Category: drawing histories
Yacht Club Path
02.08.2018
Yacht Club Path02.08.2018
I The drawings have different stories. They don’t have a linear story, a beginning date and then a finished date at the end. Sometimes they are drawn in the beginning before the project is built and then continue during the construction of the project and sometimes too – actually, quite often… Read More
Onto an Epicycle of Cones
30.07.2018
Onto an Epicycle of Cones30.07.2018
This drawing is part of a series that interrogates the orthographic drawing techniques of Guarino Guarini (1624–1683) set out in his posthumous treatise, Architettura civile, (1737). While some of the drawings from the series deal with the direct documentation of his orthographic drawings, this particular drawing translates his written and drawn instructions… Read More
A Fragment of Wright’s Great City
16.07.2018
A Fragment of Wright’s Great City16.07.2018
Wright, Wagner and the Idea of the Great City We become greater in service to the general effect, more harmonious as part of the whole.– Frank Lloyd Wright, ‘To my European Co-Workers’, 1925 ‘I came upon the Secession during the winter of 1910,’ Wright wrote in An Autobiography, noting with great… Read More
Freestanding: Sigurd Lewerentz
20.06.2018
Freestanding: Sigurd Lewerentz20.06.2018
Inhabiting and transforming the lozenge-like space of a long room in the heart of the Central Pavilion’s labyrinth, an installation by Petra Gipp creates a series of veiled rooms, corners and framed views, making spaces both ordered and complex. Everything is luminous. Light drops drops down from the skylights opened… Read More
Schinkel: ‘Precisely Loose’
19.06.2018
Schinkel: ‘Precisely Loose’19.06.2018
What light may Schinkel’s drawings shed on Building Information Modelling (BIM) practice? In 1806 the young Schinkel was asked to develop a residence design from a set of initial layout plans. He drew a façade section, a peristyle detail and a column capital, before the war began and the commission… Read More
Talking to Drawings
08.06.2018
Talking to Drawings08.06.2018
Talking to Drawings was produced to accomapny the exhibition Disappear Here (RIBA, 2 May – 7 Oct 2018), which explored the history, application and implications of perspective, how it spans truth and illusion, linking the disciplines of art, architecture and mathematics, through material from the RIBA and Drawing Matter collections.… Read More
Elizabeth Hatz: Line, Light, Locus
23.05.2018
Elizabeth Hatz: Line, Light, Locus23.05.2018
This is a Drawing Room, a with-drawing room. It is simply a love-declaration to the architectural drawing. Four walls, three large doorways. One end calmer, the other more open. The first thing decided is a table-bench; the drawing flat on the tabletop – like when you draw it – and… Read More
Alberto Campo Baeza: Sketchbook No. 37
12.05.2018
Alberto Campo Baeza: Sketchbook No. 3712.05.2018
Drawings, personal notes and poems flow across nearly 170 little pages and three months of Alberto Campo Baeza’s life, recorded during 2010 in an architectural sketchbook that he presented to the V&A in 2015. While scripted predominantly in Spanish, much is penned in English in which Campo Baeza is fluent.… Read More
Empathy
08.05.2018
Empathy08.05.2018
Being that can be understood is language. – Hans-Georg Gadamer One of the items in the Drawing Matter collection is a notebook once owned by Álvaro Siza. In it is this sketch, made of the Royal Academy London, where he was asked to consider making some work for an exhibition.… Read More
Jørn Utzon’s Sydney Opera House
26.04.2018
Jørn Utzon’s Sydney Opera House26.04.2018
Somebody said the story about the orange is not right, but it is: he sent one of us over to the shop to buy an orange and he peeled it and took up the segments. Mogens Prip-Buus on Jørn Utzon and the Sydney Opera House
Remembered Space
22.04.2018
Remembered Space22.04.2018
A subtle and beguiling assemblage of recent works by Celia Scott is appropriately mounted on the plywood walls of the intimate Velorose Gallery, Charterhouse Square, London (13th April to 18th May 2018). Plywood, aluminium and carefully modulated surfaces that are revealed or obscured by spray paint are the stuff of… Read More
Elena Manferdini
17.04.2018
Elena Manferdini17.04.2018
The tryptic Ink on Mirror is part of a collection of elevation studies developed over the past three years by my office, Atelier Manferdini. My reason for compiling a suite of digital sketches was rooted in the belief that for the past twenty years computers have been able to produce new geometrical… Read More
