Medium: print
Drawing the Curtain: Entangling rendering and theatrical space
02.02.2021
Drawing the Curtain: Entangling rendering and theatrical space02.02.2021
Pliny the Elder recounted the following story in Naturalis Historia: The two great painters of classical Greece, Zeuxis and Parrhasius staged a contest to determine the greater painter. When Zeuxis unveiled his painting, the grapes he depicted appeared so real that a bird flew down to peck at them. When… Read More
Pan Scroll Zoom 6: Emily Wettstein
18.01.2021
Pan Scroll Zoom 6: Emily Wettstein18.01.2021
– Fabrizio Gallanti and Emily Wettstein
This is the sixth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Emily Wettstein, Design Critic in Landscape Architecture at Harvard University GSD. The… Read More
The Values of Profiles (1951)
08.01.2021
The Values of Profiles (1951)08.01.2021
Provoked by the assertion of rational architecture, the beginnings of modern non-figurative art coincide in time with the exclusion from the world of living forms of cornices and profiles, the most evidently ‘abstract’ elements of ancient architecture. At least two reasons may be relevant to this singular phenomenon: one is… Read More
Anna Atkins: Laying Out the Blueprints
21.12.2020
Anna Atkins: Laying Out the Blueprints21.12.2020
They began to bloom on websites a couple of years or so ago – stretching out on social media, unfurling in the arts sections. Pale alien shapes suspended in deep blue: something like lightning flattened in a flower press; a sleeping creature emerging from a cloud of coral; a spectral… Read More
Vitruvius: Follow the Footprints
07.12.2020
Vitruvius: Follow the Footprints07.12.2020
An intriguing Italian Renaissance drawing from the mid-sixteenth century has recently received critical attention through Drawing Matter. [1] Both the recto and the verso of the paper sheet have an ancient temple plan in perspective in a landscape setting, drawn in brown ink and attributed to the Sangallo circle as… Read More
Writing Prize 2020: Domestic Space, Registered
05.12.2020
Writing Prize 2020: Domestic Space, Registered05.12.2020
– Laura Bonell and Daniel López-Dòriga
Around 200 AD, a map of the city of Rome was carved on marble at a scale of approximately 1:240. It measured 18 meters wide by 13 meters high and comprised 150 marble slabs hung on an interior wall of the Templum Pacis. The Forma Urbis Romae or Severan Marble Plan, as… Read More
Collection of Sections
02.12.2020
Collection of Sections02.12.2020
The following drawings and commentaries have been excerpted from Visual Discoveries: A Collection of Sections (Oro Editions, 2020). The publication surveys the use of section drawings in the histories of architecture and other professions, from the 17th century to the present. More information on the book can be found here.… Read More
Outside In
23.11.2020
Outside In23.11.2020
Music plays from behind a curtain. Lights come on and you see that the curtain runs along two sides of a carpet whose centre hosts a leopard skin cushion. There is a chair at one side of the carpet and at the opposite end, a single column. Not before long… Read More
All back to front: D’Aviler’s Cours D’Architecture
09.11.2020
All back to front: D’Aviler’s Cours D’Architecture09.11.2020
In Louis de Boulogne’s drawing, now in the Drawing Matter collection, Architecture appears as a young woman. She sits leaning on an altar with a Corinthian capital at her feet, compasses in one hand and a portrait of Vignola in the other. Behind her are the ruins of Rome. It… Read More
Writing Prize 2020: To Measure a Croissant
09.11.2020
Writing Prize 2020: To Measure a Croissant09.11.2020
‘Through modesty, restraint, and measured discipline, immeasurable delights are made possible.’ James Corner, Taking Measures Across the American Landscape (1996) C. To measure a croissant, we might: 1.1 Evaluate all ingredients involved: flour, sugar, milk, yeast, salt and butter. 1.2 Count the number of folds the butter and dough must… Read More
Tree Speech
07.11.2020
Tree Speech07.11.2020
The following text is the fourth of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More
Palladio’s Lines
15.10.2020
Palladio’s Lines15.10.2020
Andrea Palladio’s Il Quattro Libri dell’architettura (Venice, 1570) is a seminal document in the history and theory of architecture. The treatise projects the knowledge of both architectural form and its image. The formation of this knowledge is documented within Palladio’s work textually and visually. The work conveys both the formation… Read More
Raymond Erith On Soane at Tendring Hall
13.10.2020
Raymond Erith On Soane at Tendring Hall13.10.2020
The following notes were composed by Pierre du Prey to accompany his gift of the sketches pictured above to Drawing Matter, 16 September 2020. The circumstances surrounding two detailed sketches by Raymond Erithof the John Soane gate lodges at Tendring Hall, Suffolk, remain stronglyimpressed on the tablets of my memory.… Read More
The Empire State Building: Elevators (1931)
13.10.2020
The Empire State Building: Elevators (1931)13.10.2020
The following was first published as ‘The Empire State Building: Shreve, Lamb & Harmon, Architects: VIII. Elevators’, Architectural Forum (January 1931). Drawing Matter would like to thank Nicholas Olsberg for sending us this text. Digital copies of Architectural Forum’s series on the Empire State Building can be found at usmodernist.org.
