Category: drawing techniques & materials
Bramante: Five Dots
16.11.2020
Bramante: Five Dots16.11.2020
The remote past is distant and faded. Original objects and documents that might be used to study it are scarce. They are often uncooperative and most of the time they don’t tell the truth, because they have been reframed by history’s ‘victors’ over the centuries. We must always bear in… Read More
All back to front: D’Aviler’s Cours D’Architecture
09.11.2020
All back to front: D’Aviler’s Cours D’Architecture09.11.2020
In Louis de Boulogne’s drawing, now in the Drawing Matter collection, Architecture appears as a young woman. She sits leaning on an altar with a Corinthian capital at her feet, compasses in one hand and a portrait of Vignola in the other. Behind her are the ruins of Rome. It… Read More
Writing Prize 2020: To Measure a Croissant
09.11.2020
Writing Prize 2020: To Measure a Croissant09.11.2020
‘Through modesty, restraint, and measured discipline, immeasurable delights are made possible.’ James Corner, Taking Measures Across the American Landscape (1996) C. To measure a croissant, we might: 1.1 Evaluate all ingredients involved: flour, sugar, milk, yeast, salt and butter. 1.2 Count the number of folds the butter and dough must… Read More
Trees Move In
22.10.2020
Trees Move In22.10.2020
The following text is the second of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us to reproduce the essays on… Read More
Palladio’s Lines
15.10.2020
Palladio’s Lines15.10.2020
Andrea Palladio’s Il Quattro Libri dell’architettura (Venice, 1570) is a seminal document in the history and theory of architecture. The treatise projects the knowledge of both architectural form and its image. The formation of this knowledge is documented within Palladio’s work textually and visually. The work conveys both the formation… Read More
S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of
13.10.2020
S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of13.10.2020
– Gerard Carty, Elizabeth Hatz and Fionn O'Leary
In the Autumn of 2019, tutors Elizabeth Hatz and Gerard Carty visited the Drawing Matter archive with their fourth-year students from the School of Architecture and the University of Limerick (SAUL). Below is a record of their visit and its place in the context of the fourth-year studio. Tutors interested… Read More
Writing Prize 2020: Figures of War
29.09.2020
Writing Prize 2020: Figures of War29.09.2020
Niccolò Machiavelli concludes his treatise on the art of war (Dell’Arte della Guerra, 1521) with a series of diagrammatic ‘figures’ illustrating the arrangements of troops known as ordinanze. Rather than using human silhouettes, the ordinanza links alphabetical signs to specific roles and positions of the soldiers, reducing the army to… Read More
Just Begin: The Convent Sainte-Marie-de-la-Tourette
28.07.2020
Just Begin: The Convent Sainte-Marie-de-la-Tourette28.07.2020
– Stan Allen and José Oubrerie
‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More
The Wobbly Line: Asplund, Johansson and the Influence of Tessenow in Sweden 1915–1925
27.07.2020
The Wobbly Line: Asplund, Johansson and the Influence of Tessenow in Sweden 1915–192527.07.2020
There is a drawing in a 1923 issue of the Swedish trade journal Byggmästaren (The Master-Builder). It is part of a presentation of a new three-storey house by the architect Cyrillus Johansson. To illustrate his text the architect has included photos and a drawing of the front elevation and a plan of… Read More
OMA in Scheveningen
22.07.2020
OMA in Scheveningen22.07.2020
Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] What a surprise to see this 40 year old drawing! I made it as a young collaborator of OMA in Rotterdam in 1982. It is an analytic sketch in ink and color… Read More
Fresh and Surprised
02.07.2020
Fresh and Surprised02.07.2020
Indische Buurt is a suburban area at the eastern edge of Amsterdam that is rich with diverse ethnicities, building ages and spatial experiences. The streets are named after islands and, as a territory historically built upon reclaimed land, there is an overriding feeling of an archipelago: islands that are places… Read More
Library of Babel
29.06.2020
Library of Babel29.06.2020
In its most rudimentary form, a LIDAR scan is a simple act of call and response. Thousands of beams of light leave the scanner and receive a measurement based on the distance and intensity (essentially a value of reflectivity) of the objects they collide with. The fascination in these scans… Read More
James Gowan: The Sheet for the Job
17.06.2020
James Gowan: The Sheet for the Job17.06.2020
