Tag: furniture & object design

The Poetry of Concrete

The Poetry of Concrete

Lina Bo Bardi

The following text is reproduced from the catalogue to Lina Bo Bardi: The Poetry of Concrete, an exhibition of the architect’s drawings at the Tchoban Museum for Architectural Drawing, Berlin (1.06.2024 – 22.09.2024). Find more information, and purchase the catalogue, here. I was born in Rome, in Prati di Castello,… Read More

Hardman & Co.

Hardman & Co.

Sarah James

My interest in seeing the Hardman & Co. drawings at Drawing Matter was quite personally motivated as I feel a connection to the company. Partially, because I come from Birmingham where the company was based, and because I visited the studios informally in the 1980s with my parents. I was… Read More

MJ Long’s Doll House

MJ Long’s Doll House

Elena Palacios Carral

In 2018, I met the architect MJ Long at her home. Located in a building designed and constructed in the 1930s by Thomas Tait, it doubled as Long’s studio. It was formerly the home and studio of the sculptor Sir William Dick Reid; MJ Long and her husband Sandy (Colin… Read More

Drawing Construction: A Drawing Matter Workshop

Drawing Construction: A Drawing Matter Workshop

Niall Hobhouse, Manuel Montenegro and Amy Teh

This audio recording documents a workshop on construction drawings by architects architects and designers. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live in the Drawing… Read More

W. R. Lethaby: Apprenticeship and Education

W. R. Lethaby: Apprenticeship and Education

Hugh Strange

This is the fourth text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. The building sites of London in the late nineteenth century desperately lacked adequate skills, and this need was being addressed neither on the job nor through appropriate training. The first prospectus of… Read More

Objects That Meet

Objects That Meet

Lars Lerup

Revered objects that move about in design circles and are found in publications, museums, and galleries earn their status through persistence over time. Take two famous chairs, Gerrit Rietveld’s Red Blue chair of 1918–23 and Thomas Lee’s Adirondack chair of 1903. All chairs have met just by being chairs, but… Read More

Decoding Wittgenstein’s Stonborough Villa

Decoding Wittgenstein’s Stonborough Villa

Akira Koyama

God does not reveal himself in the world. The facts all belong only to the task and not to its performance. — Ludwig Wittgenstein [1] In the 1980s, the beginning of widespread personal computing, we didn’t buy readymade software like today. Every night found me frantically writing a thousand lines… Read More

Álvaro Siza: Seven Early Sketchbooks

Álvaro Siza: Seven Early Sketchbooks

Niall Hobhouse, Manuel Montenegro and Álvaro Siza

These films were made over four hours on the afternoon of Sunday 25 March 2018 in Álvaro Siza’s studio in Rua do Aleixo outside Porto. I had flown to Portugal that morning with the seven sketchbooks which we were to look through with Manuel Montenegro. Manuel and I had conceived… Read More

The Metropolitan Opera House, NYC: Invisible guests

The Metropolitan Opera House, NYC: Invisible guests

Kyna Leski

The purpose of poetry is to remind ushow difficult it is to remain just one person,  for our house is open, there are no keys in the doors,   and invisible guests come in and out at will.– Czesław Miłosz, from Ars Poetica? My father, Tad Leski, was an architect and designer for Wallace… Read More

On Pristine Boxes and Primeval Huts

On Pristine Boxes and Primeval Huts

Frank Bauer

Along with his Do Hit Chair (2000), a pristine stainless steel box measuring 1000 x 700 x 750 mm, Dutch-born designer Marijn van der Poll supplies a sledgehammer. In an act of brute physical force he requires the user to expressively sculpt his own seating morphology, not only allowing but… Read More

Superstudio & Piranesi: Zeno is Immortal

Superstudio & Piranesi: Zeno is Immortal

Olivier Bellflamme

It’s 1777 in the Italian region of Salerno, a man is resting on a massive Doric column, watching his two cows from the ruin of a temple where the weeds grow. This building was, a long time ago, considered as the house of Juno, goddess of fertility and the vital… Read More

Thomas Chippendale and Ornament

Thomas Chippendale and Ornament

Tom Cookson

‘[Ornament] omitted at pleasure,’ wrote Thomas Chippendale in a guide to his revolutionary The Gentleman and Cabinet Maker’s Director, the first furniture pattern book of its kind. Although initially considered an advertising tool, it quickly became an invaluable manual for craftsmen, with its clear dimensions and rigorously proportioned pieces open… Read More

