Tag: plan

Steeling Stirling & Gowan’s Isle of Wight House

Steeling Stirling & Gowan’s Isle of Wight House

Neil Jackson

The editors were thrilled to receive this response from Neil Jackson to our publication of drawings and literature relating to Stirling & Gowan’s Isle of Wight house. We are always interested in receiving comments and feedback from our readers: editors@drawingmatter.org.  In taking the plan of the Stirling & Gowan’s Isle… Read More

Stirling & Gowan: The Isle of Wight House

Stirling & Gowan: The Isle of Wight House

James Gowan, J. M. Richards, Laurent Stalder, James Stirling and Ellis Woodman

This first impetus for this article was provided by Laurent Stalder’s discussion of the sectional perspective drawing for the Isle of Wight house, reproduced here, which led us to J. M. Richards’ seminal essay, and then onward through the literature. In addition, we asked the Deutsches Architekturmuseum and the Canadian… Read More

Keeping a Notebook

Keeping a Notebook

Simon Unwin

Looking into other people’s notebooks is to witness moments of creative exploration and growth. A graphic facility in others can provoke envy, but being given access into someone else’s mind and seeing where it wanders is always stimulating. As the examples published by Drawing Matter illustrate, architects’ notebooks harbour many… Read More

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More

Le Palais de Darius a Persepolis

Le Palais de Darius a Persepolis

Charlotte Hart

This study of Le Palais de Darius a Persepolis was made by Pascal Coste (b. 1787 Marseille, France) in 1840 as part of an archeological survey of the Persian City of Persepolis. Through a combination of plan and perspective, Coste portrayed the symmetrical arrangement and elaborate construction of the ancient… Read More

Keshi Ghat

Keshi Ghat

Amrutha Viswanath

Seeing is a reaching out, a kind of metaphorical touching that involves one’s whole being and is reciprocal. Amita Singh  If you hadn’t read the title of the drawing, you would have probably guessed that this would have been a riverfront mosque in India. I did too. The courtyards reminding… Read More

The Beaux-Arts Tradition

The Beaux-Arts Tradition

Basile Baudez and Maureen Cassidy-Geiger

The following text has been excerpted from Living with Architecture as Art, the recently published catalogue of Peter May’s collection of drawings, models and architectural artefacts. The catalogue is edited by Maureen Cassidy-Geiger and published in two generously illustrated volumes. The first volume includes essays by Maureen Cassidy-Geiger, Basile Baudez,… Read More

Peter Märkli: My Facade Material

Peter Märkli: My Facade Material

Editors

The following quotations are from ‘Mein Stoff für Fassaden (My Facade Material)’, a lecture delivered online by Peter Märkli to open a series of five talks for the Architecture Foundation. The quotations are presented here in a loose fashion, some treated as aphorisms about design, others illustrated with drawings from… Read More

Adam Bede’s ‘Discourse on Building’ (1859)

Adam Bede’s ‘Discourse on Building’ (1859)

George Eliot

This speech on building – and architects – was made by Adam to Mr Poyser in Chapter 49 of George Eliot’s novel. It was pointed out to us by the Eliot scholar, Dermot Coleman, who added that ‘it is generally a safe bet that views on such matters expressed by Adam… Read More

Remembering a House in an Indiana Cornfield

Remembering a House in an Indiana Cornfield

Larry Richards

Dear Nicholas, It was wonderful to connect to your seminar and with you. We must catch up soon. I learned a lot from your presentation. And it brought back a flood of memories. Just now I quickly sketched the open plan house my father designed and had built in 1946,… Read More

André Arbus: Details Matter

André Arbus: Details Matter

Anna Healy

These presentation drawings – polished, finished, complete – were drawn by André Arbus in the 1950s. They are of a compact, open-plan apartment. Although they are not design drawings, they reveal a lot about the process of design. They communicate thought and care and suggest many drawings have come before them.… Read More

