall of a city palace that was for a time the entrance to a gallery. When the gallery stopped its… Read More
Child’s Play: Adolfo Natalini’s ‘Disegni Per Bambini’
31 August 2017
Child’s Play: Adolfo Natalini’s ‘Disegni Per Bambini’31 August 2017
In 1972 Adolfo Natalini spent a few months in the United States. The main event of his visit was the seminal exhibition Italy: The New Domestic Landscape in New York MoMA (May 26 – September 11, 1972). Nevertheless, Natalini spent these months not only working on perhaps the most existential project of… Read More
Concrete Beach
13 August 2017
Concrete Beach13 August 2017
This drawing was made with a chinagraph pen over the course of a holiday afternoon. It started out roughly, as a quick sketch, but time stretched out as more people filled the page. I like using chinagraph as it can be sensitive to great softness and also very dark lines. I like its texture – it is a very… Read More
E. S. Prior’s Architectural Modelling
2 August 2017
E. S. Prior’s Architectural Modelling2 August 2017
The very fact that The Builder should publish an article explaining the benefits, the uses and the methods of making architectural models indicates just how novel the concept was in 1895, even in theory. ‘Architecture Modelling’ was the result of the almost unprecedented display of an actual model at the Royal Academy… Read More
Salvador Dalí
28 July 2017
Salvador Dalí28 July 2017
There is evidence that Salvador Dalí’s enigmatic study for a building facade is part of a real project, but we don’t know what that might be. The sketch resists interpretation and association, far different from anything else Dalí produced at the time: 1939 – a year in which he has… Read More
Dissecting
25 July 2017
Dissecting25 July 2017
Programme Notes: Drawing Matter, Royal Fine Art Commission Trust, Kingston School of Art Summer School. The impossible whole It might be best to start this Summer School with a big question – what is the value of architecture? One way to think about such a general question might be to… Read More
A Space / Two Spaces
30 May 2017
A Space / Two Spaces30 May 2017
The following exercise was given by Anthony Vidler as part of a workshop for LSA students on drawing on 31 June 2017. A ‘Ted Talk’ in Drawing Your client desires a space: not too large, not too small. Determine its size to accommodate: Reading Writing Sleeping … Read More
Ferdinando Galli Bibiena
19 May 2017
Ferdinando Galli Bibiena19 May 2017
When, in the two-point perspective drawings of Ferdinando Galli Bibiena, the viewer’s line of sight ricocheted off the centre and shot in opposite directions off stage, a new prospect of social and architectural order was proposed. For the century preceding the work of the brothers – Antonio, Giuseppe, and Ferdinando… Read More
A.L.T. Vaudoyer
4 May 2017
A.L.T. Vaudoyer4 May 2017
Antoine-Laurent-Thomas Vaudoyer’s Maison d’un Cosmopolite is part of a series of projects from the end of the 1780s and 1790s that try to think about the sphere as a built volume. The most famous is Boullée’s Newton Cenotaph but it is one among many. It is not only the sphere… Read More
Mario Sironi
27 March 2017
Mario Sironi27 March 2017
Politics as a Pretext for Making Mario Sironi compromised and traumatised in equal parts by his association with Italian Fascism, was known primarily as a painter and propagandist. He worked with and can be compared to Giuseppe Terragni, Mussolini’s most faithful architect, in his devotion to art as an ideological… Read More
Eisenman: House II
17 March 2017
Eisenman: House II17 March 2017
Drawing is a way of thinking. I can’t think or write ideas on a computer. I write and if you look at my desk, it’s full of paper. So to me drawing is a form of writing, and a form of reading what I write. I don’t see any difference.… Read More
A House for A Sculptor / A House for my Mother
17 March 2017
A House for A Sculptor / A House for my Mother17 March 2017
In this drawing of his project for a house for a sculptor, Ugo La Pietra tries to criticise the boxiness of the standard house and the context of the city. Working to synthesise the forms and disciplines of art and architecture, he draws an enveloping free-form volume on pillars. This… Read More
Narrative Architecture
10 March 2017
Narrative Architecture10 March 2017
Executed after it opened, this drawing captures the intended vibrancy of one of my first built projects, a café tacked onto the front of a department store in downtown Shibuya. The architectural bricolage of the built space translated well into the mixed media technique of splurged acrylic paint, caked-on oil… Read More
James Gowan: Inside the sketchbook
2 March 2017
James Gowan: Inside the sketchbook2 March 2017
While typically, the architect employs the sketchbook as a raft by which to navigate the relentless flow of day-to-day practice, those that James Gowan assembled, across the course of his long professional life, served as a more elevated and leisurely mode of transport. Questions that he was addressing in the… Read More
Perry Kulper
14 February 2017
Perry Kulper14 February 2017
‘Spatial Blooms’ and Digital Expectations Within the currently dominant visual culture, architectural drawing is persistently called to compete with a wide range of digital modes of visualisation, as well as fabrication, that tend towards simulation rather than representation. Is architectural drawing rendered redundant in this proliferation of digital renderings? And,… Read More
Lütjens Padmanabhan Architekten: Sketch modelling
9 February 2017
Lütjens Padmanabhan Architekten: Sketch modelling9 February 2017
– Oliver Lütjens and Thomas Padmanabhan
Hard lead pencils are unforgiving and require concentration, precision and humility when drawing with them. By using a hard lead the painterly effect associated with soft pencil sketches is avoided, with their tolerance to imprecision and visual sloppiness. Sketching with a hard lead requires focus. The joy of drawing a… Read More
Gilles-Marie Oppenord
15 December 2017
Gilles-Marie Oppenord15 December 2017
– David Pullins
For French architects, the Grand Prix (later the Prix de Rome) was not formalized until 1720; however, study in the Italian peninsula was considered a crucial stage of an aspiring architect’s education. Gilles-Marie Oppenord, son of a cabinet-maker to Louis XIV, travelled to Rome in 1692 under the patronage of Edouard Colbert, marquis… Read More
theoretical & imaginary religion sketch plan section