Medium: drawing
Drawing for James Stirling
20.12.2022
Drawing for James Stirling20.12.2022
Looking back forty years or so on my time in the basement of Jim Stirling’s office in Gloucester Place feels like travelling centuries. Today it is inconceivable that a world-renowned architect and Pritzker Laureate would show a client around the office wanting him to look at the equipment and be… Read More
fala: butterflies
19.12.2022
fala: butterflies19.12.2022
– fala
This is the final of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Every discussion ends in a few drawn lines as words don’t do the job as well. A project is usually sketched between the lines that… Read More
The Garden Transcripts
16.12.2022
The Garden Transcripts16.12.2022
For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More
The Wessex Project: Thomas Hardy, Architect: Part I
12.12.2022
The Wessex Project: Thomas Hardy, Architect: Part I12.12.2022
This is the first of three extracts, each a series of vignette studies, that we will publish over the next few weeks; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as… Read More
DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope
09.12.2022
DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope09.12.2022
In 1739, the English poet Alexander Pope transformed his grotto – a subterranean passage that used to consist of a cryptoporticus with architectural orders – into ‘a mine’. Minerals were encrusted into the walls in a manner that imitated those found underground. Previous scholars have considered this to be a… Read More
Gothic Sublime
01.12.2022
Gothic Sublime01.12.2022
For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More
W. R. Lethaby: The Church of Sancta Sophia, Constantinople
28.11.2022
W. R. Lethaby: The Church of Sancta Sophia, Constantinople28.11.2022
This is the third text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. William Lethaby’s second book, The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building, published in 1894, could hardly have started on its subject more emphatically, ‘Sancta Sophia is the most… Read More
DMJ – Borromini’s Smudge
15.11.2022
DMJ – Borromini’s Smudge15.11.2022
This text, published alongside Bernhard Siegert’s article ‘From Landscape to Mapscape: Robert Smithson’s Maps’ marks the launch of the first and second issues of DMJournal–Architecture and Representation. Over the coming months, we will be publishing articles from both DMJ 1: The Geological Imagination and DMJ 2: Drawing Instruments/Instrumental Drawings. The… Read More
DMJ – From Landscape to Mapscape: Robert Smithson’s Maps
15.11.2022
DMJ – From Landscape to Mapscape: Robert Smithson’s Maps15.11.2022
This text, published alongside Jonathan Foote’s article ‘Borromini’s Smudge’, marks the launch of the first and second issues of DMJournal–Architecture and Representation. Over the coming months, we will be publishing articles from both DMJ 1: The Geological Imagination and DMJ 2: Drawing Instruments/Instrumental Drawings. The Geological Imagination will be published… Read More
fala: execution drawings
07.11.2022
fala: execution drawings07.11.2022
– fala
This is the fifth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Construction documents include an array of scales. General drawings, partials, maps, details, and indexes are loaded with intentions and manic descriptions. They are supposed to… Read More
Drawing Conversations: Letters to Clients
26.10.2022
Drawing Conversations: Letters to Clients26.10.2022
In October 1925 Le Corbusier wrote to his client Madame Meyer a remarkable letter about his proposal with Pierre Jeanneret for her villa. It combined drawings with a highly scripted text that carefully guided her through each space, from the entrance to the roof garden. Like the pioneers of early… Read More
W. R. Lethaby: The Builder’s Art and the Craftsman
24.10.2022
W. R. Lethaby: The Builder’s Art and the Craftsman24.10.2022
This is the second text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Dissatisfied with his first book, Architecture, Mysticism and Myth, a year later William Lethaby indicated a significant shift in thinking with the essay, ‘The Builder’s Art and the Craftsman’. The text… Read More
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing
21.10.2022
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing21.10.2022
– Federica Goffi and Devon Moar
The bee drawing(s) by Devon Moar illustrate that changes in scale imply a passage of time. One drawing here becomes many drawings, each marking a different moment of discovery unfolding a process. One could say that when it comes to architectural media, there are two types of scales dealing with… Read More
Vilanova Artigas: Drawing Models – Review
20.10.2022
Vilanova Artigas: Drawing Models – Review20.10.2022
The basement exhibition space at F’AR Lausanne is dominated by a forest of delicate metal and glass tilting tables within which drawings have been placed. When rotated from the horizontal, they give the large, artificially lit room the feeling of a drawing studio at the end of the day; the… Read More
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism
19.10.2022
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism19.10.2022
As my title indicates, this text will focus on John Hejduk’s Silent Witnesses project from the mid-1970s, but I want to approach it in the first instance by way of Roland Barthes’s reflections on the ‘Neutral’. This is the topic of the lectures that Barthes delivered at the Collège de France… Read More
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář
04.10.2022
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář04.10.2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More
fala: comprehensive
03.10.2022
fala: comprehensive03.10.2022
– fala
This is the second of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Normally, a project is depicted through a series of plans, sections, elevations, and some axonometric drawings, perhaps – every aspect of it explained and documented. We… Read More
Superstudio’s Collage Chest: A Chance Machine
26.09.2022
Superstudio’s Collage Chest: A Chance Machine26.09.2022
In 1968 Adolfo Natalini’s partner, Frances Brunton, returned to Florence from London with their newborn daughter and a small wooden chest with five drawers. On three sides of the chest, Natalini hand painted sky-blue flowers on an orange background. The chest of drawers was then taken to the Superstudio-studio in… Read More
Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture
23.09.2022
Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture23.09.2022
– Editors
These three sketches are from a sketchbook that Robert Maxwell used while studying at the Liverpool School of Architecture in 1944. They are reproduced here to mark the publication of Robert Maxwell: the Letter, the Lost Sketchbook and the Lecture, edited by Celia Scott, which is now available through Drawing… Read More
Where in the World are We? Melbourne Venice Studios 2022
22.09.2022
Where in the World are We? Melbourne Venice Studios 202222.09.2022
Remote teaching as a pandemic consequence has already been a theme for Drawing Matter, in the January 2022 Melbourne University Venice Workshop it reached an almost surreal zenith. Remoteness is fundamental to Australia, whether the extreme separations of the outback or a pre-digital geographic estrangement from global cultural discourses. At… Read More
fala: the single line
19.09.2022
fala: the single line19.09.2022
– fala
This is the first of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. It started from a rather liberating decision to omit thicknesses. Gradually, all the information that wasn’t central to our thinking was removed, avoiding any celebration… Read More
After the Revolution: Dugourc in Spain
16.09.2022
After the Revolution: Dugourc in Spain16.09.2022
After Jean Démosthène Dugourc’s forays into revolutionary paperwork, his return to silk and his migration to Spain to work for the Bourbons in 1800 places pressure on understanding his revolutionary activities, and whether he indeed had but briefly dabbled in the politics of the period before ultimately wishing, in his… Read More
Dugourc’s Playing Cards
14.09.2022
Dugourc’s Playing Cards14.09.2022
After the journée of 10 August, Jean Démosthène Dugourc sought to distance himself from Etienne Anisson-Dupéron. He turned his attention from wallpaper to playing cards, leasing a space with his Jacobin business partner Urbaine Jaume in the former warehouse of the Académie royale de musique, down the street from the… Read More
Useless Terrain: The Ballynagrenia and Ballinderry Bog
07.12.2022
Useless Terrain: The Ballynagrenia and Ballinderry Bog07.12.2022
– Joseph Heffernan
Every hectare of drained peatland emits two tonnes of carbon a year. Known peatlands only cover about 3% of the world’s land surface, but they store at least twice as much carbon as all of Earth’s standing forests. Cutting turf for fuel has been practiced for centuries, and communities have… Read More
education land exhibition landscape