Category: design methodologies
Netherfield Scroll Two
28.08.2018
Netherfield Scroll Two28.08.2018
What follows here forms the second part of a two-part conversation. It has been extracted from the original email exchange between Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones in relation to the acquisition of the Netherfield Scroll, published in part one. The Netherfield Scroll – which measures 20… Read More
Drawing Out Gehry
20.08.2018
Drawing Out Gehry20.08.2018
There is something about the immediacy of drawing at a large size, standing in front of a drawing board that brings the quality and urgency of instant involvement with a subject in view. Drawing at a size in relation to your body allows for the drawing not to become object, treasured in hand,… Read More
Yacht Club Path
02.08.2018
Yacht Club Path02.08.2018
I The drawings have different stories. They don’t have a linear story, a beginning date and then a finished date at the end. Sometimes they are drawn in the beginning before the project is built and then continue during the construction of the project and sometimes too – actually, quite often… Read More
Onto an Epicycle of Cones
30.07.2018
Onto an Epicycle of Cones30.07.2018
This drawing is part of a series that interrogates the orthographic drawing techniques of Guarino Guarini (1624–1683) set out in his posthumous treatise, Architettura civile, (1737). While some of the drawings from the series deal with the direct documentation of his orthographic drawings, this particular drawing translates his written and drawn instructions… Read More
arq : plan, Stan Allen, Helen Mallinson, Niall Hobhouse
20.07.2018
arq : plan, Stan Allen, Helen Mallinson, Niall Hobhouse20.07.2018
arq & Drawing Matter To launch the collaboration with Drawing Matter, and in continued celebration of arq’s recent twenty-first anniversary, the first issue of Volume 22 opens with a collection of twenty-one pairs of plan drawings. Stan Allen, Niall Hobhouse, and Helen Mallinson chose the images in an intense one-day session.… Read More
Architectural Research Quarterly: Plan
13.07.2018
Architectural Research Quarterly: Plan13.07.2018
Volume 22, Issue 1 pp. 8–40 This issue of arq introduces the new collaboration with Drawing Matter. To launch the collaboration, and in continued celebration of arq’s recent twenty-first anniversary, this issue opens with a collection of twenty-one pairs of plan drawings. Stan Allen, Niall Hobhouse, and Helen Mallinson chose the images in… Read More
Freestanding: Sigurd Lewerentz
20.06.2018
Freestanding: Sigurd Lewerentz20.06.2018
Inhabiting and transforming the lozenge-like space of a long room in the heart of the Central Pavilion’s labyrinth, an installation by Petra Gipp creates a series of veiled rooms, corners and framed views, making spaces both ordered and complex. Everything is luminous. Light drops drops down from the skylights opened… Read More
Schinkel: ‘Precisely Loose’
19.06.2018
Schinkel: ‘Precisely Loose’19.06.2018
What light may Schinkel’s drawings shed on Building Information Modelling (BIM) practice? In 1806 the young Schinkel was asked to develop a residence design from a set of initial layout plans. He drew a façade section, a peristyle detail and a column capital, before the war began and the commission… Read More
Alberto Campo Baeza: Sketchbook No. 37
12.05.2018
Alberto Campo Baeza: Sketchbook No. 3712.05.2018
Drawings, personal notes and poems flow across nearly 170 little pages and three months of Alberto Campo Baeza’s life, recorded during 2010 in an architectural sketchbook that he presented to the V&A in 2015. While scripted predominantly in Spanish, much is penned in English in which Campo Baeza is fluent.… Read More
Empathy
08.05.2018
Empathy08.05.2018
Being that can be understood is language. – Hans-Georg Gadamer One of the items in the Drawing Matter collection is a notebook once owned by Álvaro Siza. In it is this sketch, made of the Royal Academy London, where he was asked to consider making some work for an exhibition.… Read More
Jørn Utzon’s Sydney Opera House
26.04.2018
Jørn Utzon’s Sydney Opera House26.04.2018
Somebody said the story about the orange is not right, but it is: he sent one of us over to the shop to buy an orange and he peeled it and took up the segments. Mogens Prip-Buus on Jørn Utzon and the Sydney Opera House
Elena Manferdini
17.04.2018
Elena Manferdini17.04.2018
