Period: c21st
Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance
04.11.2021
Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance04.11.2021
Negatives Of the 120,027 items included in the archives of the Centre Pompidou in Paris, 16,010 are part of the collection called ‘Architecture’, and 22,877 are filed as ‘Negative film’. Astonishingly, only one entry sits in both: ‘Ensemble de 12 négatifs couleur (4 pour le projet Bizan, 6 pour le… Read More
Alberto Ponis on Casa Scalesciani
27.10.2021
Alberto Ponis on Casa Scalesciani27.10.2021
The site chosen by Juan S., an Argentinian with a penchant for Italy, was almost alarmingly steep and sheer above the sea. Even the path leading to it was perilous, and trodden with bated breath. During our long conversations about where the house would be built, we were not so… Read More
Hélène Binet: The Intimacy of Making, Three Historical Sites in Korea (2021): Review
25.10.2021
Hélène Binet: The Intimacy of Making, Three Historical Sites in Korea (2021): Review25.10.2021
What is a myth, today? I shall give at the outset a first, very simple answer, which is perfectly consistent with etymology: myth is a type of speech.– Roland Barthes, Mythologies, 1957 This seemingly simple book is a thought-provoking collection of things. There is a lot of room for implication… Read More
The Hidden Horizontal. Cornices in Art and Architecture: Exhibition Review
18.10.2021
The Hidden Horizontal. Cornices in Art and Architecture: Exhibition Review18.10.2021
Architecture is never an easy topic for exhibitions, because the level of knowledge and pre-existing interest of the public is difficult to gauge. A show devoted specifically to a single architectural detail, seen across a historic panorama, is even more challenging. But this is the ambition of ‘The Hidden Horizontal:… Read More
Lines, Drawings, the Human Condition
13.10.2021
Lines, Drawings, the Human Condition13.10.2021
– Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo
This conversation between Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo was first published, in German translation, in issue 238 of ARCH+ (March 2020). Drawing Matter would like to thank the editors of ARCH+ for allowing us to publish the original English version of the text. Momoyo Kaijima: With… Read More
Doodles: Stirling Wilford and Associates, 1984–2000
12.10.2021
Doodles: Stirling Wilford and Associates, 1984–200012.10.2021
The architectural trajectory of James Stirling has always been considered that of the individual genius, whilst acknowledging his close links to certain educational and working companions: his lifetime maestro Colin Rowe; the partners James Gowan and Michael Wilford, and the Associates, Laurence Bain and Russell Bevington. Without diminishing the importance and the inspirational role of… Read More
Christoph Schlingensiefs Operndorf Afrika (2020): Review
27.09.2021
Christoph Schlingensiefs Operndorf Afrika (2020): Review27.09.2021
The Opera Village is a complex located thirty kilometres from the capital of Burkina Faso that was initiated by the late German film, theatre, and opera director, author, and action artist, Christoph Schlingensief and envisioned as a site centring African artists and enabling cross-cultural creative exchange. The ever-expanding project combines… Read More
Writing Prize 2021: Reading Material
23.09.2021
Writing Prize 2021: Reading Material23.09.2021
This is a narrative of listening: listening to materials, processes, place and self. When you sit in a room and read a book you are not looking at your environment – you perceive, touch, and smell its atmosphere and presence. Inadvertently, you register the space that surrounds you. During the initial… Read More
Clancy Moore Architects: Atcost
20.09.2021
Clancy Moore Architects: Atcost20.09.2021
– Andrew Clancy and Colm Moore
The Atcost project makes space for storage, education and performance, enabling a diverse range of activities to enhance the growing programme of Drawing Matter: summer schools, events, and away days for universities and practices. After noticing that the vast majority of these activities take place in summer, we proposed an… Read More
Notations (2016): Review & Excerpt
02.09.2021
Notations (2016): Review & Excerpt02.09.2021