Writing Prize 2020: Figures of War
29.09.2020
Writing Prize 2020: Figures of War29.09.2020
Niccolò Machiavelli concludes his treatise on the art of war (Dell’Arte della Guerra, 1521) with a series of diagrammatic ‘figures’ illustrating the arrangements of troops known as ordinanze. Rather than using human silhouettes, the ordinanza links alphabetical signs to specific roles and positions of the soldiers, reducing the army to… Read More
Paul László: Hertz Fallout Shelter
31.08.2020
Paul László: Hertz Fallout Shelter31.08.2020
The mid-century architect Paul László knew what it was like to live in uncertain times. He served in both world wars, first for his native land and then for his adopted country. He was Hungarian-born and schooled in Vienna, and his earliest notable achievements were in Germany. László began to… Read More
The Story of the Pool (1978)
19.06.2020
The Story of the Pool (1978)19.06.2020
In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More
W. E. B. Du Bois’ visionary infographics
02.06.2020
W. E. B. Du Bois’ visionary infographics02.06.2020
In 1900 W.E.B. Du Bois travelled to the Exposition Universelle in Paris to present the ‘American Negro’, an exhibition that sought ‘to give, in as systematic and compact a form as possible, the history and present condition of a large group of human beings’. In addition to Du Bois, then… Read More
Architectural Typefaces
29.05.2020
Architectural Typefaces29.05.2020
It is a drawing of a C. A rather normal looking C, a bit condensed perhaps. Its thick and thin parts are distributed along a vertical axis, rather than a diagonal one, so in typographic terms it is a modern C. To me it also looks a bit British, because it only… Read More
Gallaratese & Fagnano Olona (1976)
26.05.2020
Gallaratese & Fagnano Olona (1976)26.05.2020
Two fragments of texts paired with two fragments of process. Writing in the May 1976 issue of Architecture + Urbanism, Rossi reflects on two projects: the Gallaratese Housing Complex, Milan and the Fagnano Olona in the Lombardy region. In both of the drawings placed alongside the architect’ s writing, the forms… Read More
Eisenman: House VI (1985)
21.05.2020
Eisenman: House VI (1985)21.05.2020
The design of House VI was partly the result of Eisenman’s attempt to reconcile linguistic theories with architectural design. His interest in the work of Noam Chomsky, especially his theories of syntax, led to the investigation of possible analogies between language and architecture, and particularly the syntactic aspects of architectural… Read More
The Ultimate Climes of John Lautner (1986)
04.05.2020
The Ultimate Climes of John Lautner (1986)04.05.2020
Extracted, with permission, from Piecing Together Los Angeles: An Esther McCoy Reader, published by East of Borneo Books © 2012. The publication is available at East of Borneo.
Grounded: Plans & Planning
29.04.2020
Grounded: Plans & Planning29.04.2020
– Richard Hall and Niall Hobhouse
The following is part of an email exchange between Niall Hobhouse and Richard Hall in response to Richard’s text on James Gowan and John Hejduk, One Thing Leads to Another. Niall Hobhouse: When you have time, I thought it would be interesting to encourage you to think about why it is… Read More
Sir John Soane’s Museum: Bound Legacy
09.02.2021
Sir John Soane’s Museum: Bound Legacy09.02.2021
– Alexandra Politis
John Britton, a topographer and antiquarian by trade, began preparations to publish a guidebook to John Soane’s house-museum in 1825. The earliest mention of such an endeavour appears in a letter to Soane dated 3 November, in which Britton outlines his desire to ‘produce a vol to surprise the public, and… Read More
section elevation publication correspondence letters ephemera drawing matter writing prize 2020 DMC plan