The tryptic Ink on Mirror is part of a collection of elevation studies developed over the past three years by my office, Atelier Manferdini. My reason for compiling a suite of digital sketches was rooted in the belief that for the past twenty years computers have been able to produce new geometrical… Read More
David Kohn Architects
14.04.2018
David Kohn Architects14.04.2018
These two drawings of the Hounslow gate, however, belong to a different kind of drawing, which happens less frequently, possible only every few months. It often happens at a moment in the design process when progress is slowing, the range of issues we are exploring seems too restricted, a sense… Read More
Eurolandschaft Dérive
01.04.2018
Eurolandschaft Dérive01.04.2018
The format is Japanese: a concertina sketchbook presented empty to me by Akira Suzuki shortly after the 1983 completion of our Tokyo Suzuki House design. The drawing format is also Japanese – influenced by our reading of Tokyo (documented in Western Objects + Eastern Fields, AA 1989). Tokyo is difficult for… Read More
Niall McLaughlin
17.03.2018
Niall McLaughlin17.03.2018
ALZHEIMER’S RESPITE CENTRE, DUBLIN We had six sites to look at and we did a feasibility study for each one. We eventually ended up with one which in many ways is not very satisfactory for people with dementia because it is an eighteenth-century walled garden. But what we did was… Read More
Take Courage
08.03.2018
Take Courage08.03.2018
Architecture is born of experience, yet its realisation depends in no small measure on belief. Most buildings owe their existence primarily to evidence – the demonstrable proofs of the benefits they provide – for intuition must always be interrogated to justify the confidence placed in the architect. But the mysterious… Read More
AL_A: V&A Exhibition Road Quarter
05.03.2018
AL_A: V&A Exhibition Road Quarter05.03.2018
Farshid Moussavi’s brief for the Royal Academy of Arts Summer Exhibition asked for representations of the complexities of designing and realising buildings and structures. We illustrated this by overlaying each level of intervention in a different colour – from the existing V&A stonework in green, the services in purple, to the… Read More
Tony Fretton: Lisson Gallery 1
27.02.2018
Tony Fretton: Lisson Gallery 127.02.2018
84-7-1 is a singular image, a drawing of Lisson 1 seen from Lisson Street. It shows the back gallery as it was first intended – but which is not what it became, because the client kept buying land and adding to it. This sketch explores how a piece of architecture… Read More
Herzog & de Meuron
23.02.2018
Herzog & de Meuron23.02.2018
A pair of drawings – a plan and a still image from a digital model – act like X-rays revealing the hidden forces at play in a complex project that brings together public and private uses including concert halls, plazas, restaurants, hotel functions, and residences, all in one building. The… Read More
Notes on the Sketchbook
19.02.2018
Notes on the Sketchbook19.02.2018
When we talk about the sketchbook what do we mean? Its complexity is reflected in the difficulty we experience – in many examples, at any rate – in straightforwardly attaching a name to it, for there are times it might seem to be equally a notebook, a journal, a diary,… Read More
Carlos Diniz: United States Embassy, Moscow
14.02.2018
Carlos Diniz: United States Embassy, Moscow14.02.2018
The Commons Overview These drawings were exhibited in ‘Off Location: Drawings for the US Embassy, Moscow’, an impromptu exhibition held at Pushkin House from 13–28 February 2018. In conjunction with the exhibition, curator Tim Abrahams gave a talk entitled ‘Fiction and Reality in Moscow’ at Pushkin House.
Lütjens Padmanabhan Architekten: Swiss Ambassador’s Residence
14.02.2018
Lütjens Padmanabhan Architekten: Swiss Ambassador’s Residence14.02.2018
– Oliver Lütjens and Thomas Padmanabhan
There is an uncanny gap between the cold precision of a computer drawing and the confusing uncertainty of the design process. We try to bridge that gap with a collaborative method that includes a lot of discussions and the use of computer-prints, scalpel, glue, pencil and Tipp-Ex. The drawing above… Read More
Hugh Strange Architects: Drawing Matter Archive
02.10.2018
Hugh Strange Architects: Drawing Matter Archive02.10.2018
We worked on the design of the Drawing Matter Archive in Somerset from September 2011 through to completion of the building in February 2014, providing a building of two halves with a studio space for day-to-day working and an adjacent space for the storage and occasional display of the clients’… Read More
sketch presentation exhibition record Buildings Projects at Shatwell Farm