Medium: drawing
The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part II
17 June 2022
The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part II17 June 2022
This is part two of two posts pairing Freddie Phillipsons’s drawings from The Ulysses Project with excerpts from James Joyce’s landmark novel. The drawings are on display at the Irish Architectural Archive, Dublin, until 19 August 2022. The exhibition is part of Ulysses100, an international programme of events celebrating 100 years… Read More
The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part I
16 June 2022
The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part I16 June 2022
This is part one of two posts pairing Freddie Phillipsons’s drawings from The Ulysses Project with excerpts from James Joyce’s landmark novel. The drawings are on display at the Irish Architectural Archive, Dublin, until 19 August 2022. The exhibition is part of Ulysses100, an international programme of events celebrating 100 years… Read More
Benjamin Wistar Morris and a new Metropolitan Opera House
10 June 2022
Benjamin Wistar Morris and a new Metropolitan Opera House10 June 2022
A recent acquisition of six drawings by the American architect Benjamin Wistar Morris reveals his long involvement with one of the most important urban projects of the twentieth century. Morris’s role in this project was a highlight of his career although he has not been widely associated with it. A… Read More
The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Introduction
8 June 2022
The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Introduction8 June 2022
This text introduces The Ulysses Project by architect Freddie Phillipson, his exploration of the relationship between the buildings of Dublin and James Joyce’s landmark novel. The drawings are on display at the Irish Architectural Archive, Dublin, from 17 June – 19 August 2022. The exhibition is part of Ulysses100, an international… Read More
The Anatomy of the Architectural Book: Magical Moves
6 June 2022
The Anatomy of the Architectural Book: Magical Moves6 June 2022
In 1586 Domenico Fontana completed the extraordinary task, commissioned by Pope Sixtus V, of moving the Vatican obelisk. The structure was said to have a ‘mysterious magic of an unknown civilization’, accepted by Christians due to the belief that it had witnessed the martyrdom of Saint Peter. In this text, André… Read More
Opportunism
2 June 2022
Opportunism2 June 2022
– Richard Hall and Emma Rutherford
While declaring explicitly architectural intentions (especially in the beginning), the enthusiastic appropriation of technologies and techniques peripheral to architecture has been a constant theme in OMA’s work. In 1976, Elia Zenghelis commented on the role of the telephone in their design process. [1] The photocopier and commercial printing would open up… Read More
Les Fêtes de Nuit (1937)
30 May 2022
Les Fêtes de Nuit (1937)30 May 2022
This is the best concise account of the technical sophistication behind the light and water installations created along and beside the Seine, for the Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937). We have added a group of gouache drawings by the architect René-André Coulon, made in the design phase for… Read More
William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England
18 May 2022
William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England18 May 2022
During the upheavals of the Civil War, Westminster Abbey had functioned as the church of the state for the Commonwealth. Upon the Restoration of Charles II, the Abbey resumed its historic role as the coronation church for English monarchs. [1] Parliament voted towards restoring the fabric, reinstituting its monarchical function… Read More
Robert Adam: The Long Gallery at Syon
13 May 2022
Robert Adam: The Long Gallery at Syon13 May 2022
– Stephen Astley, Adriano Aymonino, Markus Lähteenmäki and Frances Sands
On 18 December 2015, Frances Sands and Stephen Astley took out two leather-bound volumes from the Robert Adam Archive and laid them on the long table in the first-floor library at Sir John Soane’s museum. Adriano Aymonino and Markus Lähteenmäki, the initiators and editors of the Soane Oral Project, joined… Read More
Fernando Higueras: The Volcano, The Flower, and The Dromedary
9 May 2022
Fernando Higueras: The Volcano, The Flower, and The Dromedary9 May 2022
From eighteenth century primitive huts to the rise of barn living in the 1970s, buildings have served as the conceptual boundary between primordial formlessness and the organised world. But what if architecture begins with the very nature that it was invented to exclude? In 1971, the Madrilenian architect Fernando Higueras… Read More
Do You Remember How Perfect Everything Was? The Work of Zoe Zenghelis (2021) – Review
26 April 2022
Do You Remember How Perfect Everything Was? The Work of Zoe Zenghelis (2021) – Review26 April 2022