Working with Gowan: Housing at East Hanningfield

Working with Gowan: Housing at East Hanningfield

Paul Notley

The Site Plan was one of the Planning drawings prepared for submission to Chelmsford District Council and Essex County Council. It is A1 size and drawn on Wiggins Teape 112 gram ‘Gateway’ tracing paper. The East Hanningfield job was the first on which ‘A’ sized paper had been used in… Read More

The Floor Plan of a Room

The Floor Plan of a Room

Thomas Hutton

Drawn from memory, the floor plan of a room in which two plan chests stand apart like two rectangular islands, plain-faced in plan but each one a tower of uncountable lines, paper upon paper suspended and preserved within the pellucid sleeves of polyester where they lie dormant and entombed as… Read More

The MARS Group’s Plan for London, 1933-1944

The MARS Group’s Plan for London, 1933-1944

Mirjam Kupferschmid

Collaboration within the field of architecture is as important as ever before. Construction projects grow increasingly complex, and pressing social issues need addressing. Yet we think of architects as unique and outstanding personalities that profoundly shape our built environment. This image of the architect as ‘genius’ is more present among… Read More

Stanley Peach: Church Plan based on the Figure of Christ

Stanley Peach: Church Plan based on the Figure of Christ

Mireya Fabregas

Charles Stanley Peach’s watercolour over pencil painting is executed by overlaying two forms of religious representation: figural images over a church plan reflecting a ceiling plan. The figurative depictions narrate accounts of Christianity through various portrayals of Christ; the most prominent being God, benevolent, and Jesus crucified. Other portraits of… Read More

Pan Scroll Zoom 7: MOS

Pan Scroll Zoom 7: MOS

Fabrizio Gallanti, Michael Meredith and Hilary Sample

This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More

Re-presenting the Rococo

Re-presenting the Rococo

David Valinsky

In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More

Charlotte Skene Catling: The Dairy House

Charlotte Skene Catling: The Dairy House

Françoise Astorg Bollack

This project involved the enlargement of a nineteenth-century masonry dairy house built by the owner’s great grandfather for the estate’s cheesemaker. The addition fills a narrow space dug into the hill behind the existing house providing additional bedrooms, bathrooms, and more generous circulation spaces. The building sits in an 850-acre… Read More

Sir John Soane’s Museum: Bound Legacy

Sir John Soane’s Museum: Bound Legacy

Alexandra Politis

John Britton, a topographer and antiquarian by trade, began preparations to publish a guidebook to John Soane’s house-museum in 1825. The earliest mention of such an endeavour appears in a letter to Soane dated 3 November, in which Britton outlines his desire to ‘produce a vol to surprise the public, and… Read More

On Tony Fretton and the Lisson Gallery

On Tony Fretton and the Lisson Gallery

Nicholas Logsdail

A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More

Drawing Sacred Forests and Courtyards in South Benin

Drawing Sacred Forests and Courtyards in South Benin

Quentin Nicolaï

The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Quentin Nicolaï in Abomey, Benin, between January 2014 and June 2018. Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce… Read More

The Meaning of Lines

The Meaning of Lines

Laura Bonell and Daniel López-Dòriga

A series of seemingly abstract lines occupy the whole space of the paper. Each of them is formed by a thin black line that defines the geometry, accompanied by a thicker, semi-transparent brown line, which highlights it. Written annotations are placed on top, sometimes following the drawing’s wavy shape like… Read More

Vitruvius: Follow the Footprints

Vitruvius: Follow the Footprints

Paul Emmons

An intriguing Italian Renaissance drawing from the mid-sixteenth century has recently received critical attention through Drawing Matter. [1] Both the recto and the verso of the paper sheet have an ancient temple plan in perspective in a landscape setting, drawn in brown ink and attributed to the Sangallo circle as… Read More

Writing Prize 2020: Domestic Space, Registered

Writing Prize 2020: Domestic Space, Registered

Laura Bonell and Daniel López-Dòriga

Around 200 AD, a map of the city of Rome was carved on marble at a scale of approximately 1:240. It measured 18 meters wide by 13 meters high and comprised 150 marble slabs hung on an interior wall of the Templum Pacis. The Forma Urbis Romae or Severan Marble Plan, as… Read More