Notations is a collection of pamphlets in a box. Curating the content in this manner has allowed the editors to present the publication as a physical representation of their thesis that the notebook is a device for the cultivation of individual worlds. The plurality is important. The pamphlets are collected… Read More
Pan Scroll Zoom 17: Monadnock
01.09.2021
Pan Scroll Zoom 17: Monadnock01.09.2021
– Job Floris and Fabrizio Gallanti
This is the seventeenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. Here, Fabrizio interviews Job Floris, co-founder of Mondanock, about their teaching studios at the EFPL and Harvard… Read More
The Silo at 40Hz
27.08.2021
The Silo at 40Hz27.08.2021
– Joe Banks and Jonah Ginsburg
DISINFORMATION, CLOSED CIRCUIT, 2021Video documentation recorded on August 1, 2021 – the last day of the installation. Headphones recommended. ‘Architecture is the simplest means of articulating time and space, of modulating reality and [of] engendering dreams’, and, perhaps paradoxically, in the silo at Shatwell, a familiar architectural form is re-purposed… Read More
Survey: Piazza Grande, Gubbio, Perugia
18.08.2021
Survey: Piazza Grande, Gubbio, Perugia18.08.2021
– Biba Dow
This painting was made in the early evening in the main square of the medieval town of Gubbio, in central Italy (Perugia). Reached by climbing up narrow winding streets, the Piazza Grande opens out as a belvedere to the southwest, looking across rooftops to the plain below the Apennine foothills.… Read More
Craving Primal Architecture
17.08.2021
Craving Primal Architecture17.08.2021
‘Architecture does not only respond to the functional and conscious intellectual and social needs of today’s city dweller; it must also remember the primordial hunter and farmer concealed in the body. Our sensations of comfort, protection and home are rooted in the primordial experiences of countless generations.’ [1] – Juhani Pallasmaa… Read More
Where to Begin? – Juhani Pallasmaa
12.08.2021
Where to Begin? – Juhani Pallasmaa12.08.2021
This is the first in a series revisiting responses from architects to the question: Where to Begin?. The question was posed by the Drawing Matter editors while compiling the first volume in our Extracts series – find more information here. Beginning to sketch a project has always been easier for me… Read More
Besides, History (2018): Book Review
09.08.2021
Besides, History (2018): Book Review09.08.2021
It has a lot to do with misinterpretation. There is no real truth in history. Everything you see belongs to the past and you interpret it in your own way. Its related to visiting buildings, but also to an abstraction in how you re-represent architecture, appropriating it in your own… Read More
Building the Gowan Shed
30.07.2021
Building the Gowan Shed30.07.2021
Through the week of July 12–17, thirteen young architects camped at Shatwell Farm in order to realise a shed from an enigmatic early drawing by James Gowan. The workshop was initiated and led by Maria-Chiara Piccinelli of PiM.studio and Corinna Dean of ARCA. This film portrays the (re)design and construction… Read More
Pan Scroll Zoom 16: Luis Callejas
28.07.2021
Pan Scroll Zoom 16: Luis Callejas28.07.2021
This is the sixteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. Here, Luis Callejas (LCLA OFFICE) discusses his teaching studios at the Yale School of Architecture and the… Read More
Postcards: The Nature of Images
21.07.2021
Postcards: The Nature of Images21.07.2021
Our vision is simultaneously determined by the (past) historical structure of the work and by the present structure of the gaze that examines it, in which the accumulated glimpses of history often continue to operate.– Daniel Arasse Writing a postcard is the simplest thing in the world. Among other things,… Read More
On Pristine Boxes and Primeval Huts
13.07.2021
On Pristine Boxes and Primeval Huts13.07.2021
Along with his Do Hit Chair (2000), a pristine stainless steel box measuring 1000 x 700 x 750 mm, Dutch-born designer Marijn van der Poll supplies a sledgehammer. In an act of brute physical force he requires the user to expressively sculpt his own seating morphology, not only allowing but… Read More
The Order of Terror
28.09.2021
The Order of Terror28.09.2021
– Deanna Petherbridge
This text is the fourth in a series by artist Deanna Petherbridge in which she comments on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Read the introduction to the series, here.… Read More
drawing as metaphor (series) art practice