During the spring and summer of 2021, a two-part exhibition of the work of Zoe Zenghelis was shown in London. The first show was an enjoyably intimate immersion at Betts Project in Clerkenwell. The second, a more extensive review at the Architectural Association. Later that year a thick, crisply designed… Read More
Syon House and the Afterlife of Architectural Drawing
22 April 2022
Syon House and the Afterlife of Architectural Drawing22 April 2022
His writing is not about something; it is that something itself. [1] I knew very little about the eighteenth-century architect Robert Adam prior to June 2014. When challenged to respond to his drawings of the Long Gallery at Syon House, my impulse was to visit and draw my way through… Read More
‘For the curiosity of the article’: Excerpts from Architectural Drawing (1870)
19 April 2022
‘For the curiosity of the article’: Excerpts from Architectural Drawing (1870)19 April 2022
The following introductory text and drawings are reproduced from William Burges’ Architectural Drawing (1870). Each of the drawings has been chosen for its graphic interest or for the content of Burges’ commentary – which covers the problems of surveying buildings, the limits of nineteenth-century book printing, and his personal curiosity in… Read More
The Ruined Temple and Oberrealta Chapel
14 April 2022
The Ruined Temple and Oberrealta Chapel14 April 2022
The plans of the Ruined Temple and Oberrealta Chapel were drawn nearly two hundred years apart, and yet they both speak to the Ruskian timelessness of the ruin. The temple and chapel are representative of their respective ages, with the former alluding to Romanticism’s longing for a pastoral past free… Read More
The Being of Drawing (2021) – Review
4 April 2022
The Being of Drawing (2021) – Review4 April 2022
Joe Graham’s The Being of Drawing is the most recent book published by Marmalade Publishers of Visual Theory, the small press founded by the architect Gordon Shrigley in 2004. Marmalade’s catalogue of published titles challenges expectations of what a publishing house might be; to date, it has produced 12 books,… Read More
In the Archive: Laugier, Eisen, Boulogne, Petitot, Percier, Dumont and Hadid
22 March 2022
In the Archive: Laugier, Eisen, Boulogne, Petitot, Percier, Dumont and Hadid22 March 2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. On a crisp January morning I made my way to York railway station to visit… Read More
Wood & Harrison: A Film About a City
21 March 2022
Wood & Harrison: A Film About a City21 March 2022
– Paul Harrison and John Wood
We are not architects. I mean, if you insist, we could probably knock something up, but we are not that good at maths, and not really that great with materials. ‘Wood and Harrison – Architects. You’ll be knocked out by our buildings’. But we have always been interested in architecture.… Read More
Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review
17 March 2022
Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review17 March 2022
From the frescoes of Pompeii to the Great Hall of Siedlecin, from the Book of Kells to the Book of Hours, architecture has been depicted in full colour. Where colour has been largely absent in the history of architectural representation, however, is in the more technical drawings of architects themselves.… Read More
Entering the Imperial Palace
16 March 2022
Entering the Imperial Palace16 March 2022
‘What a subject for John Martin!’ exclaimed a passer-by, as the hungry flames flickered up York Minster. Maybe they had in mind his apocalyptic painting The Fall of Nineveh, exhibited that same year at the Western Exchange on Old Bond Street and reproduced widely as a mezzotint print. Unbeknown to… Read More
Exhibition Design: Charging the Void
9 March 2022
Exhibition Design: Charging the Void9 March 2022
Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More
Room at the Top?: Kate Macintosh, Denise Scott Brown and the kingmaker-critic
7 March 2022
Room at the Top?: Kate Macintosh, Denise Scott Brown and the kingmaker-critic7 March 2022
All creative disciplines rely on the mythologies of heroes: intellectual bigwigs who shape a profession’s academic and visual frameworks. A lengthy period of university study gives plenty of time for architecture students to ruminate on which white, male ‘guru’ to call their own — Corb, Aalto, Rossi, Scarpa? Drawings are… Read More
The Evolving Role of Drawing
29 April 2022
The Evolving Role of Drawing29 April 2022
– Nicholas Olsberg
This text was first published in The Architectural Review in 2013. Carlo Scarpa, in a famously infamous gesture, opened all his courses in design at the University of Venice by demonstrating the art of sharpening a pencil. That was the precise point, he claimed, from which all architecture proceeds. And… Read More
sketch theoretical & imaginary education DMC