The Birds’ Morning Hymn (1929)

The Birds’ Morning Hymn (1929)

Robert Lorimer

From a letter to The Times of April 18, 1929: At this season of the resurrection of Nature — that ever-fresh miracle — one thing happens that even keen bird-lovers seem hardly to appreciate to the full. I mean the birds’ Morning Hymn. We have all heard vaguely about ‘Bird… Read More

Buckminster Fuller: Geodesic Chandelier

Buckminster Fuller: Geodesic Chandelier

A Chevrolet Truck

A Chevrolet Truck

Stephen Bayley

It was the architect Philip Johnson who first compared cars to statuary. In the ‘Eight Automobiles’ show he curated at the Museum of Modern Art in 1951, he coined the expression ‘rolling sculpture’. Johnson was good at coinages: two decades before he had given us ‘the International Style’ to describe… Read More

Espelho Álvaro

Espelho Álvaro

Mário Botta

This mirror was among the objects, sketches and photographs at his great exhibition at Padiglione di Arte Contemporanea. Siza was in a corner of the hall with some friends. More than a thousand guests from the Milano-bene (well-to-do Milanese) had come for a vernissage with fur coats, television spotlights, beautiful women, men… Read More

Surface-oriented

Surface-oriented

Rosa Nussbaum

My desk is a bit like an island: it could just as well be in some other country as here. —Italo Calvino The here in question is a narrow room occupying the top floor of a three-storey house on the southern fringe of Montparnasse. Heavily laden bookshelves and strategically placed objets extend along the… Read More

Six Architects on their Dream Desks

Six Architects on their Dream Desks

Roz Barr, Biba Dow, Elizabeth Hatz, Emma Letizia Jones, Stephanie Macdonald and Helen Thomas

Drawing Matter recently acquired this design for a table, below. Although the work’s last sale in 1972 attributed the drawing to Thomas Chippendale, we are (perhaps wishfully) hoping that it might be an architect’s own design for desk. The sheet set off a flurry of chatter about the platonic spaces… Read More

Ernest Gimson: Against Hotch-Potch

Ernest Gimson: Against Hotch-Potch

Annette Carruthers, Mary Greensted and Barley Roscoe

When Ernest Gimson applied to join the Art Workers’ Guild in 1891 he described himself as a ‘decorator’, and it is clear that interior decoration and furnishing remained vital to him throughout his life as part of his vocation as an architect. His were not the fully coordinated decorative schemes… Read More

The Difficulty of Designing Furniture

The Difficulty of Designing Furniture

Álvaro Siza

I Architecture: a tree here, a house there, or a temple; on the right a hill, or plain, sea, river; a bridge, regular outline of this street, the irregularity of another; colour, rhythms, climate, this client; yellowing photograph, parchment, power, marginality.Not as a matrix. Provocation, hence vocation to distort, to… Read More

Giò Ponti: Plan chest designs, c.1955

Giò Ponti: Plan chest designs, c.1955

Le Corbusier and the Poetry of Objects

Le Corbusier and the Poetry of Objects

Danièle Pauly

The consideration of objects shapes the mind, providing it with resources: sliced butcher’s bones, shells that are whole or broken by the tides. . . . Nature also teaches sharpness, the rigour of functions. — Le Corbusier, Unité [1] Around 1928, Le Corbusier abandoned the universe of manufactured objects, having exhausted all… Read More

On Architectural Drawing: Lina Bo Bardi and Beyond

On Architectural Drawing: Lina Bo Bardi and Beyond

Marcelo Ferraz

Please, draw a hand with three fingers folded and the index finger pointing, so that we can make the signs for the toilets and exits’, Lina Bo Bardi instructed me, but I hesitated. Timid in the early days of my internship and not knowing how to draw, I was being… Read More

Charles Percier

Charles Percier

Niall Hobhouse

Design for a Samovar The drawing is preparatory for the samovar in silver-gilt, eventually executed in 1808 by Henry Auguste for Queen Hortense (Les Grands Orfevres de Louis XIII a Charles X, Paris 1965, p. 273). The piece bears the marks of the years 1795–8, and 1798–1809. The design was… Read More