David Kohn Architects
14.04.2018
David Kohn Architects14.04.2018
These two drawings of the Hounslow gate, however, belong to a different kind of drawing, which happens less frequently, possible only every few months. It often happens at a moment in the design process when progress is slowing, the range of issues we are exploring seems too restricted, a sense… Read More
Dominique Perrault Architecte
05.04.2018
Dominique Perrault Architecte05.04.2018
Pavilion Dufour, Château de Versailles, Developed Horizontal Wood Blades, Wall Covering began as a working document, resulting from the exchanges and developments between the acoustician, my team and the company engaged to build the acoustical panels covering the walls of the auditorium. This document immediately caught my attention because it seemed… Read More
Nicholas Grimshaw
05.04.2018
Nicholas Grimshaw05.04.2018
This axonometric of the Arthur Phillip High School illustrates the very inner workings of the building. Stripped bare of its materiality – the steel and concrete frame, the inner and outer facades and interior finishes – to reveal the network of elements which make the building come alive. These vital… Read More
Eurolandschaft Dérive
01.04.2018
Eurolandschaft Dérive01.04.2018
The format is Japanese: a concertina sketchbook presented empty to me by Akira Suzuki shortly after the 1983 completion of our Tokyo Suzuki House design. The drawing format is also Japanese – influenced by our reading of Tokyo (documented in Western Objects + Eastern Fields, AA 1989). Tokyo is difficult for… Read More
WilkinsonEyre
28.03.2018
WilkinsonEyre28.03.2018
This drawing presents a snapshot of the BIM model from the northern end of Battersea Power Station. Combined with a point cloud survey of the existing fabric, it overlays newer elements of construction with layers of the historic model. Careful selection of the information presented makes it possible to see… Read More
Niall McLaughlin
17.03.2018
Niall McLaughlin17.03.2018
ALZHEIMER’S RESPITE CENTRE, DUBLIN We had six sites to look at and we did a feasibility study for each one. We eventually ended up with one which in many ways is not very satisfactory for people with dementia because it is an eighteenth-century walled garden. But what we did was… Read More
R. Norman Shaw
11.03.2018
R. Norman Shaw11.03.2018
R. Norman Shaw (1831–1912) is commonly thought of as a domestic architect, but he built a fair number of churches, sixteen altogether, many of them original and remarkable in one way or another. There is an evolution in Shaw’s church designs from the emotional ardour of his earliest efforts, like… Read More
Take Courage
08.03.2018
Take Courage08.03.2018
Architecture is born of experience, yet its realisation depends in no small measure on belief. Most buildings owe their existence primarily to evidence – the demonstrable proofs of the benefits they provide – for intuition must always be interrogated to justify the confidence placed in the architect. But the mysterious… Read More
AL_A: V&A Exhibition Road Quarter
05.03.2018
AL_A: V&A Exhibition Road Quarter05.03.2018
Farshid Moussavi’s brief for the Royal Academy of Arts Summer Exhibition asked for representations of the complexities of designing and realising buildings and structures. We illustrated this by overlaying each level of intervention in a different colour – from the existing V&A stonework in green, the services in purple, to the… Read More
Louis Le Vau: Château de Meudon
01.03.2018
Louis Le Vau: Château de Meudon01.03.2018
– Basile Baudez, Alexandre Cojannot and Alexandre Gady
Built in the 16th century on the banks of the river Seine, west of Paris, the castle of Meudon stands amidst the great French Renaissance monuments that were ultimately destroyed. When it was bought by Abel Servien in 1654, the old castle – built under François I in brick and stone… Read More
Behind the Lines 6
13.08.2018
Behind the Lines 613.08.2018
– Philippa Lewis
Richard Bentley cracked open the red seal, smiling as he always did at the peculiar crest of a man in a ridiculous long-tasselled hat, and folded out the letter. His mood was anxious; he scratched his head nervously with one hand and knocked over the ink on his drawing table with… Read More
presentation domestic theatre behind the lines (series) creative writing DMC elevation