The elevation of the Engineering Faculty in Leicester, a building by James Stirling and James Gowan, is in the centre of the tracing paper: a drawing composed of vertical, horizontal and diagonal black lines. A series of height lines and dimensions have been applied effectively, showing that the construction is… Read More
Stirling at Stuttgart: Rear View / Up Views
15.06.2020
Stirling at Stuttgart: Rear View / Up Views15.06.2020
Rear Views I joined the Stirling office in September 1976, working late hours through the length of four years until my return to Dublin towards the end of 1980. Straight out of college and into my first proper job, the critical years in my formation as an architect. I had… Read More
SUPA Architects: Naked Plans
06.06.2020
SUPA Architects: Naked Plans06.06.2020
– Christian Schweitzer and Ryul Song
This drawing, the first in our ‘Naked Plan’ series, overlaps 107 A3 sheets of construction drawings for House P, a private house in Pyeonchang-dong, Seoul (2013-15). Stripped in Autocad of all information, such as image, text and mtext, line weight, saturation and lightness, only the basic lines remain. Through the… Read More
Ink on his Hands: Montano’s Visceral Roman Architectures
18.05.2020
Ink on his Hands: Montano’s Visceral Roman Architectures18.05.2020
When he sat down to make the drawings that form this eight-page album of Roman buildings, Giovanni Battista Montano began by embossing lines onto the sheet with a stylus, straightedge and compass. Using natural black chalk, he then lightly sketched the principal parts and main particularities of the selected edifices.… Read More
Scanning Shatwell
30.04.2020
Scanning Shatwell30.04.2020
Every image you see on your screen is known as a raster image. Every image is made up of millions of squares of colour, or pixels. Each file has a particular size, height and width, and within that frame, each pixel has a particular size, colour, intensity and location in… Read More
The San Cataldo Ossuary in the Age of Hyper-Objects
16.04.2020
The San Cataldo Ossuary in the Age of Hyper-Objects16.04.2020
I An abandoned house – a derelict phantom with no roof and no windows – reveals the twofold condition of architecture as image and as form. In San Cataldo, the image and form of death. As image: from afar, a metaphysical de Chirican presence, suspended between Adolf Loos’s project in… Read More
Drawing Culture at SOM New York
03.04.2020
Drawing Culture at SOM New York03.04.2020
When I joined SOM in 1963, design drawings were done in pencil on yellow tracing paper with occasional use of coloured pencils. In the mid-60s this changed to magic markers. When working on a project under Sherwood Smith for a college campus, we drew the site plans with thin pen… Read More
Ronchamp: ‘Rough to the Touch’
28.02.2020
Ronchamp: ‘Rough to the Touch’28.02.2020
– Robin Evans, excerpted from ‘Comic Lines,’ in The Projective Cast: Architecture and its Three Geometries (London: MIT Press, 1995), 282.
ETH Zurich: Casting the Cornice in Ticino
08.01.2020
ETH Zurich: Casting the Cornice in Ticino08.01.2020
– Emma Letizia Jones and Erik Wegerhoff
From the fifteenth century onwards, the Swiss region of Ticino was famous for its stuccatori – the skilled decorative plaster workers that migrated down to Italy in search of work ornamenting the great palaces and churches of the Renaissance. Further generations of these craftsmen made their way over the Gotthard pass to… Read More
Marie-José Van Hee: Drawn Closer
02.01.2020
Marie-José Van Hee: Drawn Closer02.01.2020
Towards the end of my architectural studies in the late 1960s I moved into a little house near the Prinsenhof neighbourhood of Ghent. My neighbours were Ghent people, and my landlord owned the whole block. Every month he would collect rent, and although he didn’t talk to most people, he… Read More
Liquid Paper
15.11.2019
Liquid Paper15.11.2019
In The Praise of Hemp-Seed, John Taylor – the self-styled Jacobean ‘water poet’ – at one point asks why poets have never sung the virtues of the plant before. It is, he answers himself, because their words run dry in the face of the limitless goods it brings – ‘the… Read More
Writing Prize 2020: Appropriation and Drawing
13.11.2020
Writing Prize 2020: Appropriation and Drawing13.11.2020
– Marko Skoblar
Similar to many of Rossi’s drawings, the Urban Fragment presents us with a collection of his most cherished forms – a primordial tower, the hand of a saint, and fragments of his own projects, such as the Gallaratese 2 housing complex in Milan and the Cemetery of San Cataldo. In… Read More
DMC drawing matter writing prize 2020